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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 35 / 40 / 0 / 55 it is the complementary color CMYK 3 / 0 / 25 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 35 / 40 / 0 / 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 35 / 40 / 0 / 55: CMYK 27 / 37 / 0 / 57, CMYK 25 / 33 / 0 / 49, CMYK 23 / 29 / 0 / 42, CMYK 22 / 26 / 0 / 35 and CMYK 20 / 24 / 0 / 27

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 35 / 40 / 0 / 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 35 / 40 / 0 / 55: CMYK 35 / 40 / 0 / 55, CMYK 40 / 47 / 0 / 62, CMYK 47 / 57 / 0 / 70, CMYK 59 / 74 / 0 / 77 and CMYK 82 / 100 / 0 / 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 40 / 0 / 55

HEX #4B4573

RGB 75 69 115

HSL 247.83, 0.25%, 0.36%

LAB 31.78, 14.29, -25.6

 

Complementary color

CMYK 3 / 0 / 25 / 27

HEX #B4BA8C

RGB 180 186 140

HSL 67.83, 0.25%, 0.64%

LAB 74.01, -9.82, 22.68

 

CMYK 27 / 37 / 0 / 57

HEX #50456E

RGB 80 69 110

HSL 256.1, 0.23%, 0.35%

LAB 32.01, 14.47, -22.07

 

CMYK 25 / 33 / 0 / 49

HEX #615781

RGB 97 87 129

HSL 254.29, 0.19%, 0.42%

LAB 39.48, 13.75, -22.11

 

CMYK 23 / 29 / 0 / 42

HEX #726994

RGB 114 105 148

HSL 252.56, 0.17%, 0.5%

LAB 46.74, 13.15, -22.2

 

CMYK 22 / 26 / 0 / 35

HEX #837BA7

RGB 131 123 167

HSL 250.91, 0.2%, 0.57%

LAB 53.79, 12.62, -22.34

 

CMYK 20 / 24 / 0 / 27

HEX #948DBA

RGB 148 141 186

HSL 249.33, 0.25%, 0.64%

LAB 60.69, 12.15, -22.51

 

CMYK 35 / 40 / 0 / 55

HEX #4B4573

RGB 75 69 115

HSL 247.83, 0.25%, 0.36%

LAB 31.78, 14.29, -25.6

 

CMYK 40 / 47 / 0 / 62

HEX #3A3360

RGB 58 51 96

HSL 249.33, 0.31%, 0.29%

LAB 24.04, 15.27, -25.77

 

CMYK 47 / 57 / 0 / 70

HEX #29214D

RGB 41 33 77

HSL 250.91, 0.4%, 0.22%

LAB 15.98, 16.55, -26.03

 

CMYK 59 / 74 / 0 / 77

HEX #180F3A

RGB 24 15 58

HSL 252.56, 0.59%, 0.14%

LAB 7.6, 18.2, -26.33

 

CMYK 82 / 100 / 0 / 85

HEX #070027

RGB 7 0 39

HSL 250.77, 1%, 0.08%

LAB 1.73, 11.13, -21.6

 

CMYK 35 / 40 / 0 / 55

HEX #4B4573

RGB 75 69 115

HSL 247.83, 0.25%, 0.36%

LAB 31.78, 14.29, -25.6

 

CMYK 29 / 40 / 0 / 55

HEX #514472

RGB 81 68 114

HSL 256.96, 0.25%, 0.36%

LAB 32.03, 16.55, -24.55

 

CMYK 22 / 40 / 0 / 55

HEX #594472

RGB 89 68 114

HSL 267.39, 0.25%, 0.36%

LAB 32.86, 19.17, -23.19

 

CMYK 15 / 40 / 0 / 55

HEX #614472

RGB 97 68 114

HSL 277.83, 0.25%, 0.36%

LAB 33.75, 21.85, -21.73

 

CMYK 9 / 40 / 0 / 55

HEX #684472

RGB 104 68 114

HSL 286.96, 0.25%, 0.36%

LAB 34.58, 24.24, -20.38

 

CMYK 35 / 40 / 0 / 55

HEX #4B4573

RGB 75 69 115

HSL 247.83, 0.25%, 0.36%

LAB 31.78, 14.29, -25.6

 

CMYK 35 / 40 / 0 / 35

HEX #6C64A6

RGB 108 100 166

HSL 247.27, 0.27%, 0.52%

LAB 45.71, 19.13, -34.48

 

CMYK 35 / 40 / 0 / 15

HEX #8E82D9

RGB 142 130 217

HSL 248.28, 0.53%, 0.68%

LAB 58.72, 24.54, -43.07

 

CMYK 38 / 38 / 0 / 95

HEX #08080D

RGB 8 8 13

HSL 240, 0.24%, 0.04%

LAB 2.3, 0.73, -1.99

 

CMYK 34 / 41 / 0 / 75

HEX #2A2640

RGB 42 38 64

HSL 249.23, 0.25%, 0.2%

LAB 16.74, 9.01, -15.87

 

CMYK 35 / 40 / 0 / 55

HEX #4B4573

RGB 75 69 115

HSL 247.83, 0.25%, 0.36%

LAB 31.78, 14.29, -25.6

 

CMYK 0 / 40 / 12 / 55

HEX #724464

RGB 114 68 100

HSL 318.26, 0.25%, 0.36%

LAB 35.27, 24.94, -10.41

 

CMYK 29 / 0 / 40 / 55

HEX #517244

RGB 81 114 68

HSL 103.04, 0.25%, 0.36%

LAB 44.52, -21.3, 21.79

 

CMYK 35 / 40 / 0 / 55

HEX #4B4573

RGB 75 69 115

HSL 247.83, 0.25%, 0.36%

LAB 31.78, 14.29, -25.6

 

CMYK 0 / 35 / 40 / 55

HEX #724A44

RGB 114 74 68

HSL 7.83, 0.25%, 0.36%

LAB 35.78, 16.22, 10.56

 

CMYK 40 / 0 / 35 / 55

HEX #44724A

RGB 68 114 74

HSL 127.83, 0.25%, 0.36%

LAB 43.88, -24.97, 17.35

 

CMYK 35 / 40 / 0 / 55

HEX #4B4573

RGB 75 69 115

HSL 247.83, 0.25%, 0.36%

LAB 31.78, 14.29, -25.6

 

CMYK 0 / 40 / 12 / 55

HEX #724464

RGB 114 68 100

HSL 318.26, 0.25%, 0.36%

LAB 35.27, 24.94, -10.41

 

CMYK 4 / 0 / 40 / 55

HEX #6D7244

RGB 109 114 68

HSL 66.52, 0.25%, 0.36%

LAB 46.58, -9.73, 24.85

 

CMYK 40 / 0 / 27 / 55

HEX #447253

RGB 68 114 83

HSL 139.57, 0.25%, 0.36%

LAB 44.07, -23.18, 12.33

 

CMYK 35 / 40 / 0 / 55

HEX #4B4573

RGB 75 69 115

HSL 247.83, 0.25%, 0.36%

LAB 31.78, 14.29, -25.6

 

CMYK 0 / 40 / 25 / 55

HEX #724456

RGB 114 68 86

HSL 336.52, 0.25%, 0.36%

LAB 34.77, 22.49, -2.28

 

CMYK 4 / 0 / 40 / 55

HEX #6D7244

RGB 109 114 68

HSL 66.52, 0.25%, 0.36%

LAB 46.58, -9.73, 24.85

 

CMYK 40 / 0 / 15 / 55

HEX #447261

RGB 68 114 97

HSL 157.83, 0.25%, 0.36%

LAB 44.41, -20.04, 4.48

 

Description

Color code: CMYK 35 / 40 / 0 / 55 | qconv.com Color code: CMYK 35 / 40 / 0 / 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 69 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 69 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 40 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 40% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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