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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 35 / 27 / 27 / 14 it is the complementary color CMYK 0 / 15 / 15 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 35 / 27 / 27 / 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 35 / 27 / 27 / 14: CMYK 7 / 0 / 3 / 37, CMYK 7 / 0 / 2 / 30, CMYK 7 / 0 / 2 / 23, CMYK 7 / 0 / 1 / 16 and CMYK 7 / 0 / 0 / 9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 35 / 27 / 27 / 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 35 / 27 / 27 / 14: CMYK 11 / 0 / 0 / 37, CMYK 11 / 0 / 1 / 44, CMYK 12 / 0 / 2 / 51, CMYK 13 / 0 / 3 / 58 and CMYK 15 / 0 / 5 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 27 / 27 / 14

HEX #8FA0A0

RGB 143 160 160

HSL 180, 0.08%, 0.59%

LAB 64.58, -5.97, -2.05

 

Complementary color

CMYK 0 / 15 / 15 / 56

HEX #705F5F

RGB 112 95 95

HSL 0, 0.08%, 0.41%

LAB 41.93, 6.85, 2.54

 

CMYK 7 / 0 / 3 / 37

HEX #94A09B

RGB 148 160 155

HSL 155, 0.06%, 0.6%

LAB 64.81, -5.25, 1.13

 

CMYK 7 / 0 / 2 / 30

HEX #A5B2AE

RGB 165 178 174

HSL 161.54, 0.08%, 0.67%

LAB 71.48, -5.3, 0.48

 

CMYK 7 / 0 / 2 / 23

HEX #B6C4C1

RGB 182 196 193

HSL 167.14, 0.11%, 0.74%

LAB 78.04, -5.35, -0.15

 

CMYK 7 / 0 / 1 / 16

HEX #C7D6D4

RGB 199 214 212

HSL 172, 0.15%, 0.81%

LAB 84.48, -5.41, -0.76

 

CMYK 7 / 0 / 0 / 9

HEX #D8E8E7

RGB 216 232 231

HSL 176.25, 0.26%, 0.88%

LAB 90.82, -5.47, -1.35

 

CMYK 11 / 0 / 0 / 37

HEX #8FA0A0

RGB 143 160 160

HSL 180, 0.08%, 0.59%

LAB 64.58, -5.97, -2.05

 

CMYK 11 / 0 / 1 / 44

HEX #7E8E8D

RGB 126 142 141

HSL 176.25, 0.07%, 0.53%

LAB 57.76, -5.95, -1.43

 

CMYK 12 / 0 / 2 / 51

HEX #6D7C7A

RGB 109 124 122

HSL 172, 0.06%, 0.46%

LAB 50.77, -5.94, -0.79

 

CMYK 13 / 0 / 3 / 58

HEX #5C6A67

RGB 92 106 103

HSL 167.14, 0.07%, 0.39%

LAB 43.6, -5.95, -0.11

 

CMYK 15 / 0 / 5 / 65

HEX #4B5854

RGB 75 88 84

HSL 161.54, 0.08%, 0.32%

LAB 36.21, -5.98, 0.61

 

CMYK 11 / 0 / 0 / 37

HEX #8FA0A0

RGB 143 160 160

HSL 180, 0.08%, 0.59%

LAB 64.58, -5.97, -2.05

 

CMYK 10 / 1 / 0 / 38

HEX #8E9C9E

RGB 142 156 158

HSL 187.5, 0.08%, 0.59%

LAB 63.34, -4.54, -2.75

 

CMYK 10 / 3 / 0 / 38

HEX #8E999E

RGB 142 153 158

HSL 198.75, 0.08%, 0.59%

LAB 62.51, -2.89, -3.98

 

CMYK 10 / 5 / 0 / 38

HEX #8E969E

RGB 142 150 158

HSL 210, 0.08%, 0.59%

LAB 61.68, -1.22, -5.2

 

CMYK 10 / 7 / 0 / 38

HEX #8E939E

RGB 142 147 158

HSL 221.25, 0.08%, 0.59%

LAB 60.86, 0.46, -6.42

 

CMYK 11 / 0 / 0 / 37

HEX #8FA0A0

RGB 143 160 160

HSL 180, 0.08%, 0.59%

LAB 64.58, -5.97, -2.05

 

CMYK 10 / 0 / 0 / 17

HEX #BDD3D3

RGB 189 211 211

HSL 180, 0.2%, 0.78%

LAB 82.97, -7.34, -2.52

 

CMYK 14 / 0 / 0 / 97

HEX #060707

RGB 6 7 7

HSL 180, 0.08%, 0.03%

LAB 1.86, -0.26, -0.09

 

CMYK 10 / 0 / 0 / 77

HEX #343A3A

RGB 52 58 58

HSL 180, 0.05%, 0.22%

LAB 23.87, -2.52, -0.87

 

CMYK 11 / 0 / 0 / 57

HEX #616D6D

RGB 97 109 109

HSL 180, 0.06%, 0.4%

LAB 45.06, -4.52, -1.55

 

CMYK 11 / 0 / 0 / 37

HEX #8FA0A0

RGB 143 160 160

HSL 180, 0.08%, 0.59%

LAB 64.58, -5.97, -2.05

 

CMYK 8 / 10 / 0 / 38

HEX #918E9E

RGB 145 142 158

HSL 251.25, 0.08%, 0.59%

LAB 59.74, 4.33, -8.06

 

CMYK 0 / 4 / 10 / 38

HEX #9E988E

RGB 158 152 142

HSL 37.5, 0.08%, 0.59%

LAB 63.08, 0.38, 6.03

 

CMYK 11 / 0 / 0 / 37

HEX #8FA0A0

RGB 143 160 160

HSL 180, 0.08%, 0.59%

LAB 64.58, -5.97, -2.05

 

CMYK 0 / 10 / 0 / 38

HEX #9E8E9E

RGB 158 142 158

HSL 300, 0.08%, 0.59%

LAB 60.86, 8.95, -6.28

 

CMYK 0 / 0 / 10 / 38

HEX #9E9E8E

RGB 158 158 142

HSL 60, 0.08%, 0.59%

LAB 64.7, -2.92, 8.36

 

CMYK 11 / 0 / 0 / 37

HEX #8FA0A0

RGB 143 160 160

HSL 180, 0.08%, 0.59%

LAB 64.58, -5.97, -2.05

 

CMYK 8 / 10 / 0 / 38

HEX #918E9E

RGB 145 142 158

HSL 251.25, 0.08%, 0.59%

LAB 59.74, 4.33, -8.06

 

CMYK 0 / 10 / 10 / 38

HEX #9E8E8E

RGB 158 142 142

HSL 0, 0.08%, 0.59%

LAB 60.4, 5.97, 2.17

 

CMYK 2 / 0 / 10 / 38

HEX #9B9E8E

RGB 155 158 142

HSL 71.25, 0.08%, 0.59%

LAB 64.46, -4.04, 7.99

 

CMYK 11 / 0 / 0 / 37

HEX #8FA0A0

RGB 143 160 160

HSL 180, 0.08%, 0.59%

LAB 64.58, -5.97, -2.05

 

CMYK 5 / 10 / 0 / 38

HEX #968E9E

RGB 150 142 158

HSL 270, 0.08%, 0.59%

LAB 60.16, 6.09, -7.39

 

CMYK 0 / 10 / 10 / 38

HEX #9E8E8E

RGB 158 142 142

HSL 0, 0.08%, 0.59%

LAB 60.4, 5.97, 2.17

 

CMYK 5 / 0 / 10 / 38

HEX #969E8E

RGB 150 158 142

HSL 90, 0.08%, 0.59%

LAB 64.07, -5.89, 7.37

 

Description

Color code: CMYK 35 / 27 / 27 / 14 | qconv.com Color code: CMYK 35 / 27 / 27 / 14 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 160 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 160 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 27 magenta, 27 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 27% 27% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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