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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 35 / 15 / 0 / 65 it is the complementary color CMYK 0 / 9 / 16 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 35 / 15 / 0 / 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 35 / 15 / 0 / 65: CMYK 25 / 10 / 0 / 67, CMYK 22 / 9 / 0 / 60, CMYK 20 / 8 / 0 / 52, CMYK 19 / 8 / 0 / 45 and CMYK 18 / 7 / 0 / 37

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 35 / 15 / 0 / 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 35 / 15 / 0 / 65: CMYK 35 / 15 / 0 / 65, CMYK 41 / 17 / 0 / 73, CMYK 53 / 22 / 0 / 80, CMYK 78 / 31 / 0 / 87 and CMYK 100 / 69 / 0 / 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 15 / 0 / 65

HEX #3A4C59

RGB 58 76 89

HSL 205.16, 0.21%, 0.29%

LAB 31.32, -3.44, -9.94

 

Complementary color

CMYK 0 / 9 / 16 / 23

HEX #C5B3A6

RGB 197 179 166

HSL 25.16, 0.21%, 0.71%

LAB 74.1, 4.27, 8.96

 

CMYK 25 / 10 / 0 / 67

HEX #3F4C54

RGB 63 76 84

HSL 202.86, 0.14%, 0.29%

LAB 31.5, -3.09, -6.45

 

CMYK 22 / 9 / 0 / 60

HEX #505E67

RGB 80 94 103

HSL 203.48, 0.13%, 0.36%

LAB 39.05, -3.17, -6.93

 

CMYK 20 / 8 / 0 / 52

HEX #61707A

RGB 97 112 122

HSL 204, 0.11%, 0.43%

LAB 46.36, -3.25, -7.41

 

CMYK 19 / 8 / 0 / 45

HEX #72828D

RGB 114 130 141

HSL 204.44, 0.11%, 0.5%

LAB 53.46, -3.33, -7.89

 

CMYK 18 / 7 / 0 / 37

HEX #8394A0

RGB 131 148 160

HSL 204.83, 0.13%, 0.57%

LAB 60.38, -3.41, -8.36

 

CMYK 35 / 15 / 0 / 65

HEX #3A4C59

RGB 58 76 89

HSL 205.16, 0.21%, 0.29%

LAB 31.32, -3.44, -9.94

 

CMYK 41 / 17 / 0 / 73

HEX #293A46

RGB 41 58 70

HSL 204.83, 0.26%, 0.22%

LAB 23.47, -3.27, -9.58

 

CMYK 53 / 22 / 0 / 80

HEX #182833

RGB 24 40 51

HSL 204.44, 0.36%, 0.15%

LAB 15.23, -3, -9.25

 

CMYK 78 / 31 / 0 / 87

HEX #071620

RGB 7 22 32

HSL 204, 0.64%, 0.08%

LAB 6.53, -2.14, -8.8

 

CMYK 100 / 69 / 0 / 95

HEX #00040D

RGB 0 4 13

HSL 221.54, 1%, 0.03%

LAB 1.05, 0.24, -3.87

 

CMYK 35 / 15 / 0 / 65

HEX #3A4C59

RGB 58 76 89

HSL 205.16, 0.21%, 0.29%

LAB 31.32, -3.44, -9.94

 

CMYK 35 / 20 / 0 / 65

HEX #3A4759

RGB 58 71 89

HSL 214.84, 0.21%, 0.29%

LAB 29.73, -0.25, -12.36

 

CMYK 35 / 26 / 0 / 65

HEX #3A4259

RGB 58 66 89

HSL 224.52, 0.21%, 0.29%

LAB 28.16, 3.01, -14.77

 

CMYK 35 / 31 / 0 / 65

HEX #3A3D59

RGB 58 61 89

HSL 234.19, 0.21%, 0.29%

LAB 26.62, 6.33, -17.16

 

CMYK 31 / 35 / 0 / 65

HEX #3D3A59

RGB 61 58 89

HSL 245.81, 0.21%, 0.29%

LAB 25.98, 9.36, -18.13

 

CMYK 35 / 15 / 0 / 65

HEX #3A4C59

RGB 58 76 89

HSL 205.16, 0.21%, 0.29%

LAB 31.32, -3.44, -9.94

 

CMYK 35 / 14 / 0 / 45

HEX #5B788C

RGB 91 120 140

HSL 204.49, 0.21%, 0.45%

LAB 48.95, -5.23, -14.24

 

CMYK 35 / 15 / 0 / 25

HEX #7CA3BF

RGB 124 163 191

HSL 205.07, 0.34%, 0.62%

LAB 65.15, -6.32, -18.66

 

CMYK 35 / 14 / 0 / 5

HEX #9ECFF2

RGB 158 207 242

HSL 205, 0.76%, 0.78%

LAB 80.91, -7.62, -22.33

 

CMYK 34 / 16 / 0 / 85

HEX #192026

RGB 25 32 38

HSL 207.69, 0.21%, 0.12%

LAB 11.82, -1.36, -5.09

 

CMYK 35 / 15 / 0 / 65

HEX #3A4C59

RGB 58 76 89

HSL 205.16, 0.21%, 0.29%

LAB 31.32, -3.44, -9.94

 

CMYK 13 / 35 / 0 / 65

HEX #4D3A59

RGB 77 58 89

HSL 276.77, 0.21%, 0.29%

LAB 27.64, 15.06, -15.42

 

CMYK 1 / 0 / 35 / 65

HEX #58593A

RGB 88 89 58

HSL 61.94, 0.21%, 0.29%

LAB 36.98, -5.98, 17.85

 

CMYK 35 / 15 / 0 / 65

HEX #3A4C59

RGB 58 76 89

HSL 205.16, 0.21%, 0.29%

LAB 31.32, -3.44, -9.94

 

CMYK 0 / 35 / 15 / 65

HEX #593A4C

RGB 89 58 76

HSL 325.16, 0.21%, 0.29%

LAB 28.57, 16.85, -5.38

 

CMYK 15 / 0 / 35 / 65

HEX #4C593A

RGB 76 89 58

HSL 85.16, 0.21%, 0.29%

LAB 35.96, -11.26, 16.32

 

CMYK 35 / 15 / 0 / 65

HEX #3A4C59

RGB 58 76 89

HSL 205.16, 0.21%, 0.29%

LAB 31.32, -3.44, -9.94

 

CMYK 13 / 35 / 0 / 65

HEX #4D3A59

RGB 77 58 89

HSL 276.77, 0.21%, 0.29%

LAB 27.64, 15.06, -15.42

 

CMYK 0 / 20 / 35 / 65

HEX #59473A

RGB 89 71 58

HSL 25.16, 0.21%, 0.29%

LAB 31.66, 5.51, 10.72

 

CMYK 21 / 0 / 35 / 65

HEX #46593A

RGB 70 89 58

HSL 96.77, 0.21%, 0.29%

LAB 35.5, -13.8, 15.63

 

CMYK 35 / 15 / 0 / 65

HEX #3A4C59

RGB 58 76 89

HSL 205.16, 0.21%, 0.29%

LAB 31.32, -3.44, -9.94

 

CMYK 3 / 35 / 0 / 65

HEX #563A59

RGB 86 58 89

HSL 294.19, 0.21%, 0.29%

LAB 28.71, 18.39, -13.69

 

CMYK 0 / 20 / 35 / 65

HEX #59473A

RGB 89 71 58

HSL 25.16, 0.21%, 0.29%

LAB 31.66, 5.51, 10.72

 

CMYK 31 / 0 / 35 / 65

HEX #3D593A

RGB 61 89 58

HSL 114.19, 0.21%, 0.29%

LAB 34.89, -17.42, 14.7

 

Description

Color code: CMYK 35 / 15 / 0 / 65 | qconv.com Color code: CMYK 35 / 15 / 0 / 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 76 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 76 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 15 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 15% 0% 65% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - apple.se
Link: http://www.firreforden.se

26% - 世界各地への航空券およびフライト情報のご...
Link: http://ja.delta.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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