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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 33 / 82 / 0 / 16 it is the complementary color CMYK 49 / 0 / 81 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 33 / 82 / 0 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 33 / 82 / 0 / 16: CMYK 29 / 81 / 0 / 18, CMYK 27 / 75 / 0 / 11, CMYK 26 / 70 / 0 / 3, CMYK 22 / 64 / 0 / 0 and CMYK 15 / 56 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 33 / 82 / 0 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 33 / 82 / 0 / 16: CMYK 33 / 82 / 0 / 16, CMYK 35 / 89 / 0 / 24, CMYK 38 / 98 / 0 / 31, CMYK 41 / 100 / 0 / 38 and CMYK 45 / 100 / 0 / 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 82 / 0 / 16

HEX #9027D6

RGB 144 39 214

HSL 276, 0.69%, 0.5%

LAB 41.59, 69.4, -68.85

 

Complementary color

CMYK 49 / 0 / 81 / 15

HEX #6FD829

RGB 111 216 41

HSL 96, 0.69%, 0.5%

LAB 77.67, -57.69, 69.49

 

CMYK 29 / 81 / 0 / 18

HEX #9527D1

RGB 149 39 209

HSL 278.82, 0.69%, 0.49%

LAB 41.91, 69.14, -65.41

 

CMYK 27 / 75 / 0 / 11

HEX #A639E4

RGB 166 57 228

HSL 278.25, 0.76%, 0.56%

LAB 47.8, 69.9, -66.61

 

CMYK 26 / 70 / 0 / 3

HEX #B74BF7

RGB 183 75 247

HSL 277.67, 0.91%, 0.63%

LAB 53.83, 70.02, -67.41

 

CMYK 22 / 64 / 0 / 0

HEX #C85DFF

RGB 200 93 255

HSL 279.63, 1%, 0.68%

LAB 59.28, 67.48, -62.96

 

CMYK 15 / 56 / 0 / 0

HEX #D96FFF

RGB 217 111 255

HSL 284.17, 1%, 0.72%

LAB 64.44, 63.15, -54.61

 

CMYK 33 / 82 / 0 / 16

HEX #9027D6

RGB 144 39 214

HSL 276, 0.69%, 0.5%

LAB 41.59, 69.4, -68.85

 

CMYK 35 / 89 / 0 / 24

HEX #7F15C3

RGB 127 21 195

HSL 276.55, 0.81%, 0.42%

LAB 35.96, 67.72, -67.11

 

CMYK 38 / 98 / 0 / 31

HEX #6E03B0

RGB 110 3 176

HSL 277.11, 0.97%, 0.35%

LAB 30.68, 64.74, -64.62

 

CMYK 41 / 100 / 0 / 38

HEX #5D009D

RGB 93 0 157

HSL 275.54, 1%, 0.31%

LAB 26.04, 59.45, -60.84

 

CMYK 45 / 100 / 0 / 46

HEX #4C008A

RGB 76 0 138

HSL 273.04, 1%, 0.27%

LAB 21.47, 53.58, -56.7

 

CMYK 33 / 82 / 0 / 16

HEX #9027D6

RGB 144 39 214

HSL 276, 0.69%, 0.5%

LAB 41.59, 69.4, -68.85

 

CMYK 19 / 82 / 0 / 16

HEX #AE27D7

RGB 174 39 215

HSL 286.02, 0.69%, 0.5%

LAB 46.12, 74.36, -61.86

 

CMYK 6 / 82 / 0 / 16

HEX #CB27D7

RGB 203 39 215

HSL 295.91, 0.69%, 0.5%

LAB 50.75, 79.39, -54.16

 

CMYK 0 / 82 / 8 / 16

HEX #D727C5

RGB 215 39 197

HSL 306.14, 0.69%, 0.5%

LAB 51.76, 78.94, -42.09

 

CMYK 0 / 82 / 22 / 16

HEX #D727A8

RGB 215 39 168

HSL 316.02, 0.69%, 0.5%

LAB 50.36, 75.1, -27.34

 

CMYK 33 / 82 / 0 / 16

HEX #9027D6

RGB 144 39 214

HSL 276, 0.69%, 0.5%

LAB 41.59, 69.4, -68.85

 

CMYK 30 / 80 / 0 / 96

HEX #07020A

RGB 7 2 10

HSL 277.5, 0.67%, 0.02%

LAB 1, 2.42, -2.57

 

CMYK 33 / 82 / 0 / 76

HEX #290B3D

RGB 41 11 61

HSL 276, 0.69%, 0.14%

LAB 9.38, 25.73, -25.48

 

CMYK 33 / 82 / 0 / 56

HEX #4B1470

RGB 75 20 112

HSL 275.87, 0.7%, 0.26%

LAB 20.7, 41.75, -41.43

 

CMYK 33 / 82 / 0 / 36

HEX #6E1EA3

RGB 110 30 163

HSL 276.09, 0.69%, 0.38%

LAB 31.55, 55.95, -55.37

 

CMYK 33 / 82 / 0 / 16

HEX #9027D6

RGB 144 39 214

HSL 276, 0.69%, 0.5%

LAB 41.59, 69.4, -68.85

 

CMYK 0 / 82 / 66 / 16

HEX #D7274A

RGB 215 39 74

HSL 348.07, 0.69%, 0.5%

LAB 47.49, 66.74, 25.47

 

CMYK 82 / 0 / 66 / 16

HEX #27D74A

RGB 39 215 74

HSL 131.93, 0.69%, 0.5%

LAB 75.78, -69.47, 55.76

 

CMYK 33 / 82 / 0 / 16

HEX #9027D6

RGB 144 39 214

HSL 276, 0.69%, 0.5%

LAB 41.59, 69.4, -68.85

 

CMYK 0 / 33 / 82 / 16

HEX #D79127

RGB 215 145 39

HSL 36.14, 0.69%, 0.5%

LAB 65.63, 18.16, 62.11

 

CMYK 82 / 0 / 33 / 16

HEX #27D791

RGB 39 215 145

HSL 156.14, 0.69%, 0.5%

LAB 76.73, -58.31, 22.8

 

CMYK 33 / 82 / 0 / 16

HEX #9027D6

RGB 144 39 214

HSL 276, 0.69%, 0.5%

LAB 41.59, 69.4, -68.85

 

CMYK 0 / 82 / 66 / 16

HEX #D7274A

RGB 215 39 74

HSL 348.07, 0.69%, 0.5%

LAB 47.49, 66.74, 25.47

 

CMYK 49 / 0 / 82 / 16

HEX #6DD727

RGB 109 215 39

HSL 96.14, 0.69%, 0.5%

LAB 77.28, -57.99, 69.63

 

CMYK 82 / 0 / 16 / 16

HEX #27D7B4

RGB 39 215 180

HSL 168.07, 0.69%, 0.5%

LAB 77.48, -50.17, 5.32

 

CMYK 33 / 82 / 0 / 16

HEX #9027D6

RGB 144 39 214

HSL 276, 0.69%, 0.5%

LAB 41.59, 69.4, -68.85

 

CMYK 0 / 73 / 82 / 16

HEX #D73927

RGB 215 57 39

HSL 6.14, 0.69%, 0.5%

LAB 48.91, 60.1, 46.97

 

CMYK 49 / 0 / 82 / 16

HEX #6DD727

RGB 109 215 39

HSL 96.14, 0.69%, 0.5%

LAB 77.28, -57.99, 69.63

 

CMYK 82 / 8 / 0 / 16

HEX #27C5D7

RGB 39 197 215

HSL 186.14, 0.69%, 0.5%

LAB 73.07, -32.25, -20.1

 

Description

Color code: CMYK 33 / 82 / 0 / 16 | qconv.com Color code: CMYK 33 / 82 / 0 / 16 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 39 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 39 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 82 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 82% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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