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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 33 / 25 / 26 / 5 it is the complementary color CMYK 0 / 22 / 18 / 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 33 / 25 / 26 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 33 / 25 / 26 / 5: CMYK 8 / 0 / 4 / 29, CMYK 8 / 0 / 4 / 22, CMYK 8 / 0 / 3 / 15, CMYK 8 / 0 / 2 / 7 and CMYK 7 / 0 / 2 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 33 / 25 / 26 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 33 / 25 / 26 / 5: CMYK 11 / 0 / 2 / 29, CMYK 12 / 0 / 2 / 36, CMYK 12 / 0 / 3 / 43, CMYK 13 / 0 / 5 / 50 and CMYK 15 / 0 / 6 / 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 25 / 26 / 5

HEX #A2B6B3

RGB 162 182 179

HSL 171, 0.12%, 0.67%

LAB 72.49, -7.46, -0.82

 

Complementary color

CMYK 0 / 22 / 18 / 64

HEX #5D494C

RGB 93 73 76

HSL 351, 0.12%, 0.33%

LAB 33.17, 9.02, 1.44

 

CMYK 8 / 0 / 4 / 29

HEX #A7B6AE

RGB 167 182 174

HSL 148, 0.09%, 0.68%

LAB 72.71, -6.74, 2.28

 

CMYK 8 / 0 / 4 / 22

HEX #B8C8C1

RGB 184 200 193

HSL 153.75, 0.13%, 0.75%

LAB 79.24, -6.77, 1.62

 

CMYK 8 / 0 / 3 / 15

HEX #C9DAD4

RGB 201 218 212

HSL 158.82, 0.19%, 0.82%

LAB 85.66, -6.81, 0.99

 

CMYK 8 / 0 / 2 / 7

HEX #DAECE7

RGB 218 236 231

HSL 163.33, 0.32%, 0.89%

LAB 91.98, -6.85, 0.37

 

CMYK 7 / 0 / 2 / 0

HEX #EBFEFA

RGB 235 254 250

HSL 167.37, 0.9%, 0.96%

LAB 98.21, -6.9, -0.22

 

CMYK 11 / 0 / 2 / 29

HEX #A2B6B3

RGB 162 182 179

HSL 171, 0.12%, 0.67%

LAB 72.49, -7.46, -0.82

 

CMYK 12 / 0 / 2 / 36

HEX #91A4A0

RGB 145 164 160

HSL 167.37, 0.09%, 0.61%

LAB 65.83, -7.46, -0.19

 

CMYK 12 / 0 / 3 / 43

HEX #80928D

RGB 128 146 141

HSL 163.33, 0.08%, 0.54%

LAB 59.04, -7.46, 0.46

 

CMYK 13 / 0 / 5 / 50

HEX #6F807A

RGB 111 128 122

HSL 158.82, 0.07%, 0.47%

LAB 52.09, -7.49, 1.15

 

CMYK 15 / 0 / 6 / 57

HEX #5E6E67

RGB 94 110 103

HSL 153.75, 0.08%, 0.4%

LAB 44.96, -7.53, 1.88

 

CMYK 11 / 0 / 2 / 29

HEX #A2B6B3

RGB 162 182 179

HSL 171, 0.12%, 0.67%

LAB 72.49, -7.46, -0.82

 

CMYK 11 / 0 / 0 / 29

HEX #A0B4B4

RGB 160 180 180

HSL 180, 0.12%, 0.67%

LAB 71.83, -6.87, -2.35

 

CMYK 11 / 2 / 0 / 29

HEX #A0B1B4

RGB 160 177 180

HSL 189, 0.12%, 0.67%

LAB 71.02, -5.26, -3.55

 

CMYK 11 / 4 / 0 / 29

HEX #A0ADB4

RGB 160 173 180

HSL 201, 0.12%, 0.67%

LAB 69.93, -3.1, -5.15

 

CMYK 11 / 6 / 0 / 29

HEX #A0AAB4

RGB 160 170 180

HSL 210, 0.12%, 0.67%

LAB 69.13, -1.47, -6.34

 

CMYK 11 / 0 / 2 / 29

HEX #A2B6B3

RGB 162 182 179

HSL 171, 0.12%, 0.67%

LAB 72.49, -7.46, -0.82

 

CMYK 11 / 0 / 2 / 9

HEX #CFE9E5

RGB 207 233 229

HSL 170.77, 0.37%, 0.86%

LAB 90.41, -9.28, -0.97

 

CMYK 10 / 0 / 0 / 89

HEX #1A1D1D

RGB 26 29 29

HSL 180, 0.05%, 0.11%

LAB 10.46, -1.4, -0.49

 

CMYK 11 / 0 / 1 / 69

HEX #47504F

RGB 71 80 79

HSL 173.33, 0.06%, 0.3%

LAB 33.22, -3.81, -0.64

 

CMYK 11 / 0 / 2 / 49

HEX #758381

RGB 117 131 129

HSL 171.43, 0.06%, 0.49%

LAB 53.6, -5.53, -0.67

 

CMYK 11 / 0 / 2 / 29

HEX #A2B6B3

RGB 162 182 179

HSL 171, 0.12%, 0.67%

LAB 72.49, -7.46, -0.82

 

CMYK 11 / 11 / 0 / 29

HEX #A1A0B4

RGB 161 160 180

HSL 243, 0.12%, 0.67%

LAB 66.53, 4.37, -10.2

 

CMYK 0 / 6 / 11 / 29

HEX #B4A9A0

RGB 180 169 160

HSL 27, 0.12%, 0.67%

LAB 69.91, 2.38, 6.05

 

CMYK 11 / 0 / 2 / 29

HEX #A2B6B3

RGB 162 182 179

HSL 171, 0.12%, 0.67%

LAB 72.49, -7.46, -0.82

 

CMYK 2 / 11 / 0 / 29

HEX #B1A0B4

RGB 177 160 180

HSL 291, 0.12%, 0.67%

LAB 67.86, 9.89, -8.07

 

CMYK 0 / 2 / 11 / 29

HEX #B4B1A0

RGB 180 177 160

HSL 51, 0.12%, 0.67%

LAB 72.02, -1.94, 9.07

 

CMYK 11 / 0 / 2 / 29

HEX #A2B6B3

RGB 162 182 179

HSL 171, 0.12%, 0.67%

LAB 72.49, -7.46, -0.82

 

CMYK 11 / 11 / 0 / 29

HEX #A1A0B4

RGB 161 160 180

HSL 243, 0.12%, 0.67%

LAB 66.53, 4.37, -10.2

 

CMYK 0 / 11 / 9 / 29

HEX #B4A0A3

RGB 180 160 163

HSL 351, 0.12%, 0.67%

LAB 67.64, 7.83, 1.11

 

CMYK 1 / 0 / 11 / 29

HEX #B3B4A0

RGB 179 180 160

HSL 63, 0.12%, 0.67%

LAB 72.74, -3.91, 10.08

 

CMYK 11 / 0 / 2 / 29

HEX #A2B6B3

RGB 162 182 179

HSL 171, 0.12%, 0.67%

LAB 72.49, -7.46, -0.82

 

CMYK 7 / 11 / 0 / 29

HEX #A7A0B4

RGB 167 160 180

HSL 261, 0.12%, 0.67%

LAB 67.02, 6.42, -9.42

 

CMYK 0 / 11 / 9 / 29

HEX #B4A0A3

RGB 180 160 163

HSL 351, 0.12%, 0.67%

LAB 67.64, 7.83, 1.11

 

CMYK 4 / 0 / 11 / 29

HEX #ADB4A0

RGB 173 180 160

HSL 81, 0.12%, 0.67%

LAB 72.27, -6.1, 9.36

 

Description

Color code: CMYK 33 / 25 / 26 / 5 | qconv.com Color code: CMYK 33 / 25 / 26 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 182 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 182 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 25 magenta, 26 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 25% 26% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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