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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 32 / 31 / 0 / 3 it is the complementary color CMYK 0 / 3 / 91 / 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 32 / 31 / 0 / 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 32 / 31 / 0 / 3: CMYK 29 / 29 / 0 / 5, CMYK 25 / 26 / 0 / 0, CMYK 19 / 19 / 0 / 0, CMYK 12 / 12 / 0 / 0 and CMYK 5 / 5 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 32 / 31 / 0 / 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 32 / 31 / 0 / 3: CMYK 32 / 31 / 0 / 3, CMYK 34 / 33 / 0 / 11, CMYK 36 / 35 / 0 / 18, CMYK 38 / 38 / 0 / 25 and CMYK 42 / 42 / 0 / 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 31 / 0 / 3

HEX #A8ABF7

RGB 168 171 247

HSL 237.72, 0.83%, 0.81%

LAB 72.34, 16.01, -38.14

 

Complementary color

CMYK 0 / 3 / 91 / 66

HEX #575408

RGB 87 84 8

HSL 57.72, 0.83%, 0.19%

LAB 34.77, -7.82, 39.9

 

CMYK 29 / 29 / 0 / 5

HEX #ADABF2

RGB 173 171 242

HSL 241.69, 0.73%, 0.81%

LAB 72.51, 16.18, -35.14

 

CMYK 25 / 26 / 0 / 0

HEX #BEBDFF

RGB 190 189 255

HSL 240.91, 1%, 0.87%

LAB 78.79, 14.26, -32.34

 

CMYK 19 / 19 / 0 / 0

HEX #CFCFFF

RGB 207 207 255

HSL 240, 1%, 0.91%

LAB 84.54, 9.61, -23.42

 

CMYK 12 / 12 / 0 / 0

HEX #E0E1FF

RGB 224 225 255

HSL 238.06, 1%, 0.94%

LAB 90.28, 5.38, -14.64

 

CMYK 5 / 5 / 0 / 0

HEX #F1F3FF

RGB 241 243 255

HSL 231.43, 1%, 0.97%

LAB 96.01, 1.52, -5.99

 

CMYK 32 / 31 / 0 / 3

HEX #A8ABF7

RGB 168 171 247

HSL 237.72, 0.83%, 0.81%

LAB 72.34, 16.01, -38.14

 

CMYK 34 / 33 / 0 / 11

HEX #9799E4

RGB 151 153 228

HSL 238.44, 0.59%, 0.74%

LAB 65.72, 16.61, -38.16

 

CMYK 36 / 35 / 0 / 18

HEX #8687D1

RGB 134 135 209

HSL 239.2, 0.45%, 0.67%

LAB 58.97, 17.28, -38.23

 

CMYK 38 / 38 / 0 / 25

HEX #7575BE

RGB 117 117 190

HSL 240, 0.36%, 0.6%

LAB 52.09, 18.06, -38.34

 

CMYK 42 / 42 / 0 / 33

HEX #6463AB

RGB 100 99 171

HSL 240.83, 0.3%, 0.53%

LAB 45.04, 18.97, -38.52

 

CMYK 32 / 31 / 0 / 3

HEX #A8ABF7

RGB 168 171 247

HSL 237.72, 0.83%, 0.81%

LAB 72.34, 16.01, -38.14

 

CMYK 29 / 33 / 0 / 4

HEX #AFA6F6

RGB 175 166 246

HSL 246.75, 0.82%, 0.81%

LAB 71.58, 20.52, -38.73

 

CMYK 23 / 33 / 0 / 4

HEX #BDA6F6

RGB 189 166 246

HSL 257.25, 0.82%, 0.81%

LAB 72.72, 24.55, -36.87

 

CMYK 18 / 33 / 0 / 4

HEX #CAA6F6

RGB 202 166 246

HSL 267, 0.82%, 0.81%

LAB 73.86, 28.4, -35.02

 

CMYK 13 / 33 / 0 / 4

HEX #D7A6F6

RGB 215 166 246

HSL 276.75, 0.82%, 0.81%

LAB 75.06, 32.32, -33.07

 

CMYK 32 / 31 / 0 / 3

HEX #A8ABF7

RGB 168 171 247

HSL 237.72, 0.83%, 0.81%

LAB 72.34, 16.01, -38.14

 

CMYK 33 / 30 / 0 / 83

HEX #1D1E2B

RGB 29 30 43

HSL 235.71, 0.19%, 0.14%

LAB 11.72, 3.3, -8.86

 

CMYK 32 / 31 / 0 / 63

HEX #40415E

RGB 64 65 94

HSL 238, 0.19%, 0.31%

LAB 28.59, 7.18, -17.3

 

CMYK 32 / 31 / 0 / 43

HEX #636491

RGB 99 100 145

HSL 238.7, 0.19%, 0.48%

LAB 43.96, 10.62, -24.81

 

CMYK 32 / 31 / 0 / 23

HEX #8588C4

RGB 133 136 196

HSL 237.14, 0.35%, 0.65%

LAB 58.58, 12.95, -31.51

 

CMYK 32 / 31 / 0 / 3

HEX #A8ABF7

RGB 168 171 247

HSL 237.72, 0.83%, 0.81%

LAB 72.34, 16.01, -38.14

 

CMYK 0 / 33 / 5 / 4

HEX #F6A6EA

RGB 246 166 234

HSL 309, 0.82%, 0.81%

LAB 77.76, 39.73, -22.16

 

CMYK 18 / 0 / 33 / 4

HEX #CAF6A6

RGB 202 246 166

HSL 93, 0.82%, 0.81%

LAB 92.23, -27.82, 34

 

CMYK 32 / 31 / 0 / 3

HEX #A8ABF7

RGB 168 171 247

HSL 237.72, 0.83%, 0.81%

LAB 72.34, 16.01, -38.14

 

CMYK 0 / 33 / 31 / 4

HEX #F6A6AA

RGB 246 166 170

HSL 357, 0.82%, 0.81%

LAB 75.93, 30.04, 10.04

 

CMYK 31 / 0 / 33 / 4

HEX #AAF6A6

RGB 170 246 166

HSL 117, 0.82%, 0.81%

LAB 90.42, -38.5, 31.26

 

CMYK 32 / 31 / 0 / 3

HEX #A8ABF7

RGB 168 171 247

HSL 237.72, 0.83%, 0.81%

LAB 72.34, 16.01, -38.14

 

CMYK 0 / 33 / 5 / 4

HEX #F6A6EA

RGB 246 166 234

HSL 309, 0.82%, 0.81%

LAB 77.76, 39.73, -22.16

 

CMYK 0 / 2 / 33 / 4

HEX #F6F2A6

RGB 246 242 166

HSL 57, 0.82%, 0.81%

LAB 94.25, -9.82, 37.23

 

CMYK 33 / 0 / 28 / 4

HEX #A6F6B2

RGB 166 246 178

HSL 129, 0.82%, 0.81%

LAB 90.43, -37.8, 25.15

 

CMYK 32 / 31 / 0 / 3

HEX #A8ABF7

RGB 168 171 247

HSL 237.72, 0.83%, 0.81%

LAB 72.34, 16.01, -38.14

 

CMYK 0 / 33 / 15 / 4

HEX #F6A6D2

RGB 246 166 210

HSL 327, 0.82%, 0.81%

LAB 76.99, 35.76, -10.27

 

CMYK 0 / 2 / 33 / 4

HEX #F6F2A6

RGB 246 242 166

HSL 57, 0.82%, 0.81%

LAB 94.25, -9.82, 37.23

 

CMYK 33 / 0 / 18 / 4

HEX #A6F6CA

RGB 166 246 202

HSL 147, 0.82%, 0.81%

LAB 90.91, -33.47, 13.49

 

Description

Color code: CMYK 32 / 31 / 0 / 3 | qconv.com Color code: CMYK 32 / 31 / 0 / 3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 171 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 171 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 31 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 31% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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