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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 0 / 6 / 36 it is the complementary color CMYK 0 / 35 / 28 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 0 / 6 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 31 / 0 / 6 / 36: CMYK 28 / 0 / 9 / 36, CMYK 25 / 0 / 8 / 29, CMYK 24 / 0 / 7 / 22, CMYK 22 / 0 / 6 / 15 and CMYK 21 / 0 / 5 / 8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 0 / 6 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 31 / 0 / 6 / 36: CMYK 31 / 0 / 6 / 36, CMYK 34 / 0 / 8 / 43, CMYK 38 / 0 / 9 / 50, CMYK 43 / 0 / 12 / 57 and CMYK 51 / 0 / 15 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 6 / 36

HEX #71A399

RGB 113 163 153

HSL 168, 0.21%, 0.54%

LAB 63.35, -18.87, -0.15

 

Complementary color

CMYK 0 / 35 / 28 / 44

HEX #8E5C66

RGB 142 92 102

HSL 348, 0.21%, 0.46%

LAB 44.75, 21.94, 2.78

 

CMYK 28 / 0 / 9 / 36

HEX #76A394

RGB 118 163 148

HSL 160, 0.2%, 0.55%

LAB 63.49, -18.43, 2.9

 

CMYK 25 / 0 / 8 / 29

HEX #87B5A7

RGB 135 181 167

HSL 161.74, 0.24%, 0.62%

LAB 70.17, -18.26, 2.17

 

CMYK 24 / 0 / 7 / 22

HEX #98C7BA

RGB 152 199 186

HSL 163.4, 0.3%, 0.69%

LAB 76.72, -18.11, 1.47

 

CMYK 22 / 0 / 6 / 15

HEX #A9D9CD

RGB 169 217 205

HSL 165, 0.39%, 0.76%

LAB 83.16, -17.97, 0.8

 

CMYK 21 / 0 / 5 / 8

HEX #BAEBE0

RGB 186 235 224

HSL 166.53, 0.55%, 0.83%

LAB 89.5, -17.86, 0.16

 

CMYK 31 / 0 / 6 / 36

HEX #71A399

RGB 113 163 153

HSL 168, 0.21%, 0.54%

LAB 63.35, -18.87, -0.15

 

CMYK 34 / 0 / 8 / 43

HEX #609186

RGB 96 145 134

HSL 166.53, 0.2%, 0.47%

LAB 56.54, -19.05, 0.58

 

CMYK 38 / 0 / 9 / 50

HEX #4F7F73

RGB 79 127 115

HSL 165, 0.23%, 0.4%

LAB 49.59, -19.24, 1.37

 

CMYK 43 / 0 / 12 / 57

HEX #3E6D60

RGB 62 109 96

HSL 163.4, 0.27%, 0.34%

LAB 42.47, -19.44, 2.24

 

CMYK 51 / 0 / 15 / 64

HEX #2D5B4D

RGB 45 91 77

HSL 161.74, 0.34%, 0.27%

LAB 35.15, -19.62, 3.22

 

CMYK 31 / 0 / 6 / 36

HEX #71A399

RGB 113 163 153

HSL 168, 0.21%, 0.54%

LAB 63.35, -18.87, -0.15

 

CMYK 30 / 0 / 1 / 36

HEX #71A2A0

RGB 113 162 160

HSL 177.55, 0.21%, 0.54%

LAB 63.25, -16.71, -4.22

 

CMYK 30 / 4 / 0 / 36

HEX #719BA2

RGB 113 155 162

HSL 188.57, 0.21%, 0.54%

LAB 61.27, -12.49, -8.28

 

CMYK 30 / 9 / 0 / 36

HEX #7193A2

RGB 113 147 162

HSL 198.37, 0.21%, 0.54%

LAB 58.96, -8.12, -11.74

 

CMYK 30 / 14 / 0 / 36

HEX #718BA2

RGB 113 139 162

HSL 208.16, 0.21%, 0.54%

LAB 56.67, -3.63, -15.2

 

CMYK 31 / 0 / 6 / 36

HEX #71A399

RGB 113 163 153

HSL 168, 0.21%, 0.54%

LAB 63.35, -18.87, -0.15

 

CMYK 31 / 0 / 6 / 16

HEX #94D6C9

RGB 148 214 201

HSL 168.18, 0.45%, 0.71%

LAB 81.07, -23.59, -0.25

 

CMYK 30 / 0 / 10 / 96

HEX #070A09

RGB 7 10 9

HSL 160, 0.18%, 0.03%

LAB 2.55, -0.92, 0.1

 

CMYK 31 / 0 / 7 / 76

HEX #2A3D39

RGB 42 61 57

HSL 167.37, 0.18%, 0.2%

LAB 24.08, -8.63, 0.01

 

CMYK 30 / 0 / 6 / 56

HEX #4E7069

RGB 78 112 105

HSL 167.65, 0.18%, 0.37%

LAB 44.56, -13.83, -0.03

 

CMYK 31 / 0 / 6 / 36

HEX #71A399

RGB 113 163 153

HSL 168, 0.21%, 0.54%

LAB 63.35, -18.87, -0.15

 

CMYK 30 / 30 / 0 / 36

HEX #7171A2

RGB 113 113 162

HSL 240, 0.21%, 0.54%

LAB 49.41, 11.62, -26.32

 

CMYK 0 / 19 / 30 / 36

HEX #A28471

RGB 162 132 113

HSL 23.27, 0.21%, 0.54%

LAB 57.44, 8.57, 14.58

 

CMYK 31 / 0 / 6 / 36

HEX #71A399

RGB 113 163 153

HSL 168, 0.21%, 0.54%

LAB 63.35, -18.87, -0.15

 

CMYK 6 / 30 / 0 / 36

HEX #9871A2

RGB 152 113 162

HSL 287.76, 0.21%, 0.54%

LAB 53.05, 24.32, -20.4

 

CMYK 0 / 6 / 30 / 36

HEX #A29871

RGB 162 152 113

HSL 47.76, 0.21%, 0.54%

LAB 62.79, -2.56, 21.89

 

CMYK 31 / 0 / 6 / 36

HEX #71A399

RGB 113 163 153

HSL 168, 0.21%, 0.54%

LAB 63.35, -18.87, -0.15

 

CMYK 30 / 30 / 0 / 36

HEX #7171A2

RGB 113 113 162

HSL 240, 0.21%, 0.54%

LAB 49.41, 11.62, -26.32

 

CMYK 0 / 30 / 25 / 36

HEX #A2717A

RGB 162 113 122

HSL 348.98, 0.21%, 0.54%

LAB 52.84, 20.71, 2.83

 

CMYK 0 / 0 / 30 / 36

HEX #A2A271

RGB 162 162 113

HSL 60, 0.21%, 0.54%

LAB 65.53, -7.97, 25.56

 

CMYK 31 / 0 / 6 / 36

HEX #71A399

RGB 113 163 153

HSL 168, 0.21%, 0.54%

LAB 63.35, -18.87, -0.15

 

CMYK 22 / 30 / 0 / 36

HEX #7F71A2

RGB 127 113 162

HSL 257.14, 0.21%, 0.54%

LAB 50.61, 16.03, -24.37

 

CMYK 0 / 30 / 25 / 36

HEX #A2717A

RGB 162 113 122

HSL 348.98, 0.21%, 0.54%

LAB 52.84, 20.71, 2.83

 

CMYK 9 / 0 / 30 / 36

HEX #93A271

RGB 147 162 113

HSL 78.37, 0.21%, 0.54%

LAB 64.35, -13.91, 23.79

 

Description

Color code: CMYK 31 / 0 / 6 / 36 | qconv.com Color code: CMYK 31 / 0 / 6 / 36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 163 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 163 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 6 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 6% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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