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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 0 / 3 / 61 it is the complementary color CMYK 0 / 16 / 15 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 0 / 3 / 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 31 / 0 / 3 / 61: CMYK 25 / 0 / 8 / 61, CMYK 22 / 0 / 6 / 54, CMYK 20 / 0 / 4 / 47, CMYK 18 / 0 / 3 / 40 and CMYK 17 / 0 / 2 / 33

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 0 / 3 / 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 31 / 0 / 3 / 61: CMYK 30 / 0 / 3 / 61, CMYK 36 / 0 / 5 / 68, CMYK 44 / 0 / 8 / 75, CMYK 60 / 0 / 13 / 82 and CMYK 96 / 0 / 26 / 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 3 / 61

HEX #456360

RGB 69 99 96

HSL 174, 0.18%, 0.33%

LAB 39.64, -11.69, -1.85

 

Complementary color

CMYK 0 / 16 / 15 / 27

HEX #BA9C9F

RGB 186 156 159

HSL 354, 0.18%, 0.67%

LAB 67.07, 11.58, 2.57

 

CMYK 25 / 0 / 8 / 61

HEX #4A635B

RGB 74 99 91

HSL 160.8, 0.14%, 0.34%

LAB 39.81, -11.19, 1.51

 

CMYK 22 / 0 / 6 / 54

HEX #5B756E

RGB 91 117 110

HSL 163.85, 0.13%, 0.41%

LAB 47.07, -11.04, 0.74

 

CMYK 20 / 0 / 4 / 47

HEX #6C8781

RGB 108 135 129

HSL 166.67, 0.11%, 0.48%

LAB 54.13, -10.92, 0.04

 

CMYK 18 / 0 / 3 / 40

HEX #7D9994

RGB 125 153 148

HSL 169.29, 0.12%, 0.55%

LAB 61.03, -10.83, -0.63

 

CMYK 17 / 0 / 2 / 33

HEX #8EABA7

RGB 142 171 167

HSL 171.72, 0.15%, 0.61%

LAB 67.77, -10.77, -1.27

 

CMYK 30 / 0 / 3 / 61

HEX #456360

RGB 69 99 96

HSL 174, 0.18%, 0.33%

LAB 39.64, -11.69, -1.85

 

CMYK 36 / 0 / 5 / 68

HEX #34514D

RGB 52 81 77

HSL 171.72, 0.22%, 0.26%

LAB 32.15, -11.84, -1.11

 

CMYK 44 / 0 / 8 / 75

HEX #233F3A

RGB 35 63 58

HSL 169.29, 0.29%, 0.19%

LAB 24.38, -12.02, -0.27

 

CMYK 60 / 0 / 13 / 82

HEX #122D27

RGB 18 45 39

HSL 166.67, 0.43%, 0.12%

LAB 16.26, -12.17, 0.72

 

CMYK 96 / 0 / 26 / 89

HEX #011B14

RGB 1 27 20

HSL 163.85, 0.93%, 0.05%

LAB 7.6, -11, 1.71

 

CMYK 30 / 0 / 3 / 61

HEX #456360

RGB 69 99 96

HSL 174, 0.18%, 0.33%

LAB 39.64, -11.69, -1.85

 

CMYK 30 / 2 / 0 / 61

HEX #456163

RGB 69 97 99

HSL 184, 0.18%, 0.33%

LAB 39.1, -9.75, -4.49

 

CMYK 30 / 7 / 0 / 61

HEX #455C63

RGB 69 92 99

HSL 194, 0.18%, 0.33%

LAB 37.52, -6.79, -6.84

 

CMYK 30 / 12 / 0 / 61

HEX #455763

RGB 69 87 99

HSL 204, 0.18%, 0.33%

LAB 35.95, -3.76, -9.19

 

CMYK 30 / 17 / 0 / 61

HEX #455263

RGB 69 82 99

HSL 214, 0.18%, 0.33%

LAB 34.4, -0.66, -11.54

 

CMYK 30 / 0 / 3 / 61

HEX #456360

RGB 69 99 96

HSL 174, 0.18%, 0.33%

LAB 39.64, -11.69, -1.85

 

CMYK 30 / 0 / 3 / 41

HEX #699691

RGB 105 150 145

HSL 173.33, 0.18%, 0.5%

LAB 58.84, -16.34, -2.28

 

CMYK 30 / 0 / 3 / 21

HEX #8CC9C3

RGB 140 201 195

HSL 174.1, 0.36%, 0.67%

LAB 76.85, -20.75, -3.27

 

CMYK 30 / 0 / 3 / 1

HEX #B0FCF4

RGB 176 252 244

HSL 173.68, 0.93%, 0.84%

LAB 94.05, -24.88, -3.65

 

CMYK 31 / 0 / 2 / 81

HEX #21302F

RGB 33 48 47

HSL 176, 0.19%, 0.16%

LAB 18.55, -6.49, -1.39

 

CMYK 30 / 0 / 3 / 61

HEX #456360

RGB 69 99 96

HSL 174, 0.18%, 0.33%

LAB 39.64, -11.69, -1.85

 

CMYK 27 / 30 / 0 / 61

HEX #484563

RGB 72 69 99

HSL 246, 0.18%, 0.33%

LAB 30.72, 8.71, -17.15

 

CMYK 0 / 15 / 30 / 61

HEX #635445

RGB 99 84 69

HSL 30, 0.18%, 0.33%

LAB 36.79, 3.62, 11.07

 

CMYK 30 / 0 / 3 / 61

HEX #456360

RGB 69 99 96

HSL 174, 0.18%, 0.33%

LAB 39.64, -11.69, -1.85

 

CMYK 3 / 30 / 0 / 61

HEX #604563

RGB 96 69 99

HSL 294, 0.18%, 0.33%

LAB 33.23, 17.41, -13.08

 

CMYK 0 / 3 / 30 / 61

HEX #636045

RGB 99 96 69

HSL 54, 0.18%, 0.33%

LAB 40.33, -3.61, 15.89

 

CMYK 30 / 0 / 3 / 61

HEX #456360

RGB 69 99 96

HSL 174, 0.18%, 0.33%

LAB 39.64, -11.69, -1.85

 

CMYK 27 / 30 / 0 / 61

HEX #484563

RGB 72 69 99

HSL 246, 0.18%, 0.33%

LAB 30.72, 8.71, -17.15

 

CMYK 0 / 30 / 27 / 61

HEX #634548

RGB 99 69 72

HSL 354, 0.18%, 0.33%

LAB 32.65, 13.4, 3.34

 

CMYK 3 / 0 / 30 / 61

HEX #606345

RGB 96 99 69

HSL 66, 0.18%, 0.33%

LAB 40.96, -6.68, 16.7

 

CMYK 30 / 0 / 3 / 61

HEX #456360

RGB 69 99 96

HSL 174, 0.18%, 0.33%

LAB 39.64, -11.69, -1.85

 

CMYK 18 / 30 / 0 / 61

HEX #514563

RGB 81 69 99

HSL 264, 0.18%, 0.33%

LAB 31.59, 11.89, -15.73

 

CMYK 0 / 30 / 27 / 61

HEX #634548

RGB 99 69 72

HSL 354, 0.18%, 0.33%

LAB 32.65, 13.4, 3.34

 

CMYK 12 / 0 / 30 / 61

HEX #576345

RGB 87 99 69

HSL 84, 0.18%, 0.33%

LAB 40.21, -10.53, 15.57

 

Description

Color code: CMYK 31 / 0 / 3 / 61 | qconv.com Color code: CMYK 31 / 0 / 3 / 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 99 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 99 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 3 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 3% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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