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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 30 / 24 / 23 / 0 it is the complementary color CMYK 0 / 20 / 22 / 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 30 / 24 / 23 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 30 / 24 / 23 / 0: CMYK 5 / 0 / 2 / 24, CMYK 5 / 0 / 1 / 17, CMYK 5 / 0 / 0 / 10, CMYK 5 / 0 / 0 / 3 and CMYK 1 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 30 / 24 / 23 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 30 / 24 / 23 / 0: CMYK 9 / 1 / 0 / 23, CMYK 8 / 1 / 0 / 31, CMYK 8 / 0 / 0 / 38, CMYK 9 / 0 / 1 / 45 and CMYK 9 / 0 / 2 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 24 / 23 / 0

HEX #B3C2C4

RGB 179 194 196

HSL 187.06, 0.13%, 0.74%

LAB 77.37, -4.72, -2.77

 

Complementary color

CMYK 0 / 20 / 22 / 70

HEX #4C3D3B

RGB 76 61 59

HSL 7.06, 0.13%, 0.26%

LAB 27.27, 6.17, 3.69

 

CMYK 5 / 0 / 2 / 24

HEX #B8C2BF

RGB 184 194 191

HSL 162, 0.08%, 0.74%

LAB 77.6, -4, 0.31

 

CMYK 5 / 0 / 1 / 17

HEX #C9D4D2

RGB 201 212 210

HSL 169.09, 0.11%, 0.81%

LAB 84.05, -4.08, -0.31

 

CMYK 5 / 0 / 0 / 10

HEX #DAE6E5

RGB 218 230 229

HSL 175, 0.19%, 0.88%

LAB 90.39, -4.17, -0.91

 

CMYK 5 / 0 / 0 / 3

HEX #EBF8F8

RGB 235 248 248

HSL 180, 0.48%, 0.95%

LAB 96.65, -4.25, -1.49

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 9 / 1 / 0 / 23

HEX #B3C2C4

RGB 179 194 196

HSL 187.06, 0.13%, 0.74%

LAB 77.37, -4.72, -2.77

 

CMYK 8 / 1 / 0 / 31

HEX #A2B0B1

RGB 162 176 177

HSL 184, 0.09%, 0.66%

LAB 70.81, -4.66, -2.19

 

CMYK 8 / 0 / 0 / 38

HEX #919E9E

RGB 145 158 158

HSL 180, 0.06%, 0.59%

LAB 64.11, -4.6, -1.59

 

CMYK 9 / 0 / 1 / 45

HEX #808C8B

RGB 128 140 139

HSL 175, 0.05%, 0.53%

LAB 57.28, -4.55, -0.97

 

CMYK 9 / 0 / 2 / 52

HEX #6F7A78

RGB 111 122 120

HSL 169.09, 0.05%, 0.46%

LAB 50.28, -4.5, -0.31

 

CMYK 9 / 1 / 0 / 23

HEX #B3C2C4

RGB 179 194 196

HSL 187.06, 0.13%, 0.74%

LAB 77.37, -4.72, -2.77

 

CMYK 9 / 3 / 0 / 23

HEX #B4C0C5

RGB 180 192 197

HSL 197.65, 0.13%, 0.74%

LAB 76.94, -3.13, -3.94

 

CMYK 9 / 4 / 0 / 23

HEX #B4BDC5

RGB 180 189 197

HSL 208.24, 0.13%, 0.74%

LAB 76.15, -1.53, -5.11

 

CMYK 9 / 6 / 0 / 23

HEX #B4BAC5

RGB 180 186 197

HSL 218.82, 0.13%, 0.74%

LAB 75.36, 0.08, -6.27

 

CMYK 9 / 7 / 0 / 23

HEX #B4B7C5

RGB 180 183 197

HSL 229.41, 0.13%, 0.74%

LAB 74.57, 1.69, -7.44

 

CMYK 9 / 1 / 0 / 23

HEX #B3C2C4

RGB 179 194 196

HSL 187.06, 0.13%, 0.74%

LAB 77.37, -4.72, -2.77

 

CMYK 9 / 1 / 0 / 3

HEX #E2F4F7

RGB 226 244 247

HSL 188.57, 0.57%, 0.93%

LAB 94.99, -5.32, -3.48

 

CMYK 9 / 0 / 0 / 83

HEX #272B2B

RGB 39 43 43

HSL 180, 0.05%, 0.16%

LAB 17.15, -1.77, -0.61

 

CMYK 9 / 1 / 0 / 63

HEX #565D5E

RGB 86 93 94

HSL 187.5, 0.04%, 0.35%

LAB 38.92, -2.51, -1.52

 

CMYK 9 / 1 / 0 / 43

HEX #849091

RGB 132 144 145

HSL 184.62, 0.06%, 0.54%

LAB 58.88, -4.11, -2.02

 

CMYK 9 / 1 / 0 / 23

HEX #B3C2C4

RGB 179 194 196

HSL 187.06, 0.13%, 0.74%

LAB 77.37, -4.72, -2.77

 

CMYK 6 / 9 / 0 / 23

HEX #B9B4C5

RGB 185 180 197

HSL 257.65, 0.13%, 0.74%

LAB 74.18, 5, -7.98

 

CMYK 0 / 3 / 9 / 23

HEX #C5C0B4

RGB 197 192 180

HSL 42.35, 0.13%, 0.74%

LAB 77.8, -0.36, 6.66

 

CMYK 9 / 1 / 0 / 23

HEX #B3C2C4

RGB 179 194 196

HSL 187.06, 0.13%, 0.74%

LAB 77.37, -4.72, -2.77

 

CMYK 0 / 9 / 1 / 23

HEX #C5B4C3

RGB 197 180 195

HSL 307.06, 0.13%, 0.74%

LAB 75.11, 8.74, -5.4

 

CMYK 1 / 0 / 9 / 23

HEX #C3C5B4

RGB 195 197 180

HSL 67.06, 0.13%, 0.74%

LAB 78.94, -3.71, 8.28

 

CMYK 9 / 1 / 0 / 23

HEX #B3C2C4

RGB 179 194 196

HSL 187.06, 0.13%, 0.74%

LAB 77.37, -4.72, -2.77

 

CMYK 6 / 9 / 0 / 23

HEX #B9B4C5

RGB 185 180 197

HSL 257.65, 0.13%, 0.74%

LAB 74.18, 5, -7.98

 

CMYK 0 / 8 / 9 / 23

HEX #C5B6B4

RGB 197 182 180

HSL 7.06, 0.13%, 0.74%

LAB 75.22, 4.98, 2.93

 

CMYK 3 / 0 / 9 / 23

HEX #BFC5B4

RGB 191 197 180

HSL 81.18, 0.13%, 0.74%

LAB 78.64, -5.13, 7.8

 

CMYK 9 / 1 / 0 / 23

HEX #B3C2C4

RGB 179 194 196

HSL 187.06, 0.13%, 0.74%

LAB 77.37, -4.72, -2.77

 

CMYK 4 / 9 / 0 / 23

HEX #BEB4C5

RGB 190 180 197

HSL 275.29, 0.13%, 0.74%

LAB 74.59, 6.71, -7.33

 

CMYK 0 / 8 / 9 / 23

HEX #C5B6B4

RGB 197 182 180

HSL 7.06, 0.13%, 0.74%

LAB 75.22, 4.98, 2.93

 

CMYK 6 / 0 / 9 / 23

HEX #BAC5B4

RGB 186 197 180

HSL 98.82, 0.13%, 0.74%

LAB 78.27, -6.9, 7.22

 

Description

Color code: CMYK 30 / 24 / 23 / 0 | qconv.com Color code: CMYK 30 / 24 / 23 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 194 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 194 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 24 magenta, 23 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 24% 23% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Duck.li
Link: http://www.duck.li

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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