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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 30 / 0 / 30 / 70 it is the complementary color CMYK 0 / 11 / 0 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 30 / 0 / 30 / 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 30 / 0 / 30 / 70: CMYK 23 / 0 / 36 / 70, CMYK 20 / 0 / 28 / 63, CMYK 18 / 0 / 23 / 56, CMYK 16 / 0 / 19 / 49 and CMYK 15 / 0 / 16 / 42

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 30 / 0 / 30 / 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 30 / 0 / 30 / 70: CMYK 30 / 0 / 30 / 70, CMYK 37 / 0 / 41 / 77, CMYK 51 / 0 / 61 / 84, CMYK 87 / 0 / 100 / 91 and CMYK 100 / 0 / 100 / 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 30 / 70

HEX #364D36

RGB 54 77 54

HSL 120, 0.18%, 0.26%

LAB 30.3, -14.22, 10.87

 

Complementary color

CMYK 0 / 11 / 0 / 21

HEX #C9B2C9

RGB 201 178 201

HSL 300, 0.18%, 0.74%

LAB 75.12, 12.33, -8.62

 

CMYK 23 / 0 / 36 / 70

HEX #3B4D31

RGB 59 77 49

HSL 98.57, 0.22%, 0.25%

LAB 30.54, -13.12, 14.38

 

CMYK 20 / 0 / 28 / 63

HEX #4C5F44

RGB 76 95 68

HSL 102.22, 0.17%, 0.32%

LAB 38.09, -12.97, 13.15

 

CMYK 18 / 0 / 23 / 56

HEX #5D7157

RGB 93 113 87

HSL 106.15, 0.13%, 0.39%

LAB 45.39, -12.83, 12.04

 

CMYK 16 / 0 / 19 / 49

HEX #6E836A

RGB 110 131 106

HSL 110.4, 0.11%, 0.46%

LAB 52.5, -12.71, 11.03

 

CMYK 15 / 0 / 16 / 42

HEX #7F957D

RGB 127 149 125

HSL 115, 0.1%, 0.54%

LAB 59.42, -12.61, 10.1

 

CMYK 30 / 0 / 30 / 70

HEX #364D36

RGB 54 77 54

HSL 120, 0.18%, 0.26%

LAB 30.3, -14.22, 10.87

 

CMYK 37 / 0 / 41 / 77

HEX #253B23

RGB 37 59 35

HSL 115, 0.26%, 0.18%

LAB 22.45, -14.51, 12.2

 

CMYK 51 / 0 / 61 / 84

HEX #142910

RGB 20 41 16

HSL 110.4, 0.44%, 0.11%

LAB 14.24, -14.74, 13.54

 

CMYK 87 / 0 / 100 / 91

HEX #031700

RGB 3 23 0

HSL 112.17, 1%, 0.05%

LAB 5.71, -10.52, 8.36

 

CMYK 100 / 0 / 100 / 98

HEX #000500

RGB 0 5 0

HSL 120, 1%, 0.01%

LAB 0.98, -2, 1.43

 

CMYK 30 / 0 / 30 / 70

HEX #364D36

RGB 54 77 54

HSL 120, 0.18%, 0.26%

LAB 30.3, -14.22, 10.87

 

CMYK 31 / 0 / 26 / 69

HEX #364E3A

RGB 54 78 58

HSL 130, 0.18%, 0.26%

LAB 30.73, -13.97, 8.95

 

CMYK 31 / 0 / 21 / 69

HEX #364E3E

RGB 54 78 62

HSL 140, 0.18%, 0.26%

LAB 30.83, -13.09, 6.56

 

CMYK 31 / 0 / 15 / 69

HEX #364E42

RGB 54 78 66

HSL 150, 0.18%, 0.26%

LAB 30.94, -12.17, 4.16

 

CMYK 31 / 0 / 10 / 69

HEX #364E46

RGB 54 78 70

HSL 160, 0.18%, 0.26%

LAB 31.06, -11.19, 1.78

 

CMYK 30 / 0 / 30 / 70

HEX #364D36

RGB 54 77 54

HSL 120, 0.18%, 0.26%

LAB 30.3, -14.22, 10.87

 

CMYK 30 / 0 / 30 / 50

HEX #5A805A

RGB 90 128 90

HSL 120, 0.17%, 0.43%

LAB 49.92, -21.46, 16.48

 

CMYK 30 / 0 / 30 / 30

HEX #7EB37E

RGB 126 179 126

HSL 120, 0.26%, 0.6%

LAB 68.15, -28.11, 21.64

 

CMYK 30 / 0 / 30 / 10

HEX #A1E6A1

RGB 161 230 161

HSL 120, 0.58%, 0.77%

LAB 85.37, -34.88, 26.92

 

CMYK 31 / 0 / 31 / 90

HEX #121A12

RGB 18 26 18

HSL 120, 0.18%, 0.09%

LAB 8.23, -5.64, 4.03

 

CMYK 30 / 0 / 30 / 70

HEX #364D36

RGB 54 77 54

HSL 120, 0.18%, 0.26%

LAB 30.3, -14.22, 10.87

 

CMYK 31 / 6 / 0 / 69

HEX #36494E

RGB 54 73 78

HSL 192.5, 0.18%, 0.26%

LAB 29.66, -6.05, -5.41

 

CMYK 0 / 31 / 19 / 69

HEX #4E363F

RGB 78 54 63

HSL 337.5, 0.18%, 0.26%

LAB 25.61, 12.35, -1.33

 

CMYK 30 / 0 / 30 / 70

HEX #364D36

RGB 54 77 54

HSL 120, 0.18%, 0.26%

LAB 30.3, -14.22, 10.87

 

CMYK 31 / 31 / 0 / 69

HEX #36364E

RGB 54 54 78

HSL 240, 0.18%, 0.26%

LAB 23.58, 6.38, -14.65

 

CMYK 0 / 31 / 31 / 69

HEX #4E3636

RGB 78 54 54

HSL 0, 0.18%, 0.26%

LAB 25.33, 10.75, 4.27

 

CMYK 30 / 0 / 30 / 70

HEX #364D36

RGB 54 77 54

HSL 120, 0.18%, 0.26%

LAB 30.3, -14.22, 10.87

 

CMYK 31 / 6 / 0 / 69

HEX #36494E

RGB 54 73 78

HSL 192.5, 0.18%, 0.26%

LAB 29.66, -6.05, -5.41

 

CMYK 0 / 31 / 0 / 69

HEX #4E364E

RGB 78 54 78

HSL 300, 0.18%, 0.26%

LAB 26.18, 15.44, -10.44

 

CMYK 0 / 24 / 31 / 69

HEX #4E3B36

RGB 78 59 54

HSL 12.5, 0.18%, 0.26%

LAB 26.77, 7.51, 6.31

 

CMYK 30 / 0 / 30 / 70

HEX #364D36

RGB 54 77 54

HSL 120, 0.18%, 0.26%

LAB 30.3, -14.22, 10.87

 

CMYK 31 / 15 / 0 / 69

HEX #36424E

RGB 54 66 78

HSL 210, 0.18%, 0.26%

LAB 27.38, -1.61, -8.84

 

CMYK 0 / 31 / 0 / 69

HEX #4E364E

RGB 78 54 78

HSL 300, 0.18%, 0.26%

LAB 26.18, 15.44, -10.44

 

CMYK 0 / 15 / 31 / 69

HEX #4E4236

RGB 78 66 54

HSL 30, 0.18%, 0.26%

LAB 28.86, 3, 9.22

 

Description

Color code: CMYK 30 / 0 / 30 / 70 | qconv.com Color code: CMYK 30 / 0 / 30 / 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 77 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 77 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 30 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 30% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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