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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 2 / 28 / 39 / 30 it is the complementary color CMYK 45 / 14 / 0 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 2 / 28 / 39 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 2 / 28 / 39 / 30: CMYK 0 / 28 / 42 / 29, CMYK 0 / 25 / 38 / 23, CMYK 0 / 23 / 34 / 16, CMYK 0 / 21 / 30 / 9 and CMYK 0 / 19 / 27 / 3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 2 / 28 / 39 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 2 / 28 / 39 / 30: CMYK 0 / 26 / 38 / 31, CMYK 0 / 30 / 43 / 38, CMYK 0 / 34 / 50 / 45, CMYK 0 / 40 / 58 / 51 and CMYK 0 / 47 / 69 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 28 / 39 / 30

HEX #AF816D

RGB 175 129 109

HSL 18.18, 0.29%, 0.56%

LAB 57.96, 15.04, 17.79

 

Complementary color

CMYK 45 / 14 / 0 / 43

HEX #507E92

RGB 80 126 146

HSL 198.18, 0.29%, 0.44%

LAB 50.34, -10.1, -15.71

 

CMYK 0 / 28 / 42 / 29

HEX #B48168

RGB 180 129 104

HSL 19.74, 0.34%, 0.56%

LAB 58.42, 16.5, 21.34

 

CMYK 0 / 25 / 38 / 23

HEX #C5937B

RGB 197 147 123

HSL 19.46, 0.39%, 0.63%

LAB 65.1, 15.65, 20.05

 

CMYK 0 / 23 / 34 / 16

HEX #D6A58E

RGB 214 165 142

HSL 19.17, 0.47%, 0.7%

LAB 71.66, 14.9, 18.88

 

CMYK 0 / 21 / 30 / 9

HEX #E7B7A1

RGB 231 183 161

HSL 18.86, 0.59%, 0.77%

LAB 78.13, 14.24, 17.79

 

CMYK 0 / 19 / 27 / 3

HEX #F8C9B4

RGB 248 201 180

HSL 18.53, 0.83%, 0.84%

LAB 84.5, 13.66, 16.78

 

CMYK 0 / 26 / 38 / 31

HEX #AF816D

RGB 175 129 109

HSL 18.18, 0.29%, 0.56%

LAB 57.96, 15.04, 17.79

 

CMYK 0 / 30 / 43 / 38

HEX #9E6F5A

RGB 158 111 90

HSL 18.53, 0.27%, 0.49%

LAB 51.12, 15.94, 19.12

 

CMYK 0 / 34 / 50 / 45

HEX #8D5D47

RGB 141 93 71

HSL 18.86, 0.33%, 0.42%

LAB 44.16, 16.99, 20.63

 

CMYK 0 / 40 / 58 / 51

HEX #7C4B34

RGB 124 75 52

HSL 19.17, 0.41%, 0.35%

LAB 37.05, 18.26, 22.36

 

CMYK 0 / 47 / 69 / 58

HEX #6B3921

RGB 107 57 33

HSL 19.46, 0.53%, 0.27%

LAB 29.82, 19.8, 24.38

 

CMYK 0 / 26 / 38 / 31

HEX #AF816D

RGB 175 129 109

HSL 18.18, 0.29%, 0.56%

LAB 57.96, 15.04, 17.79

 

CMYK 0 / 20 / 37 / 31

HEX #AF8C6E

RGB 175 140 110

HSL 27.69, 0.29%, 0.56%

LAB 60.78, 9.01, 21.06

 

CMYK 0 / 14 / 37 / 31

HEX #AF976E

RGB 175 151 110

HSL 37.85, 0.29%, 0.56%

LAB 63.65, 2.92, 24.91

 

CMYK 0 / 7 / 37 / 31

HEX #AFA26E

RGB 175 162 110

HSL 48, 0.29%, 0.56%

LAB 66.58, -3.07, 28.78

 

CMYK 0 / 1 / 37 / 31

HEX #AFAD6E

RGB 175 173 110

HSL 58.15, 0.29%, 0.56%

LAB 69.56, -8.92, 32.65

 

CMYK 0 / 26 / 38 / 31

HEX #AF816D

RGB 175 129 109

HSL 18.18, 0.29%, 0.56%

LAB 57.96, 15.04, 17.79

 

CMYK 0 / 26 / 38 / 11

HEX #E2A78D

RGB 226 167 141

HSL 18.35, 0.59%, 0.72%

LAB 73.37, 18.39, 21.96

 

CMYK 0 / 27 / 36 / 91

HEX #16100E

RGB 22 16 14

HSL 15, 0.22%, 0.07%

LAB 5.17, 2.09, 1.85

 

CMYK 0 / 26 / 38 / 71

HEX #49362D

RGB 73 54 45

HSL 19.29, 0.24%, 0.23%

LAB 24.46, 7.01, 8.94

 

CMYK 0 / 27 / 38 / 51

HEX #7C5B4D

RGB 124 91 77

HSL 17.87, 0.23%, 0.39%

LAB 41.69, 11.5, 13.36

 

CMYK 0 / 26 / 38 / 31

HEX #AF816D

RGB 175 129 109

HSL 18.18, 0.29%, 0.56%

LAB 57.96, 15.04, 17.79

 

CMYK 19 / 0 / 37 / 31

HEX #8EAF6E

RGB 142 175 110

HSL 90.46, 0.29%, 0.56%

LAB 67.68, -22.92, 29.73

 

CMYK 37 / 34 / 0 / 31

HEX #6E74AF

RGB 110 116 175

HSL 234.46, 0.29%, 0.56%

LAB 50.57, 12.49, -32.1

 

CMYK 0 / 26 / 38 / 31

HEX #AF816D

RGB 175 129 109

HSL 18.18, 0.29%, 0.56%

LAB 57.96, 15.04, 17.79

 

CMYK 37 / 0 / 26 / 31

HEX #6EAF81

RGB 110 175 129

HSL 137.54, 0.29%, 0.56%

LAB 66.18, -30.82, 17.17

 

CMYK 26 / 37 / 0 / 31

HEX #816EAF

RGB 129 110 175

HSL 257.54, 0.29%, 0.56%

LAB 50.59, 21.68, -31.96

 

CMYK 0 / 26 / 38 / 31

HEX #AF816D

RGB 175 129 109

HSL 18.18, 0.29%, 0.56%

LAB 57.96, 15.04, 17.79

 

CMYK 19 / 0 / 37 / 31

HEX #8EAF6E

RGB 142 175 110

HSL 90.46, 0.29%, 0.56%

LAB 67.68, -22.92, 29.73

 

CMYK 37 / 11 / 0 / 31

HEX #6E9BAF

RGB 110 155 175

HSL 198.46, 0.29%, 0.56%

LAB 61.53, -10.05, -15.26

 

CMYK 19 / 37 / 0 / 31

HEX #8E6EAF

RGB 142 110 175

HSL 269.54, 0.29%, 0.56%

LAB 51.83, 25.68, -29.92

 

CMYK 0 / 26 / 38 / 31

HEX #AF816D

RGB 175 129 109

HSL 18.18, 0.29%, 0.56%

LAB 57.96, 15.04, 17.79

 

CMYK 30 / 0 / 37 / 31

HEX #7BAF6E

RGB 123 175 110

HSL 108, 0.29%, 0.56%

LAB 66.52, -29.81, 27.99

 

CMYK 37 / 11 / 0 / 31

HEX #6E9BAF

RGB 110 155 175

HSL 198.46, 0.29%, 0.56%

LAB 61.53, -10.05, -15.26

 

CMYK 7 / 37 / 0 / 31

HEX #A26EAF

RGB 162 110 175

HSL 288, 0.29%, 0.56%

LAB 53.95, 32.03, -26.47

 

Description

Color code: CMYK 2 / 28 / 39 / 30 | qconv.com Color code: CMYK 2 / 28 / 39 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 129 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 129 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 28 magenta, 39 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 28% 39% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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