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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 2 / 28 / 38 / 20 it is the complementary color CMYK 57 / 16 / 0 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 2 / 28 / 38 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 2 / 28 / 38 / 20: CMYK 0 / 28 / 41 / 20, CMYK 0 / 26 / 37 / 13, CMYK 0 / 23 / 33 / 6, CMYK 0 / 21 / 30 / 0 and CMYK 0 / 14 / 23 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 2 / 28 / 38 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 2 / 28 / 38 / 20: CMYK 0 / 27 / 37 / 22, CMYK 0 / 30 / 42 / 28, CMYK 0 / 33 / 47 / 35, CMYK 0 / 38 / 54 / 42 and CMYK 0 / 43 / 62 / 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 28 / 38 / 20

HEX #C8937E

RGB 200 147 126

HSL 17.03, 0.4%, 0.64%

LAB 65.48, 17.21, 18.96

 

Complementary color

CMYK 57 / 16 / 0 / 49

HEX #376C81

RGB 55 108 129

HSL 197.03, 0.4%, 0.36%

LAB 42.95, -11.16, -17.01

 

CMYK 0 / 28 / 41 / 20

HEX #CD9379

RGB 205 147 121

HSL 18.57, 0.46%, 0.64%

LAB 65.93, 18.62, 22.43

 

CMYK 0 / 26 / 37 / 13

HEX #DEA58C

RGB 222 165 140

HSL 18.29, 0.55%, 0.71%

LAB 72.45, 17.78, 21.18

 

CMYK 0 / 23 / 33 / 6

HEX #EFB79F

RGB 239 183 159

HSL 18, 0.71%, 0.78%

LAB 78.88, 17.04, 20.03

 

CMYK 0 / 21 / 30 / 0

HEX #FFC9B2

RGB 255 201 178

HSL 17.92, 1%, 0.85%

LAB 85.12, 16.01, 18.82

 

CMYK 0 / 14 / 23 / 0

HEX #FFDBC5

RGB 255 219 197

HSL 22.76, 1%, 0.89%

LAB 89.84, 9.2, 15.43

 

CMYK 0 / 27 / 37 / 22

HEX #C8937E

RGB 200 147 126

HSL 17.03, 0.4%, 0.64%

LAB 65.48, 17.21, 18.96

 

CMYK 0 / 30 / 42 / 28

HEX #B7816B

RGB 183 129 107

HSL 17.37, 0.35%, 0.57%

LAB 58.82, 18.07, 20.24

 

CMYK 0 / 33 / 47 / 35

HEX #A66F58

RGB 166 111 88

HSL 17.69, 0.31%, 0.5%

LAB 52.04, 19.07, 21.67

 

CMYK 0 / 38 / 54 / 42

HEX #955D45

RGB 149 93 69

HSL 18, 0.37%, 0.43%

LAB 45.15, 20.24, 23.29

 

CMYK 0 / 43 / 62 / 48

HEX #844B32

RGB 132 75 50

HSL 18.29, 0.45%, 0.36%

LAB 38.14, 21.62, 25.16

 

CMYK 0 / 27 / 37 / 22

HEX #C8937E

RGB 200 147 126

HSL 17.03, 0.4%, 0.64%

LAB 65.48, 17.21, 18.96

 

CMYK 0 / 20 / 37 / 22

HEX #C79F7E

RGB 199 159 126

HSL 27.12, 0.39%, 0.64%

LAB 68.35, 10.24, 22.85

 

CMYK 0 / 14 / 37 / 22

HEX #C7AB7E

RGB 199 171 126

HSL 36.99, 0.39%, 0.64%

LAB 71.4, 3.75, 26.95

 

CMYK 0 / 8 / 37 / 22

HEX #C7B87E

RGB 199 184 126

HSL 47.67, 0.39%, 0.64%

LAB 74.78, -3.16, 31.42

 

CMYK 0 / 2 / 37 / 22

HEX #C7C47E

RGB 199 196 126

HSL 57.53, 0.39%, 0.64%

LAB 77.95, -9.41, 35.54

 

CMYK 0 / 27 / 37 / 22

HEX #C8937E

RGB 200 147 126

HSL 17.03, 0.4%, 0.64%

LAB 65.48, 17.21, 18.96

 

CMYK 0 / 27 / 37 / 2

HEX #FBB89E

RGB 251 184 158

HSL 16.77, 0.92%, 0.8%

LAB 80.32, 20.98, 22.75

 

CMYK 0 / 26 / 36 / 82

HEX #2F231E

RGB 47 35 30

HSL 17.65, 0.22%, 0.15%

LAB 14.95, 4.79, 5.54

 

CMYK 0 / 27 / 37 / 62

HEX #62483E

RGB 98 72 62

HSL 16.67, 0.23%, 0.31%

LAB 33.09, 9.55, 10.32

 

CMYK 0 / 26 / 37 / 42

HEX #956E5E

RGB 149 110 94

HSL 17.45, 0.23%, 0.48%

LAB 49.92, 13.22, 14.97

 

CMYK 0 / 27 / 37 / 22

HEX #C8937E

RGB 200 147 126

HSL 17.03, 0.4%, 0.64%

LAB 65.48, 17.21, 18.96

 

CMYK 18 / 0 / 37 / 22

HEX #A4C77E

RGB 164 199 126

HSL 88.77, 0.39%, 0.64%

LAB 76.22, -24.38, 32.8

 

CMYK 37 / 32 / 0 / 22

HEX #7E87C7

RGB 126 135 199

HSL 232.6, 0.39%, 0.64%

LAB 57.93, 12.35, -34.26

 

CMYK 0 / 27 / 37 / 22

HEX #C8937E

RGB 200 147 126

HSL 17.03, 0.4%, 0.64%

LAB 65.48, 17.21, 18.96

 

CMYK 37 / 0 / 26 / 22

HEX #7EC793

RGB 126 199 147

HSL 137.26, 0.39%, 0.64%

LAB 74.44, -33.86, 19

 

CMYK 26 / 37 / 0 / 22

HEX #937EC7

RGB 147 126 199

HSL 257.26, 0.39%, 0.64%

LAB 57.32, 23.66, -35.1

 

CMYK 0 / 27 / 37 / 22

HEX #C8937E

RGB 200 147 126

HSL 17.03, 0.4%, 0.64%

LAB 65.48, 17.21, 18.96

 

CMYK 18 / 0 / 37 / 22

HEX #A4C77E

RGB 164 199 126

HSL 88.77, 0.39%, 0.64%

LAB 76.22, -24.38, 32.8

 

CMYK 37 / 10 / 0 / 22

HEX #7EB3C7

RGB 126 179 199

HSL 196.44, 0.39%, 0.64%

LAB 70.04, -12.35, -15.69

 

CMYK 19 / 37 / 0 / 22

HEX #A17EC7

RGB 161 126 199

HSL 268.77, 0.39%, 0.64%

LAB 58.62, 27.87, -32.96

 

CMYK 0 / 27 / 37 / 22

HEX #C8937E

RGB 200 147 126

HSL 17.03, 0.4%, 0.64%

LAB 65.48, 17.21, 18.96

 

CMYK 29 / 0 / 37 / 22

HEX #8EC77E

RGB 142 199 126

HSL 106.85, 0.39%, 0.64%

LAB 74.89, -32.21, 30.81

 

CMYK 37 / 10 / 0 / 22

HEX #7EB3C7

RGB 126 179 199

HSL 196.44, 0.39%, 0.64%

LAB 70.04, -12.35, -15.69

 

CMYK 8 / 37 / 0 / 22

HEX #B87EC7

RGB 184 126 199

HSL 287.67, 0.39%, 0.64%

LAB 60.99, 34.99, -29.1

 

Description

Color code: CMYK 2 / 28 / 38 / 20 | qconv.com Color code: CMYK 2 / 28 / 38 / 20 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 147 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 147 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 28 magenta, 38 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 28% 38% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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