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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 2 / 1 / 4 / 0 it is the complementary color CMYK 50 / 70 / 0 / 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 2 / 1 / 4 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 2 / 1 / 4 / 0: CMYK 0 / 1 / 6 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 2 / 1 / 4 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 2 / 1 / 4 / 0: CMYK 1 / 0 / 3 / 1, CMYK 0 / 0 / 3 / 8, CMYK 0 / 0 / 4 / 15, CMYK 0 / 1 / 6 / 22 and CMYK 0 / 1 / 7 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 1 / 4 / 0

HEX #FAFCF5

RGB 250 252 245

HSL 77.14, 0.54%, 0.97%

LAB 98.65, -1.87, 3.1

 

Complementary color

CMYK 50 / 70 / 0 / 96

HEX #05030A

RGB 5 3 10

HSL 257.14, 0.54%, 0.03%

LAB 1.08, 1.5, -2.47

 

CMYK 0 / 1 / 6 / 0

HEX #FFFCF0

RGB 255 252 240

HSL 48, 1%, 0.97%

LAB 98.9, -1.04, 6.08

 

CMYK 1 / 0 / 3 / 1

HEX #FAFCF5

RGB 250 252 245

HSL 77.14, 0.54%, 0.97%

LAB 98.65, -1.87, 3.1

 

CMYK 0 / 0 / 3 / 8

HEX #E9EAE2

RGB 233 234 226

HSL 67.5, 0.16%, 0.9%

LAB 92.42, -1.73, 3.75

 

CMYK 0 / 0 / 4 / 15

HEX #D8D8CF

RGB 216 216 207

HSL 60, 0.1%, 0.83%

LAB 86.11, -1.59, 4.42

 

CMYK 0 / 1 / 6 / 22

HEX #C7C6BC

RGB 199 198 188

HSL 54.55, 0.09%, 0.76%

LAB 79.71, -1.43, 5.12

 

CMYK 0 / 1 / 7 / 29

HEX #B6B4A9

RGB 182 180 169

HSL 50.77, 0.08%, 0.69%

LAB 73.19, -1.27, 5.85

 

CMYK 1 / 0 / 3 / 1

HEX #FAFCF5

RGB 250 252 245

HSL 77.14, 0.54%, 0.97%

LAB 98.65, -1.87, 3.1

 

CMYK 2 / 0 / 3 / 2

HEX #F7FBF3

RGB 247 251 243

HSL 90, 0.5%, 0.97%

LAB 98.13, -2.71, 3.36

 

CMYK 2 / 0 / 3 / 2

HEX #F6FBF3

RGB 246 251 243

HSL 97.5, 0.5%, 0.97%

LAB 98.06, -3.05, 3.24

 

CMYK 2 / 0 / 3 / 2

HEX #F5FBF3

RGB 245 251 243

HSL 105, 0.5%, 0.97%

LAB 97.98, -3.38, 3.13

 

CMYK 3 / 0 / 3 / 2

HEX #F3FBF3

RGB 243 251 243

HSL 120, 0.5%, 0.97%

LAB 97.84, -4.04, 2.9

 

CMYK 1 / 0 / 3 / 1

HEX #FAFCF5

RGB 250 252 245

HSL 77.14, 0.54%, 0.97%

LAB 98.65, -1.87, 3.1

 

CMYK 0 / 0 / 2 / 81

HEX #30302F

RGB 48 48 47

HSL 60, 0.01%, 0.19%

LAB 19.83, -0.23, 0.64

 

CMYK 1 / 0 / 3 / 61

HEX #626360

RGB 98 99 96

HSL 80, 0.02%, 0.38%

LAB 41.79, -1.01, 1.56

 

CMYK 1 / 0 / 3 / 41

HEX #959692

RGB 149 150 146

HSL 75, 0.02%, 0.58%

LAB 61.89, -1.13, 1.97

 

CMYK 1 / 0 / 3 / 21

HEX #C7C9C3

RGB 199 201 195

HSL 80, 0.05%, 0.78%

LAB 80.66, -1.77, 2.74

 

CMYK 1 / 0 / 3 / 1

HEX #FAFCF5

RGB 250 252 245

HSL 77.14, 0.54%, 0.97%

LAB 98.65, -1.87, 3.1

 

CMYK 3 / 0 / 2 / 2

HEX #F3FBF7

RGB 243 251 247

HSL 150, 0.5%, 0.97%

LAB 97.94, -3.34, 0.99

 

CMYK 0 / 3 / 0 / 2

HEX #FAF3FB

RGB 250 243 251

HSL 292.5, 0.5%, 0.97%

LAB 96.57, 3.74, -3.02

 

CMYK 1 / 0 / 3 / 1

HEX #FAFCF5

RGB 250 252 245

HSL 77.14, 0.54%, 0.97%

LAB 98.65, -1.87, 3.1

 

CMYK 3 / 1 / 0 / 2

HEX #F3F9FB

RGB 243 249 251

HSL 195, 0.5%, 0.97%

LAB 97.54, -1.61, -1.66

 

CMYK 0 / 3 / 1 / 2

HEX #FBF3F9

RGB 251 243 249

HSL 315, 0.5%, 0.97%

LAB 96.6, 3.72, -1.94

 

CMYK 1 / 0 / 3 / 1

HEX #FAFCF5

RGB 250 252 245

HSL 77.14, 0.54%, 0.97%

LAB 98.65, -1.87, 3.1

 

CMYK 3 / 0 / 2 / 2

HEX #F3FBF7

RGB 243 251 247

HSL 150, 0.5%, 0.97%

LAB 97.94, -3.34, 0.99

 

CMYK 2 / 3 / 0 / 2

HEX #F5F3FB

RGB 245 243 251

HSL 255, 0.5%, 0.97%

LAB 96.19, 2.09, -3.61

 

CMYK 0 / 3 / 2 / 2

HEX #FBF3F7

RGB 251 243 247

HSL 330, 0.5%, 0.97%

LAB 96.54, 3.37, -0.98

 

CMYK 1 / 0 / 3 / 1

HEX #FAFCF5

RGB 250 252 245

HSL 77.14, 0.54%, 0.97%

LAB 98.65, -1.87, 3.1

 

CMYK 3 / 0 / 1 / 2

HEX #F3FBF9

RGB 243 251 249

HSL 165, 0.5%, 0.97%

LAB 97.99, -2.98, 0.03

 

CMYK 2 / 3 / 0 / 2

HEX #F5F3FB

RGB 245 243 251

HSL 255, 0.5%, 0.97%

LAB 96.19, 2.09, -3.61

 

CMYK 0 / 3 / 2 / 2

HEX #FBF3F5

RGB 251 243 245

HSL 345, 0.5%, 0.97%

LAB 96.49, 3.02, -0.02

 

Description

Color code: CMYK 2 / 1 / 4 / 0 | qconv.com Color code: CMYK 2 / 1 / 4 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 252 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 252 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 1 magenta, 4 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 1% 4% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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