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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 29 / 0 / 27 / 27 it is the complementary color CMYK 0 / 44 / 3 / 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 29 / 0 / 27 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 29 / 0 / 27 / 27: CMYK 26 / 0 / 30 / 27, CMYK 25 / 0 / 26 / 20, CMYK 23 / 0 / 24 / 13, CMYK 22 / 0 / 22 / 6 and CMYK 20 / 0 / 19 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 29 / 0 / 27 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 29 / 0 / 27 / 27: CMYK 29 / 0 / 27 / 27, CMYK 32 / 0 / 30 / 34, CMYK 35 / 0 / 35 / 41, CMYK 39 / 0 / 40 / 48 and CMYK 44 / 0 / 47 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 27 / 27

HEX #84BA88

RGB 132 186 136

HSL 124.44, 0.28%, 0.62%

LAB 70.73, -27.77, 19.83

 

Complementary color

CMYK 0 / 44 / 3 / 52

HEX #7B4577

RGB 123 69 119

HSL 304.44, 0.28%, 0.38%

LAB 37.48, 31.17, -18.82

 

CMYK 26 / 0 / 30 / 27

HEX #89BA83

RGB 137 186 131

HSL 113.45, 0.28%, 0.62%

LAB 70.92, -26.93, 22.82

 

CMYK 25 / 0 / 26 / 20

HEX #9ACC96

RGB 154 204 150

HSL 115.56, 0.35%, 0.69%

LAB 77.43, -26.72, 21.77

 

CMYK 23 / 0 / 24 / 13

HEX #ABDEA9

RGB 171 222 169

HSL 117.74, 0.45%, 0.77%

LAB 83.84, -26.52, 20.77

 

CMYK 22 / 0 / 22 / 6

HEX #BCF0BC

RGB 188 240 188

HSL 120, 0.63%, 0.84%

LAB 90.16, -26.34, 19.83

 

CMYK 20 / 0 / 19 / 0

HEX #CDFFCF

RGB 205 255 207

HSL 122.4, 1%, 0.9%

LAB 95.58, -24.74, 17.81

 

CMYK 29 / 0 / 27 / 27

HEX #84BA88

RGB 132 186 136

HSL 124.44, 0.28%, 0.62%

LAB 70.73, -27.77, 19.83

 

CMYK 32 / 0 / 30 / 34

HEX #73A875

RGB 115 168 117

HSL 122.26, 0.23%, 0.55%

LAB 64.11, -28.02, 20.92

 

CMYK 35 / 0 / 35 / 41

HEX #629662

RGB 98 150 98

HSL 120, 0.21%, 0.49%

LAB 57.36, -28.28, 22.09

 

CMYK 39 / 0 / 40 / 48

HEX #51844F

RGB 81 132 79

HSL 117.74, 0.25%, 0.41%

LAB 50.47, -28.53, 23.36

 

CMYK 44 / 0 / 47 / 55

HEX #40723C

RGB 64 114 60

HSL 115.56, 0.31%, 0.34%

LAB 43.43, -28.73, 24.71

 

CMYK 29 / 0 / 27 / 27

HEX #84BA88

RGB 132 186 136

HSL 124.44, 0.28%, 0.62%

LAB 70.73, -27.77, 19.83

 

CMYK 30 / 0 / 23 / 27

HEX #82B98F

RGB 130 185 143

HSL 134.18, 0.28%, 0.62%

LAB 70.47, -26.67, 15.68

 

CMYK 30 / 0 / 18 / 27

HEX #82B998

RGB 130 185 152

HSL 144, 0.28%, 0.62%

LAB 70.67, -24.94, 11.06

 

CMYK 30 / 0 / 13 / 27

HEX #82B9A1

RGB 130 185 161

HSL 153.82, 0.28%, 0.62%

LAB 70.88, -23.12, 6.45

 

CMYK 30 / 0 / 8 / 27

HEX #82B9AA

RGB 130 185 170

HSL 163.64, 0.28%, 0.62%

LAB 71.11, -21.19, 1.85

 

CMYK 29 / 0 / 27 / 27

HEX #84BA88

RGB 132 186 136

HSL 124.44, 0.28%, 0.62%

LAB 70.73, -27.77, 19.83

 

CMYK 29 / 0 / 27 / 7

HEX #A8EDAD

RGB 168 237 173

HSL 124.35, 0.66%, 0.79%

LAB 87.93, -33.9, 24.3

 

CMYK 30 / 0 / 27 / 87

HEX #172118

RGB 23 33 24

HSL 126, 0.18%, 0.11%

LAB 11.52, -6.85, 4.67

 

CMYK 29 / 0 / 27 / 67

HEX #3C543D

RGB 60 84 61

HSL 122.5, 0.17%, 0.28%

LAB 33.22, -14.44, 10.57

 

CMYK 29 / 0 / 27 / 47

HEX #608763

RGB 96 135 99

HSL 124.62, 0.17%, 0.45%

LAB 52.64, -21.27, 15.11

 

CMYK 29 / 0 / 27 / 27

HEX #84BA88

RGB 132 186 136

HSL 124.44, 0.28%, 0.62%

LAB 70.73, -27.77, 19.83

 

CMYK 30 / 8 / 0 / 27

HEX #82AAB9

RGB 130 170 185

HSL 196.36, 0.28%, 0.62%

LAB 67.28, -9.89, -12.08

 

CMYK 0 / 30 / 19 / 27

HEX #B98295

RGB 185 130 149

HSL 339.27, 0.28%, 0.62%

LAB 60.29, 24.04, -1.66

 

CMYK 29 / 0 / 27 / 27

HEX #84BA88

RGB 132 186 136

HSL 124.44, 0.28%, 0.62%

LAB 70.73, -27.77, 19.83

 

CMYK 28 / 30 / 0 / 27

HEX #8682B9

RGB 134 130 185

HSL 244.36, 0.28%, 0.62%

LAB 56.62, 13.91, -28.3

 

CMYK 0 / 28 / 30 / 27

HEX #B98682

RGB 185 134 130

HSL 4.36, 0.28%, 0.62%

LAB 60.76, 19, 9.88

 

CMYK 29 / 0 / 27 / 27

HEX #84BA88

RGB 132 186 136

HSL 124.44, 0.28%, 0.62%

LAB 70.73, -27.77, 19.83

 

CMYK 30 / 8 / 0 / 27

HEX #82AAB9

RGB 130 170 185

HSL 196.36, 0.28%, 0.62%

LAB 67.28, -9.89, -12.08

 

CMYK 0 / 30 / 2 / 27

HEX #B982B5

RGB 185 130 181

HSL 304.36, 0.28%, 0.62%

LAB 61.32, 29.59, -18.39

 

CMYK 0 / 22 / 30 / 27

HEX #B99182

RGB 185 145 130

HSL 16.36, 0.28%, 0.62%

LAB 63.49, 12.88, 13.72

 

CMYK 29 / 0 / 27 / 27

HEX #84BA88

RGB 132 186 136

HSL 124.44, 0.28%, 0.62%

LAB 70.73, -27.77, 19.83

 

CMYK 30 / 17 / 0 / 27

HEX #829AB9

RGB 130 154 185

HSL 213.82, 0.28%, 0.62%

LAB 62.81, -1.1, -18.83

 

CMYK 0 / 30 / 2 / 27

HEX #B982B5

RGB 185 130 181

HSL 304.36, 0.28%, 0.62%

LAB 61.32, 29.59, -18.39

 

CMYK 0 / 13 / 30 / 27

HEX #B9A182

RGB 185 161 130

HSL 33.82, 0.28%, 0.62%

LAB 67.59, 4.07, 19.4

 

Description

Color code: CMYK 29 / 0 / 27 / 27 | qconv.com Color code: CMYK 29 / 0 / 27 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 186 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 186 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 27 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 27% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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