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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 29 / 0 / 0 / 71 it is the complementary color CMYK 0 / 10 / 10 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 29 / 0 / 0 / 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 29 / 0 / 0 / 71: CMYK 22 / 0 / 7 / 71, CMYK 18 / 0 / 4 / 64, CMYK 16 / 0 / 3 / 57, CMYK 15 / 0 / 2 / 50 and CMYK 14 / 0 / 1 / 43

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 29 / 0 / 0 / 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 29 / 0 / 0 / 71: CMYK 28 / 0 / 0 / 71, CMYK 36 / 0 / 2 / 78, CMYK 50 / 0 / 5 / 85, CMYK 90 / 0 / 15 / 92 and CMYK 100 / 0 / 100 / 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 0 / 71

HEX #354A4A

RGB 53 74 74

HSL 180, 0.17%, 0.25%

LAB 29.78, -8.11, -2.66

 

Complementary color

CMYK 0 / 10 / 10 / 21

HEX #CAB5B5

RGB 202 181 181

HSL 0, 0.17%, 0.75%

LAB 75.41, 7.49, 2.73

 

CMYK 22 / 0 / 7 / 71

HEX #3A4A45

RGB 58 74 69

HSL 161.25, 0.12%, 0.26%

LAB 29.98, -7.54, 0.89

 

CMYK 18 / 0 / 4 / 64

HEX #4B5C58

RGB 75 92 88

HSL 165.88, 0.1%, 0.33%

LAB 37.58, -7.44, 0.12

 

CMYK 16 / 0 / 3 / 57

HEX #5C6E6B

RGB 92 110 107

HSL 170, 0.09%, 0.4%

LAB 44.93, -7.37, -0.58

 

CMYK 15 / 0 / 2 / 50

HEX #6D807E

RGB 109 128 126

HSL 173.68, 0.08%, 0.46%

LAB 52.06, -7.33, -1.25

 

CMYK 14 / 0 / 1 / 43

HEX #7E9291

RGB 126 146 145

HSL 177, 0.08%, 0.53%

LAB 59.01, -7.31, -1.88

 

CMYK 28 / 0 / 0 / 71

HEX #354A4A

RGB 53 74 74

HSL 180, 0.17%, 0.25%

LAB 29.78, -8.11, -2.66

 

CMYK 36 / 0 / 2 / 78

HEX #243837

RGB 36 56 55

HSL 177, 0.22%, 0.18%

LAB 21.87, -8.23, -1.94

 

CMYK 50 / 0 / 5 / 85

HEX #132624

RGB 19 38 36

HSL 173.68, 0.33%, 0.11%

LAB 13.54, -8.38, -1.12

 

CMYK 90 / 0 / 15 / 92

HEX #021411

RGB 2 20 17

HSL 170, 0.82%, 0.04%

LAB 5, -6.14, -0.21

 

CMYK 100 / 0 / 100 / 99

HEX #000200

RGB 0 2 0

HSL 120, 1%, 0%

LAB 0.39, -0.8, 0.57

 

CMYK 28 / 0 / 0 / 71

HEX #354A4A

RGB 53 74 74

HSL 180, 0.17%, 0.25%

LAB 29.78, -8.11, -2.66

 

CMYK 30 / 5 / 0 / 71

HEX #34464A

RGB 52 70 74

HSL 190.91, 0.17%, 0.25%

LAB 28.39, -5.99, -4.73

 

CMYK 30 / 9 / 0 / 71

HEX #34434A

RGB 52 67 74

HSL 199.09, 0.17%, 0.25%

LAB 27.4, -4.1, -6.21

 

CMYK 30 / 15 / 0 / 71

HEX #343F4A

RGB 52 63 74

HSL 210, 0.17%, 0.25%

LAB 26.1, -1.52, -8.17

 

CMYK 30 / 19 / 0 / 71

HEX #343C4A

RGB 52 60 74

HSL 218.18, 0.17%, 0.25%

LAB 25.13, 0.45, -9.65

 

CMYK 28 / 0 / 0 / 71

HEX #354A4A

RGB 53 74 74

HSL 180, 0.17%, 0.25%

LAB 29.78, -8.11, -2.66

 

CMYK 28 / 0 / 0 / 51

HEX #5A7D7D

RGB 90 125 125

HSL 180, 0.16%, 0.42%

LAB 49.88, -12.28, -4.01

 

CMYK 28 / 0 / 0 / 31

HEX #7EB0B0

RGB 126 176 176

HSL 180, 0.24%, 0.59%

LAB 68.48, -16.41, -5.34

 

CMYK 28 / 0 / 0 / 11

HEX #A3E3E3

RGB 163 227 227

HSL 180, 0.53%, 0.76%

LAB 86.14, -20.01, -6.5

 

CMYK 30 / 0 / 0 / 91

HEX #101717

RGB 16 23 23

HSL 180, 0.18%, 0.08%

LAB 7.09, -2.92, -1.03

 

CMYK 28 / 0 / 0 / 71

HEX #354A4A

RGB 53 74 74

HSL 180, 0.17%, 0.25%

LAB 29.78, -8.11, -2.66

 

CMYK 23 / 30 / 0 / 71

HEX #39344A

RGB 57 52 74

HSL 253.64, 0.17%, 0.25%

LAB 23.07, 7.69, -12.75

 

CMYK 0 / 12 / 30 / 71

HEX #4A4134

RGB 74 65 52

HSL 35.45, 0.17%, 0.25%

LAB 28.07, 1.46, 9.36

 

CMYK 28 / 0 / 0 / 71

HEX #354A4A

RGB 53 74 74

HSL 180, 0.17%, 0.25%

LAB 29.78, -8.11, -2.66

 

CMYK 0 / 30 / 0 / 71

HEX #4A344A

RGB 74 52 74

HSL 300, 0.17%, 0.25%

LAB 24.97, 14.28, -9.67

 

CMYK 0 / 0 / 30 / 71

HEX #4A4A34

RGB 74 74 52

HSL 60, 0.17%, 0.25%

LAB 30.88, -4.18, 13.19

 

CMYK 28 / 0 / 0 / 71

HEX #354A4A

RGB 53 74 74

HSL 180, 0.17%, 0.25%

LAB 29.78, -8.11, -2.66

 

CMYK 23 / 30 / 0 / 71

HEX #39344A

RGB 57 52 74

HSL 253.64, 0.17%, 0.25%

LAB 23.07, 7.69, -12.75

 

CMYK 0 / 30 / 30 / 71

HEX #4A3434

RGB 74 52 52

HSL 0, 0.17%, 0.25%

LAB 24.19, 9.91, 3.91

 

CMYK 5 / 0 / 30 / 71

HEX #464A34

RGB 70 74 52

HSL 70.91, 0.17%, 0.25%

LAB 30.51, -6, 12.63

 

CMYK 28 / 0 / 0 / 71

HEX #354A4A

RGB 53 74 74

HSL 180, 0.17%, 0.25%

LAB 29.78, -8.11, -2.66

 

CMYK 15 / 30 / 0 / 71

HEX #3F344A

RGB 63 52 74

HSL 270, 0.17%, 0.25%

LAB 23.7, 9.97, -11.73

 

CMYK 0 / 30 / 30 / 71

HEX #4A3434

RGB 74 52 52

HSL 0, 0.17%, 0.25%

LAB 24.19, 9.91, 3.91

 

CMYK 15 / 0 / 30 / 71

HEX #3F4A34

RGB 63 74 52

HSL 90, 0.17%, 0.25%

LAB 29.92, -9.1, 11.72

 

Description

Color code: CMYK 29 / 0 / 0 / 71 | qconv.com Color code: CMYK 29 / 0 / 0 / 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 74 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 74 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 0% 71% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - miss moss - photogra...
Link: http://missmoss.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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