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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 27 / 17 / 0 / 64 it is the complementary color CMYK 0 / 5 / 13 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 27 / 17 / 0 / 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 27 / 17 / 0 / 64: CMYK 17 / 13 / 0 / 66, CMYK 16 / 11 / 0 / 58, CMYK 15 / 10 / 0 / 51, CMYK 15 / 10 / 0 / 44 and CMYK 14 / 9 / 0 / 36

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 27 / 17 / 0 / 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 27 / 17 / 0 / 64: CMYK 27 / 17 / 0 / 64, CMYK 32 / 21 / 0 / 71, CMYK 39 / 26 / 0 / 79, CMYK 54 / 37 / 0 / 86 and CMYK 100 / 75 / 0 / 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 17 / 0 / 64

HEX #434C5C

RGB 67 76 92

HSL 218.4, 0.16%, 0.31%

LAB 32.11, 0.5, -10.6

 

Complementary color

CMYK 0 / 5 / 13 / 26

HEX #BCB3A3

RGB 188 179 163

HSL 38.4, 0.16%, 0.69%

LAB 73.27, 0.45, 9.31

 

CMYK 17 / 13 / 0 / 66

HEX #484C57

RGB 72 76 87

HSL 224, 0.09%, 0.31%

LAB 32.34, 1.01, -7.04

 

CMYK 16 / 11 / 0 / 58

HEX #595E6A

RGB 89 94 106

HSL 222.35, 0.09%, 0.38%

LAB 39.87, 0.81, -7.49

 

CMYK 15 / 10 / 0 / 51

HEX #6A707D

RGB 106 112 125

HSL 221.05, 0.08%, 0.45%

LAB 47.15, 0.62, -7.95

 

CMYK 15 / 10 / 0 / 44

HEX #7B8290

RGB 123 130 144

HSL 220, 0.09%, 0.52%

LAB 54.23, 0.45, -8.41

 

CMYK 14 / 9 / 0 / 36

HEX #8C94A3

RGB 140 148 163

HSL 219.13, 0.11%, 0.59%

LAB 61.13, 0.29, -8.86

 

CMYK 27 / 17 / 0 / 64

HEX #434C5C

RGB 67 76 92

HSL 218.4, 0.16%, 0.31%

LAB 32.11, 0.5, -10.6

 

CMYK 32 / 21 / 0 / 71

HEX #323A49

RGB 50 58 73

HSL 219.13, 0.19%, 0.24%

LAB 24.27, 0.77, -10.29

 

CMYK 39 / 26 / 0 / 79

HEX #212836

RGB 33 40 54

HSL 220, 0.24%, 0.17%

LAB 16.04, 1.12, -10.05

 

CMYK 54 / 37 / 0 / 86

HEX #101623

RGB 16 22 35

HSL 221.05, 0.37%, 0.1%

LAB 7.27, 1.58, -9.89

 

CMYK 100 / 75 / 0 / 94

HEX #000410

RGB 0 4 16

HSL 225, 1%, 0.03%

LAB 1.12, 0.77, -5.32

 

CMYK 27 / 17 / 0 / 64

HEX #434C5C

RGB 67 76 92

HSL 218.4, 0.16%, 0.31%

LAB 32.11, 0.5, -10.6

 

CMYK 27 / 22 / 0 / 64

HEX #42475B

RGB 66 71 91

HSL 228, 0.16%, 0.31%

LAB 30.45, 3.08, -12.5

 

CMYK 27 / 26 / 0 / 64

HEX #42435B

RGB 66 67 91

HSL 237.6, 0.16%, 0.31%

LAB 29.23, 5.69, -14.36

 

CMYK 24 / 27 / 0 / 64

HEX #45425B

RGB 69 66 91

HSL 247.2, 0.16%, 0.31%

LAB 29.2, 7.42, -14.38

 

CMYK 20 / 27 / 0 / 64

HEX #49425B

RGB 73 66 91

HSL 256.8, 0.16%, 0.31%

LAB 29.58, 8.87, -13.76

 

CMYK 27 / 17 / 0 / 64

HEX #434C5C

RGB 67 76 92

HSL 218.4, 0.16%, 0.31%

LAB 32.11, 0.5, -10.6

 

CMYK 27 / 17 / 0 / 44

HEX #68768F

RGB 104 118 143

HSL 218.46, 0.16%, 0.48%

LAB 49.35, 0.81, -15.31

 

CMYK 27 / 18 / 0 / 24

HEX #8DA0C2

RGB 141 160 194

HSL 218.49, 0.3%, 0.66%

LAB 65.51, 1.11, -19.68

 

CMYK 27 / 18 / 0 / 4

HEX #B2CAF5

RGB 178 202 245

HSL 218.51, 0.77%, 0.83%

LAB 80.9, 1.38, -23.83

 

CMYK 27 / 17 / 0 / 84

HEX #1E2229

RGB 30 34 41

HSL 218.18, 0.15%, 0.14%

LAB 13.11, 0.16, -5.29

 

CMYK 27 / 17 / 0 / 64

HEX #434C5C

RGB 67 76 92

HSL 218.4, 0.16%, 0.31%

LAB 32.11, 0.5, -10.6

 

CMYK 4 / 27 / 0 / 64

HEX #57425B

RGB 87 66 91

HSL 290.4, 0.16%, 0.31%

LAB 31.06, 14.12, -11.37

 

CMYK 7 / 0 / 27 / 64

HEX #555B42

RGB 85 91 66

HSL 74.4, 0.16%, 0.31%

LAB 37.49, -7.24, 13.66

 

CMYK 27 / 17 / 0 / 64

HEX #434C5C

RGB 67 76 92

HSL 218.4, 0.16%, 0.31%

LAB 32.11, 0.5, -10.6

 

CMYK 0 / 27 / 18 / 64

HEX #5B424B

RGB 91 66 75

HSL 338.4, 0.16%, 0.31%

LAB 30.95, 12.42, -1.18

 

CMYK 18 / 0 / 27 / 64

HEX #4B5B42

RGB 75 91 66

HSL 98.4, 0.16%, 0.31%

LAB 36.69, -11.46, 12.43

 

CMYK 27 / 17 / 0 / 64

HEX #434C5C

RGB 67 76 92

HSL 218.4, 0.16%, 0.31%

LAB 32.11, 0.5, -10.6

 

CMYK 4 / 27 / 0 / 64

HEX #57425B

RGB 87 66 91

HSL 290.4, 0.16%, 0.31%

LAB 31.06, 14.12, -11.37

 

CMYK 0 / 10 / 27 / 64

HEX #5B5242

RGB 91 82 66

HSL 38.4, 0.16%, 0.31%

LAB 35.31, 0.82, 10.75

 

CMYK 23 / 0 / 27 / 64

HEX #465B42

RGB 70 91 66

HSL 110.4, 0.16%, 0.31%

LAB 36.32, -13.48, 11.87

 

CMYK 27 / 17 / 0 / 64

HEX #434C5C

RGB 67 76 92

HSL 218.4, 0.16%, 0.31%

LAB 32.11, 0.5, -10.6

 

CMYK 0 / 27 / 3 / 64

HEX #5B4258

RGB 91 66 88

HSL 307.2, 0.16%, 0.31%

LAB 31.41, 15.01, -8.88

 

CMYK 0 / 10 / 27 / 64

HEX #5B5242

RGB 91 82 66

HSL 38.4, 0.16%, 0.31%

LAB 35.31, 0.82, 10.75

 

CMYK 27 / 0 / 24 / 64

HEX #425B45

RGB 66 91 69

HSL 127.2, 0.16%, 0.31%

LAB 36.12, -14.45, 9.71

 

Description

Color code: CMYK 27 / 17 / 0 / 64 | qconv.com Color code: CMYK 27 / 17 / 0 / 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 76 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 76 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 17 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 17% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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