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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 27 / 0 / 27 / 59 it is the complementary color CMYK 0 / 16 / 0 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 27 / 0 / 27 / 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 27 / 0 / 27 / 59: CMYK 23 / 0 / 32 / 59, CMYK 20 / 0 / 27 / 52, CMYK 18 / 0 / 23 / 45, CMYK 17 / 0 / 19 / 38 and CMYK 16 / 0 / 17 / 31

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 27 / 0 / 27 / 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 27 / 0 / 27 / 59: CMYK 28 / 0 / 28 / 59, CMYK 32 / 0 / 34 / 66, CMYK 39 / 0 / 45 / 73, CMYK 51 / 0 / 63 / 80 and CMYK 76 / 0 / 100 / 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 27 / 59

HEX #4C694C

RGB 76 105 76

HSL 120, 0.16%, 0.35%

LAB 41.47, -17.02, 12.97

 

Complementary color

CMYK 0 / 16 / 0 / 30

HEX #B396B3

RGB 179 150 179

HSL 300, 0.16%, 0.65%

LAB 65.48, 15.96, -11.05

 

CMYK 23 / 0 / 32 / 59

HEX #516947

RGB 81 105 71

HSL 102.35, 0.19%, 0.35%

LAB 41.7, -16, 16.31

 

CMYK 20 / 0 / 27 / 52

HEX #627B5A

RGB 98 123 90

HSL 105.45, 0.15%, 0.42%

LAB 48.88, -15.84, 15.15

 

CMYK 18 / 0 / 23 / 45

HEX #738D6D

RGB 115 141 109

HSL 108.75, 0.13%, 0.49%

LAB 55.89, -15.69, 14.09

 

CMYK 17 / 0 / 19 / 38

HEX #849F80

RGB 132 159 128

HSL 112.26, 0.14%, 0.56%

LAB 62.73, -15.56, 13.11

 

CMYK 16 / 0 / 17 / 31

HEX #95B193

RGB 149 177 147

HSL 116, 0.16%, 0.64%

LAB 69.43, -15.44, 12.2

 

CMYK 28 / 0 / 28 / 59

HEX #4C694C

RGB 76 105 76

HSL 120, 0.16%, 0.35%

LAB 41.47, -17.02, 12.97

 

CMYK 32 / 0 / 34 / 66

HEX #3B5739

RGB 59 87 57

HSL 116, 0.21%, 0.28%

LAB 34.07, -17.28, 14.19

 

CMYK 39 / 0 / 45 / 73

HEX #2A4526

RGB 42 69 38

HSL 112.26, 0.29%, 0.21%

LAB 26.41, -17.55, 15.56

 

CMYK 51 / 0 / 63 / 80

HEX #193313

RGB 25 51 19

HSL 108.75, 0.46%, 0.14%

LAB 18.46, -17.71, 17.08

 

CMYK 76 / 0 / 100 / 87

HEX #082100

RGB 8 33 0

HSL 105.45, 1%, 0.06%

LAB 10.1, -17.16, 14.76

 

CMYK 28 / 0 / 28 / 59

HEX #4C694C

RGB 76 105 76

HSL 120, 0.16%, 0.35%

LAB 41.47, -17.02, 12.97

 

CMYK 28 / 0 / 23 / 60

HEX #4A674F

RGB 74 103 79

HSL 130.34, 0.16%, 0.35%

LAB 40.77, -16.08, 10.18

 

CMYK 28 / 0 / 18 / 60

HEX #4A6754

RGB 74 103 84

HSL 140.69, 0.16%, 0.35%

LAB 40.89, -15.03, 7.33

 

CMYK 28 / 0 / 14 / 60

HEX #4A6759

RGB 74 103 89

HSL 151.03, 0.16%, 0.35%

LAB 41.02, -13.92, 4.48

 

CMYK 28 / 0 / 9 / 60

HEX #4A675E

RGB 74 103 94

HSL 161.38, 0.16%, 0.35%

LAB 41.16, -12.76, 1.64

 

CMYK 28 / 0 / 28 / 59

HEX #4C694C

RGB 76 105 76

HSL 120, 0.16%, 0.35%

LAB 41.47, -17.02, 12.97

 

CMYK 28 / 0 / 28 / 39

HEX #719C71

RGB 113 156 113

HSL 120, 0.18%, 0.53%

LAB 60.32, -23.47, 17.94

 

CMYK 28 / 0 / 28 / 19

HEX #96CF96

RGB 150 207 150

HSL 120, 0.37%, 0.7%

LAB 78.06, -29.5, 22.59

 

CMYK 33 / 0 / 33 / 99

HEX #020302

RGB 2 3 2

HSL 120, 0.2%, 0.01%

LAB 0.74, -0.4, 0.29

 

CMYK 28 / 0 / 28 / 79

HEX #273627

RGB 39 54 39

HSL 120, 0.16%, 0.18%

LAB 20.89, -9.87, 7.47

 

CMYK 28 / 0 / 28 / 59

HEX #4C694C

RGB 76 105 76

HSL 120, 0.16%, 0.35%

LAB 41.47, -17.02, 12.97

 

CMYK 28 / 6 / 0 / 60

HEX #4A6167

RGB 74 97 103

HSL 192.41, 0.16%, 0.35%

LAB 39.55, -7.04, -6.23

 

CMYK 0 / 28 / 17 / 60

HEX #674A56

RGB 103 74 86

HSL 335.17, 0.16%, 0.35%

LAB 34.91, 14.4, -2.23

 

CMYK 28 / 0 / 28 / 59

HEX #4C694C

RGB 76 105 76

HSL 120, 0.16%, 0.35%

LAB 41.47, -17.02, 12.97

 

CMYK 28 / 28 / 0 / 60

HEX #4A4A67

RGB 74 74 103

HSL 240, 0.16%, 0.35%

LAB 32.55, 7.27, -16.85

 

CMYK 0 / 28 / 28 / 60

HEX #674A4A

RGB 103 74 74

HSL 0, 0.16%, 0.35%

LAB 34.55, 12.33, 4.86

 

CMYK 28 / 0 / 28 / 59

HEX #4C694C

RGB 76 105 76

HSL 120, 0.16%, 0.35%

LAB 41.47, -17.02, 12.97

 

CMYK 28 / 6 / 0 / 60

HEX #4A6167

RGB 74 97 103

HSL 192.41, 0.16%, 0.35%

LAB 39.55, -7.04, -6.23

 

CMYK 0 / 28 / 0 / 60

HEX #674A67

RGB 103 74 103

HSL 300, 0.16%, 0.35%

LAB 35.52, 17.78, -12.05

 

CMYK 0 / 22 / 28 / 60

HEX #67504A

RGB 103 80 74

HSL 12.41, 0.16%, 0.35%

LAB 36.21, 8.62, 7.21

 

CMYK 28 / 0 / 28 / 59

HEX #4C694C

RGB 76 105 76

HSL 120, 0.16%, 0.35%

LAB 41.47, -17.02, 12.97

 

CMYK 28 / 14 / 0 / 60

HEX #4A5967

RGB 74 89 103

HSL 208.97, 0.16%, 0.35%

LAB 37.08, -2.21, -9.95

 

CMYK 0 / 28 / 0 / 60

HEX #674A67

RGB 103 74 103

HSL 300, 0.16%, 0.35%

LAB 35.52, 17.78, -12.05

 

CMYK 0 / 14 / 28 / 60

HEX #67594A

RGB 103 89 74

HSL 31.03, 0.16%, 0.35%

LAB 38.76, 3.11, 10.79

 

Description

Color code: CMYK 27 / 0 / 27 / 59 | qconv.com Color code: CMYK 27 / 0 / 27 / 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 105 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 105 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 27 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 27% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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