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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 26 / 10 / 0 / 64 it is the complementary color CMYK 0 / 8 / 13 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 26 / 10 / 0 / 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 26 / 10 / 0 / 64: CMYK 16 / 5 / 0 / 66, CMYK 15 / 5 / 0 / 58, CMYK 14 / 5 / 0 / 51, CMYK 14 / 5 / 0 / 44 and CMYK 13 / 5 / 0 / 36

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 26 / 10 / 0 / 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 26 / 10 / 0 / 64: CMYK 26 / 10 / 0 / 64, CMYK 30 / 11 / 0 / 71, CMYK 37 / 13 / 0 / 79, CMYK 51 / 17 / 0 / 86 and CMYK 100 / 31 / 0 / 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 10 / 0 / 64

HEX #44535C

RGB 68 83 92

HSL 202.5, 0.15%, 0.31%

LAB 34.37, -3.53, -7.18

 

Complementary color

CMYK 0 / 8 / 13 / 27

HEX #BBACA3

RGB 187 172 163

HSL 22.5, 0.15%, 0.69%

LAB 71.36, 3.85, 6.56

 

CMYK 16 / 5 / 0 / 66

HEX #495357

RGB 73 83 87

HSL 197.14, 0.09%, 0.31%

LAB 34.58, -2.98, -3.68

 

CMYK 15 / 5 / 0 / 58

HEX #5A656A

RGB 90 101 106

HSL 198.75, 0.08%, 0.38%

LAB 42.03, -3.05, -4.25

 

CMYK 14 / 5 / 0 / 51

HEX #6B777D

RGB 107 119 125

HSL 200, 0.08%, 0.45%

LAB 49.25, -3.12, -4.81

 

CMYK 14 / 5 / 0 / 44

HEX #7C8990

RGB 124 137 144

HSL 201, 0.08%, 0.53%

LAB 56.28, -3.19, -5.35

 

CMYK 13 / 5 / 0 / 36

HEX #8D9BA3

RGB 141 155 163

HSL 201.82, 0.11%, 0.6%

LAB 63.14, -3.27, -5.88

 

CMYK 26 / 10 / 0 / 64

HEX #44535C

RGB 68 83 92

HSL 202.5, 0.15%, 0.31%

LAB 34.37, -3.53, -7.18

 

CMYK 30 / 11 / 0 / 71

HEX #334149

RGB 51 65 73

HSL 201.82, 0.18%, 0.24%

LAB 26.64, -3.46, -6.71

 

CMYK 37 / 13 / 0 / 79

HEX #222F36

RGB 34 47 54

HSL 201, 0.23%, 0.17%

LAB 18.54, -3.37, -6.24

 

CMYK 51 / 17 / 0 / 86

HEX #111D23

RGB 17 29 35

HSL 200, 0.35%, 0.1%

LAB 9.95, -3.24, -5.78

 

CMYK 100 / 31 / 0 / 94

HEX #000B10

RGB 0 11 16

HSL 198.75, 1%, 0.03%

LAB 2.5, -2.04, -3.3

 

CMYK 26 / 10 / 0 / 64

HEX #44535C

RGB 68 83 92

HSL 202.5, 0.15%, 0.31%

LAB 34.37, -3.53, -7.18

 

CMYK 26 / 13 / 0 / 65

HEX #434E5A

RGB 67 78 90

HSL 211.3, 0.15%, 0.31%

LAB 32.66, -1.3, -8.5

 

CMYK 26 / 18 / 0 / 65

HEX #434A5A

RGB 67 74 90

HSL 221.74, 0.15%, 0.31%

LAB 31.41, 1.23, -10.38

 

CMYK 26 / 22 / 0 / 65

HEX #43465A

RGB 67 70 90

HSL 232.17, 0.15%, 0.31%

LAB 30.19, 3.81, -12.25

 

CMYK 26 / 26 / 0 / 65

HEX #43435A

RGB 67 67 90

HSL 240, 0.15%, 0.31%

LAB 29.28, 5.77, -13.64

 

CMYK 26 / 10 / 0 / 64

HEX #44535C

RGB 68 83 92

HSL 202.5, 0.15%, 0.31%

LAB 34.37, -3.53, -7.18

 

CMYK 26 / 10 / 0 / 44

HEX #6A818F

RGB 106 129 143

HSL 202.7, 0.15%, 0.49%

LAB 52.67, -4.93, -10.28

 

CMYK 26 / 10 / 0 / 24

HEX #8FAFC2

RGB 143 175 194

HSL 202.35, 0.29%, 0.66%

LAB 69.75, -6.53, -13.27

 

CMYK 26 / 10 / 0 / 4

HEX #B5DDF5

RGB 181 221 245

HSL 202.5, 0.76%, 0.84%

LAB 86.07, -7.75, -15.99

 

CMYK 27 / 10 / 0 / 84

HEX #1E2529

RGB 30 37 41

HSL 201.82, 0.15%, 0.14%

LAB 14.17, -1.97, -3.69

 

CMYK 26 / 10 / 0 / 64

HEX #44535C

RGB 68 83 92

HSL 202.5, 0.15%, 0.31%

LAB 34.37, -3.53, -7.18

 

CMYK 11 / 26 / 0 / 65

HEX #50435A

RGB 80 67 90

HSL 273.91, 0.15%, 0.31%

LAB 30.54, 10.57, -11.6

 

CMYK 0 / 0 / 26 / 65

HEX #5A5A43

RGB 90 90 67

HSL 60, 0.15%, 0.31%

LAB 37.65, -4.31, 13.33

 

CMYK 26 / 10 / 0 / 64

HEX #44535C

RGB 68 83 92

HSL 202.5, 0.15%, 0.31%

LAB 34.37, -3.53, -7.18

 

CMYK 0 / 26 / 9 / 65

HEX #5A4352

RGB 90 67 82

HSL 320.87, 0.15%, 0.31%

LAB 31.34, 12.73, -5.13

 

CMYK 9 / 0 / 26 / 65

HEX #525A43

RGB 82 90 67

HSL 80.87, 0.15%, 0.31%

LAB 36.95, -7.76, 12.27

 

CMYK 26 / 10 / 0 / 64

HEX #44535C

RGB 68 83 92

HSL 202.5, 0.15%, 0.31%

LAB 34.37, -3.53, -7.18

 

CMYK 11 / 26 / 0 / 65

HEX #50435A

RGB 80 67 90

HSL 273.91, 0.15%, 0.31%

LAB 30.54, 10.57, -11.6

 

CMYK 0 / 17 / 26 / 65

HEX #5A4B43

RGB 90 75 67

HSL 20.87, 0.15%, 0.31%

LAB 33.16, 4.88, 7.11

 

CMYK 14 / 0 / 26 / 65

HEX #4D5A43

RGB 77 90 67

HSL 93.91, 0.15%, 0.31%

LAB 36.55, -9.87, 11.65

 

CMYK 26 / 10 / 0 / 64

HEX #44535C

RGB 68 83 92

HSL 202.5, 0.15%, 0.31%

LAB 34.37, -3.53, -7.18

 

CMYK 3 / 26 / 0 / 65

HEX #57435A

RGB 87 67 90

HSL 292.17, 0.15%, 0.31%

LAB 31.3, 13.25, -10.37

 

CMYK 0 / 17 / 26 / 65

HEX #5A4B43

RGB 90 75 67

HSL 20.87, 0.15%, 0.31%

LAB 33.16, 4.88, 7.11

 

CMYK 22 / 0 / 26 / 65

HEX #465A43

RGB 70 90 67

HSL 112.17, 0.15%, 0.31%

LAB 36.02, -12.72, 10.84

 

Description

Color code: CMYK 26 / 10 / 0 / 64 | qconv.com Color code: CMYK 26 / 10 / 0 / 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 83 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 83 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 10 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 10% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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