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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 26 / 10 / 0 / 41 it is the complementary color CMYK 0 / 17 / 27 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 26 / 10 / 0 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 26 / 10 / 0 / 41: CMYK 20 / 7 / 0 / 43, CMYK 19 / 7 / 0 / 36, CMYK 18 / 7 / 0 / 28, CMYK 17 / 6 / 0 / 21 and CMYK 17 / 6 / 0 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 26 / 10 / 0 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 26 / 10 / 0 / 41: CMYK 26 / 10 / 0 / 41, CMYK 28 / 11 / 0 / 49, CMYK 31 / 12 / 0 / 56, CMYK 35 / 13 / 0 / 64 and CMYK 42 / 15 / 0 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 10 / 0 / 41

HEX #6F8796

RGB 111 135 150

HSL 203.08, 0.16%, 0.51%

LAB 54.98, -5, -10.85

 

Complementary color

CMYK 0 / 17 / 27 / 44

HEX #907869

RGB 144 120 105

HSL 23.08, 0.16%, 0.49%

LAB 52.27, 6.9, 11.71

 

CMYK 20 / 7 / 0 / 43

HEX #748791

RGB 116 135 145

HSL 200.69, 0.12%, 0.51%

LAB 55.16, -4.56, -7.65

 

CMYK 19 / 7 / 0 / 36

HEX #8599A4

RGB 133 153 164

HSL 201.29, 0.15%, 0.58%

LAB 62.04, -4.62, -8.13

 

CMYK 18 / 7 / 0 / 28

HEX #96ABB7

RGB 150 171 183

HSL 201.82, 0.19%, 0.65%

LAB 68.77, -4.68, -8.61

 

CMYK 17 / 6 / 0 / 21

HEX #A7BDCA

RGB 167 189 202

HSL 202.29, 0.25%, 0.72%

LAB 75.37, -4.75, -9.07

 

CMYK 17 / 6 / 0 / 13

HEX #B8CFDD

RGB 184 207 221

HSL 202.7, 0.35%, 0.79%

LAB 81.86, -4.81, -9.53

 

CMYK 26 / 10 / 0 / 41

HEX #6F8796

RGB 111 135 150

HSL 203.08, 0.16%, 0.51%

LAB 54.98, -5, -10.85

 

CMYK 28 / 11 / 0 / 49

HEX #5E7583

RGB 94 117 131

HSL 202.7, 0.16%, 0.44%

LAB 47.93, -4.92, -10.43

 

CMYK 31 / 12 / 0 / 56

HEX #4D6370

RGB 77 99 112

HSL 202.29, 0.19%, 0.37%

LAB 40.69, -4.84, -10.02

 

CMYK 35 / 13 / 0 / 64

HEX #3C515D

RGB 60 81 93

HSL 201.82, 0.22%, 0.3%

LAB 33.21, -4.74, -9.61

 

CMYK 42 / 15 / 0 / 71

HEX #2B3F4A

RGB 43 63 74

HSL 201.29, 0.26%, 0.23%

LAB 25.45, -4.61, -9.21

 

CMYK 26 / 10 / 0 / 41

HEX #6F8796

RGB 111 135 150

HSL 203.08, 0.16%, 0.51%

LAB 54.98, -5, -10.85

 

CMYK 27 / 15 / 0 / 41

HEX #6E8096

RGB 110 128 150

HSL 213, 0.16%, 0.51%

LAB 52.9, -1.31, -13.99

 

CMYK 27 / 19 / 0 / 41

HEX #6E7996

RGB 110 121 150

HSL 223.5, 0.16%, 0.51%

LAB 50.91, 2.77, -17.01

 

CMYK 27 / 24 / 0 / 41

HEX #6E7296

RGB 110 114 150

HSL 234, 0.16%, 0.51%

LAB 48.95, 6.93, -20.01

 

CMYK 25 / 27 / 0 / 41

HEX #706E96

RGB 112 110 150

HSL 243, 0.16%, 0.51%

LAB 48.01, 9.98, -21.44

 

CMYK 26 / 10 / 0 / 41

HEX #6F8796

RGB 111 135 150

HSL 203.08, 0.16%, 0.51%

LAB 54.98, -5, -10.85

 

CMYK 26 / 10 / 0 / 21

HEX #95B5C9

RGB 149 181 201

HSL 203.08, 0.33%, 0.69%

LAB 72, -6.29, -13.7

 

CMYK 26 / 10 / 0 / 1

HEX #BAE3FC

RGB 186 227 252

HSL 202.73, 0.92%, 0.86%

LAB 88.16, -7.81, -16.5

 

CMYK 25 / 10 / 0 / 81

HEX #242B30

RGB 36 43 48

HSL 205, 0.14%, 0.16%

LAB 17.07, -1.67, -4.27

 

CMYK 26 / 10 / 0 / 61

HEX #495963

RGB 73 89 99

HSL 203.08, 0.15%, 0.34%

LAB 36.86, -3.61, -7.8

 

CMYK 26 / 10 / 0 / 41

HEX #6F8796

RGB 111 135 150

HSL 203.08, 0.16%, 0.51%

LAB 54.98, -5, -10.85

 

CMYK 11 / 27 / 0 / 41

HEX #856E96

RGB 133 110 150

HSL 274.5, 0.16%, 0.51%

LAB 49.91, 17.01, -18.36

 

CMYK 0 / 1 / 27 / 41

HEX #96956E

RGB 150 149 110

HSL 58.5, 0.16%, 0.51%

LAB 60.87, -6.2, 20.8

 

CMYK 26 / 10 / 0 / 41

HEX #6F8796

RGB 111 135 150

HSL 203.08, 0.16%, 0.51%

LAB 54.98, -5, -10.85

 

CMYK 0 / 27 / 11 / 41

HEX #966E86

RGB 150 110 134

HSL 324, 0.16%, 0.51%

LAB 51.1, 19.87, -6.95

 

CMYK 11 / 0 / 27 / 41

HEX #86966E

RGB 134 150 110

HSL 84, 0.16%, 0.51%

LAB 59.89, -13.08, 19.26

 

CMYK 26 / 10 / 0 / 41

HEX #6F8796

RGB 111 135 150

HSL 203.08, 0.16%, 0.51%

LAB 54.98, -5, -10.85

 

CMYK 11 / 27 / 0 / 41

HEX #856E96

RGB 133 110 150

HSL 274.5, 0.16%, 0.51%

LAB 49.91, 17.01, -18.36

 

CMYK 0 / 17 / 27 / 41

HEX #967D6E

RGB 150 125 110

HSL 22.5, 0.16%, 0.51%

LAB 54.32, 7.23, 11.77

 

CMYK 16 / 0 / 27 / 41

HEX #7E966E

RGB 126 150 110

HSL 96, 0.16%, 0.51%

LAB 59.32, -16.15, 18.38

 

CMYK 26 / 10 / 0 / 41

HEX #6F8796

RGB 111 135 150

HSL 203.08, 0.16%, 0.51%

LAB 54.98, -5, -10.85

 

CMYK 3 / 27 / 0 / 41

HEX #916E96

RGB 145 110 150

HSL 292.5, 0.16%, 0.51%

LAB 51.12, 21.16, -16.4

 

CMYK 0 / 17 / 27 / 41

HEX #967D6E

RGB 150 125 110

HSL 22.5, 0.16%, 0.51%

LAB 54.32, 7.23, 11.77

 

CMYK 24 / 0 / 27 / 41

HEX #72966E

RGB 114 150 110

HSL 114, 0.16%, 0.51%

LAB 58.52, -20.59, 17.16

 

Description

Color code: CMYK 26 / 10 / 0 / 41 | qconv.com Color code: CMYK 26 / 10 / 0 / 41 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 135 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 135 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 10 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 10% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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