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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 25 / 5 / 0 / 65 it is the complementary color CMYK 0 / 10 / 12 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 25 / 5 / 0 / 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 25 / 5 / 0 / 65: CMYK 15 / 0 / 1 / 67, CMYK 14 / 0 / 0 / 60, CMYK 13 / 1 / 0 / 52, CMYK 13 / 1 / 0 / 45 and CMYK 13 / 2 / 0 / 37

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 25 / 5 / 0 / 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 25 / 5 / 0 / 65: CMYK 25 / 4 / 0 / 65, CMYK 29 / 4 / 0 / 73, CMYK 35 / 4 / 0 / 80, CMYK 50 / 3 / 0 / 87 and CMYK 100 / 0 / 0 / 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 5 / 0 / 65

HEX #435559

RGB 67 85 89

HSL 190.91, 0.14%, 0.31%

LAB 34.83, -5.9, -4.62

 

Complementary color

CMYK 0 / 10 / 12 / 26

HEX #BCAAA6

RGB 188 170 166

HSL 10.91, 0.14%, 0.69%

LAB 71, 5.81, 4.41

 

CMYK 15 / 0 / 1 / 67

HEX #485554

RGB 72 85 84

HSL 175.38, 0.08%, 0.31%

LAB 35.03, -5.31, -1.14

 

CMYK 14 / 0 / 0 / 60

HEX #596767

RGB 89 103 103

HSL 180, 0.07%, 0.38%

LAB 42.47, -5.3, -1.8

 

CMYK 13 / 1 / 0 / 52

HEX #6A797A

RGB 106 121 122

HSL 183.75, 0.07%, 0.45%

LAB 49.67, -5.3, -2.43

 

CMYK 13 / 1 / 0 / 45

HEX #7B8B8D

RGB 123 139 141

HSL 186.67, 0.07%, 0.52%

LAB 56.68, -5.33, -3.03

 

CMYK 13 / 2 / 0 / 37

HEX #8C9DA0

RGB 140 157 160

HSL 189, 0.1%, 0.59%

LAB 63.53, -5.36, -3.61

 

CMYK 25 / 4 / 0 / 65

HEX #435559

RGB 67 85 89

HSL 190.91, 0.14%, 0.31%

LAB 34.83, -5.9, -4.62

 

CMYK 29 / 4 / 0 / 73

HEX #324346

RGB 50 67 70

HSL 189, 0.17%, 0.24%

LAB 27.11, -5.93, -4.04

 

CMYK 35 / 4 / 0 / 80

HEX #213133

RGB 33 49 51

HSL 186.67, 0.21%, 0.16%

LAB 19.05, -5.98, -3.41

 

CMYK 50 / 3 / 0 / 87

HEX #101F20

RGB 16 31 32

HSL 183.75, 0.33%, 0.09%

LAB 10.52, -6.05, -2.71

 

CMYK 100 / 0 / 0 / 95

HEX #000D0D

RGB 0 13 13

HSL 180, 1%, 0.03%

LAB 2.86, -3.47, -1.22

 

CMYK 25 / 4 / 0 / 65

HEX #435559

RGB 67 85 89

HSL 190.91, 0.14%, 0.31%

LAB 34.83, -5.9, -4.62

 

CMYK 26 / 9 / 0 / 65

HEX #43525A

RGB 67 82 90

HSL 200.87, 0.15%, 0.31%

LAB 33.91, -3.8, -6.62

 

CMYK 26 / 12 / 0 / 65

HEX #434F5A

RGB 67 79 90

HSL 208.7, 0.15%, 0.31%

LAB 32.97, -1.93, -8.03

 

CMYK 26 / 17 / 0 / 65

HEX #434B5A

RGB 67 75 90

HSL 219.13, 0.15%, 0.31%

LAB 31.72, 0.59, -9.91

 

CMYK 26 / 21 / 0 / 65

HEX #43475A

RGB 67 71 90

HSL 229.57, 0.15%, 0.31%

LAB 30.49, 3.16, -11.78

NCS® S7010-R70B

CMYK 25 / 4 / 0 / 65

HEX #435559

RGB 67 85 89

HSL 190.91, 0.14%, 0.31%

LAB 34.83, -5.9, -4.62

 

CMYK 25 / 4 / 0 / 45

HEX #69868C

RGB 105 134 140

HSL 190.29, 0.14%, 0.48%

LAB 53.97, -8.81, -6.61

 

CMYK 25 / 5 / 0 / 25

HEX #90B6BF

RGB 144 182 191

HSL 191.49, 0.27%, 0.66%

LAB 71.65, -10.67, -8.76

 

CMYK 25 / 5 / 0 / 5

HEX #B6E7F2

RGB 182 231 242

HSL 191, 0.7%, 0.83%

LAB 88.69, -13.24, -10.49

 

CMYK 24 / 5 / 0 / 85

HEX #1D2426

RGB 29 36 38

HSL 193.33, 0.13%, 0.13%

LAB 13.61, -2.56, -2.38

 

CMYK 25 / 4 / 0 / 65

HEX #435559

RGB 67 85 89

HSL 190.91, 0.14%, 0.31%

LAB 34.83, -5.9, -4.62

 

CMYK 16 / 26 / 0 / 65

HEX #4C435A

RGB 76 67 90

HSL 263.48, 0.15%, 0.31%

LAB 30.13, 9.07, -12.26

 

CMYK 0 / 7 / 26 / 65

HEX #5A5443

RGB 90 84 67

HSL 44.35, 0.15%, 0.31%

LAB 35.83, -0.69, 10.84

 

CMYK 25 / 4 / 0 / 65

HEX #435559

RGB 67 85 89

HSL 190.91, 0.14%, 0.31%

LAB 34.83, -5.9, -4.62

 

CMYK 0 / 26 / 4 / 65

HEX #5A4356

RGB 90 67 86

HSL 310.43, 0.15%, 0.31%

LAB 31.49, 13.56, -7.49

 

CMYK 4 / 0 / 26 / 65

HEX #565A43

RGB 86 90 67

HSL 70.43, 0.15%, 0.31%

LAB 37.29, -6.05, 12.79

 

CMYK 25 / 4 / 0 / 65

HEX #435559

RGB 67 85 89

HSL 190.91, 0.14%, 0.31%

LAB 34.83, -5.9, -4.62

 

CMYK 16 / 26 / 0 / 65

HEX #4C435A

RGB 76 67 90

HSL 263.48, 0.15%, 0.31%

LAB 30.13, 9.07, -12.26

 

CMYK 0 / 21 / 26 / 65

HEX #5A4743

RGB 90 71 67

HSL 10.43, 0.15%, 0.31%

LAB 32, 7.4, 5.47

 

CMYK 9 / 0 / 26 / 65

HEX #525A43

RGB 82 90 67

HSL 80.87, 0.15%, 0.31%

LAB 36.95, -7.76, 12.27

 

CMYK 25 / 4 / 0 / 65

HEX #435559

RGB 67 85 89

HSL 190.91, 0.14%, 0.31%

LAB 34.83, -5.9, -4.62

 

CMYK 9 / 26 / 0 / 65

HEX #52435A

RGB 82 67 90

HSL 279.13, 0.15%, 0.31%

LAB 30.75, 11.34, -11.26

 

CMYK 0 / 21 / 26 / 65

HEX #5A4743

RGB 90 71 67

HSL 10.43, 0.15%, 0.31%

LAB 32, 7.4, 5.47

 

CMYK 17 / 0 / 26 / 65

HEX #4B5A43

RGB 75 90 67

HSL 99.13, 0.15%, 0.31%

LAB 36.39, -10.69, 11.41

 

Description

Color code: CMYK 25 / 5 / 0 / 65 | qconv.com Color code: CMYK 25 / 5 / 0 / 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 85 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 85 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 5 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 5% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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