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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 24 / 47 / 0 / 29 it is the complementary color CMYK 26 / 0 / 53 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 24 / 47 / 0 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 24 / 47 / 0 / 29: CMYK 19 / 45 / 0 / 31, CMYK 18 / 42 / 0 / 24, CMYK 17 / 38 / 0 / 16, CMYK 17 / 36 / 0 / 9 and CMYK 16 / 33 / 0 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 24 / 47 / 0 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 24 / 47 / 0 / 29: CMYK 24 / 47 / 0 / 29, CMYK 25 / 52 / 0 / 36, CMYK 27 / 58 / 0 / 44, CMYK 30 / 66 / 0 / 51 and CMYK 33 / 77 / 0 / 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 47 / 0 / 29

HEX #8A60B5

RGB 138 96 181

HSL 269.65, 0.36%, 0.54%

LAB 48.39, 34.05, -38.84

 

Complementary color

CMYK 26 / 0 / 53 / 38

HEX #759F4A

RGB 117 159 74

HSL 89.65, 0.36%, 0.46%

LAB 60.85, -29.1, 39.39

 

CMYK 19 / 45 / 0 / 31

HEX #8F60B0

RGB 143 96 176

HSL 275.25, 0.34%, 0.53%

LAB 48.69, 34.32, -35.42

 

CMYK 18 / 42 / 0 / 24

HEX #A072C3

RGB 160 114 195

HSL 274.07, 0.4%, 0.61%

LAB 55.53, 33.48, -35.52

 

CMYK 17 / 38 / 0 / 16

HEX #B184D6

RGB 177 132 214

HSL 272.93, 0.5%, 0.68%

LAB 62.26, 32.7, -35.62

 

CMYK 17 / 36 / 0 / 9

HEX #C296E9

RGB 194 150 233

HSL 271.81, 0.65%, 0.75%

LAB 68.87, 31.97, -35.73

 

CMYK 16 / 33 / 0 / 1

HEX #D3A8FC

RGB 211 168 252

HSL 270.71, 0.93%, 0.82%

LAB 75.38, 31.29, -35.85

 

CMYK 24 / 47 / 0 / 29

HEX #8A60B5

RGB 138 96 181

HSL 269.65, 0.36%, 0.54%

LAB 48.39, 34.05, -38.84

 

CMYK 25 / 52 / 0 / 36

HEX #794EA2

RGB 121 78 162

HSL 270.71, 0.35%, 0.47%

LAB 41.41, 34.98, -38.82

 

CMYK 27 / 58 / 0 / 44

HEX #683C8F

RGB 104 60 143

HSL 271.81, 0.41%, 0.4%

LAB 34.31, 35.94, -38.78

 

CMYK 30 / 66 / 0 / 51

HEX #572A7C

RGB 87 42 124

HSL 272.93, 0.49%, 0.33%

LAB 27.12, 36.81, -38.61

 

CMYK 33 / 77 / 0 / 59

HEX #461869

RGB 70 24 105

HSL 274.07, 0.63%, 0.25%

LAB 19.94, 37.31, -38.13

 

CMYK 24 / 47 / 0 / 29

HEX #8A60B5

RGB 138 96 181

HSL 269.65, 0.36%, 0.54%

LAB 48.39, 34.05, -38.84

 

CMYK 16 / 47 / 0 / 30

HEX #965FB3

RGB 150 95 179

HSL 279.29, 0.36%, 0.54%

LAB 49.4, 37.62, -35.99

 

CMYK 8 / 47 / 0 / 30

HEX #A45FB3

RGB 164 95 179

HSL 289.29, 0.36%, 0.54%

LAB 51.07, 41.75, -33.25

 

CMYK 1 / 47 / 0 / 30

HEX #B25FB3

RGB 178 95 179

HSL 299.29, 0.36%, 0.54%

LAB 52.84, 45.9, -30.36

 

CMYK 0 / 47 / 7 / 30

HEX #B35FA7

RGB 179 95 167

HSL 308.57, 0.36%, 0.54%

LAB 52.46, 44.04, -23.95

 

CMYK 24 / 47 / 0 / 29

HEX #8A60B5

RGB 138 96 181

HSL 269.65, 0.36%, 0.54%

LAB 48.39, 34.05, -38.84

 

CMYK 24 / 47 / 0 / 9

HEX #B17BE8

RGB 177 123 232

HSL 269.72, 0.7%, 0.7%

LAB 61.08, 41.77, -47.51

 

CMYK 25 / 46 / 0 / 89

HEX #150F1C

RGB 21 15 28

HSL 267.69, 0.3%, 0.08%

LAB 5.28, 5.48, -7.5

 

CMYK 24 / 47 / 0 / 69

HEX #3C2A4F

RGB 60 42 79

HSL 269.19, 0.31%, 0.24%

LAB 20.76, 16.97, -19.67

 

CMYK 24 / 47 / 0 / 49

HEX #634582

RGB 99 69 130

HSL 269.51, 0.31%, 0.39%

LAB 35.04, 25.86, -29.65

 

CMYK 24 / 47 / 0 / 29

HEX #8A60B5

RGB 138 96 181

HSL 269.65, 0.36%, 0.54%

LAB 48.39, 34.05, -38.84

 

CMYK 0 / 47 / 32 / 30

HEX #B35F7A

RGB 179 95 122

HSL 340.71, 0.36%, 0.54%

LAB 50.89, 37.07, 0.27

 

CMYK 47 / 0 / 43 / 30

HEX #5FB366

RGB 95 179 102

HSL 125, 0.36%, 0.54%

LAB 66.24, -41.83, 31.57

 

CMYK 24 / 47 / 0 / 29

HEX #8A60B5

RGB 138 96 181

HSL 269.65, 0.36%, 0.54%

LAB 48.39, 34.05, -38.84

 

CMYK 0 / 24 / 47 / 30

HEX #B3885F

RGB 179 136 95

HSL 29.29, 0.36%, 0.54%

LAB 59.91, 11.2, 28.31

 

CMYK 47 / 0 / 24 / 30

HEX #5FB388

RGB 95 179 136

HSL 149.29, 0.36%, 0.54%

LAB 66.86, -35.6, 14.19

 

CMYK 24 / 47 / 0 / 29

HEX #8A60B5

RGB 138 96 181

HSL 269.65, 0.36%, 0.54%

LAB 48.39, 34.05, -38.84

 

CMYK 0 / 47 / 32 / 30

HEX #B35F7A

RGB 179 95 122

HSL 340.71, 0.36%, 0.54%

LAB 50.89, 37.07, 0.27

 

CMYK 22 / 0 / 47 / 30

HEX #8BB35F

RGB 139 179 95

HSL 88.57, 0.36%, 0.54%

LAB 68.43, -27.95, 38.4

 

CMYK 47 / 0 / 15 / 30

HEX #5FB399

RGB 95 179 153

HSL 161.43, 0.36%, 0.54%

LAB 67.26, -31.86, 5.41

 

CMYK 24 / 47 / 0 / 29

HEX #8A60B5

RGB 138 96 181

HSL 269.65, 0.36%, 0.54%

LAB 48.39, 34.05, -38.84

 

CMYK 0 / 47 / 46 / 30

HEX #B35F60

RGB 179 95 96

HSL 359.29, 0.36%, 0.54%

LAB 50.23, 34, 14.83

 

CMYK 22 / 0 / 47 / 30

HEX #8BB35F

RGB 139 179 95

HSL 88.57, 0.36%, 0.54%

LAB 68.43, -27.95, 38.4

 

CMYK 47 / 0 / 1 / 30

HEX #5FB3B2

RGB 95 179 178

HSL 179.29, 0.36%, 0.54%

LAB 67.94, -25.68, -7.4

 

Description

Color code: CMYK 24 / 47 / 0 / 29 | qconv.com Color code: CMYK 24 / 47 / 0 / 29 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 96 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 96 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 47 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 47% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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