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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 24 / 39 / 64 / 1 it is the complementary color CMYK 62 / 38 / 0 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 24 / 39 / 64 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 24 / 39 / 64 / 1: CMYK 0 / 22 / 56 / 23, CMYK 0 / 20 / 51 / 16, CMYK 0 / 18 / 46 / 9, CMYK 0 / 16 / 42 / 3 and CMYK 0 / 11 / 36 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 24 / 39 / 64 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 24 / 39 / 64 / 1: CMYK 0 / 20 / 53 / 25, CMYK 0 / 22 / 59 / 31, CMYK 0 / 25 / 66 / 38, CMYK 0 / 29 / 76 / 45 and CMYK 0 / 34 / 88 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 39 / 64 / 1

HEX #C09A5B

RGB 192 154 91

HSL 37.43, 0.44%, 0.55%

LAB 65.81, 6.39, 38.18

 

Complementary color

CMYK 62 / 38 / 0 / 36

HEX #3F65A4

RGB 63 101 164

HSL 217.43, 0.44%, 0.45%

LAB 42.83, 6.68, -38.05

 

CMYK 0 / 22 / 56 / 23

HEX #C59A56

RGB 197 154 86

HSL 36.76, 0.49%, 0.55%

LAB 66.25, 8.09, 41.42

 

CMYK 0 / 20 / 51 / 16

HEX #D6AC69

RGB 214 172 105

HSL 36.88, 0.57%, 0.63%

LAB 72.77, 7.15, 40.05

 

CMYK 0 / 18 / 46 / 9

HEX #E7BE7C

RGB 231 190 124

HSL 37.01, 0.69%, 0.7%

LAB 79.2, 6.34, 38.73

 

CMYK 0 / 16 / 42 / 3

HEX #F8D08F

RGB 248 208 143

HSL 37.14, 0.88%, 0.77%

LAB 85.53, 5.64, 37.48

 

CMYK 0 / 11 / 36 / 0

HEX #FFE2A2

RGB 255 226 162

HSL 41.29, 1%, 0.82%

LAB 90.9, 1.18, 34.96

 

CMYK 0 / 20 / 53 / 25

HEX #C09A5B

RGB 192 154 91

HSL 37.43, 0.44%, 0.55%

LAB 65.81, 6.39, 38.18

 

CMYK 0 / 22 / 59 / 31

HEX #AF8848

RGB 175 136 72

HSL 37.28, 0.42%, 0.48%

LAB 59.15, 7.39, 39.57

 

CMYK 0 / 25 / 66 / 38

HEX #9E7635

RGB 158 118 53

HSL 37.14, 0.5%, 0.41%

LAB 52.38, 8.59, 40.94

 

CMYK 0 / 29 / 76 / 45

HEX #8D6422

RGB 141 100 34

HSL 37.01, 0.61%, 0.34%

LAB 45.49, 10.07, 42.1

 

CMYK 0 / 34 / 88 / 51

HEX #7C520F

RGB 124 82 15

HSL 36.88, 0.78%, 0.27%

LAB 38.47, 11.91, 42.51

 

CMYK 0 / 20 / 53 / 25

HEX #C09A5B

RGB 192 154 91

HSL 37.43, 0.44%, 0.55%

LAB 65.81, 6.39, 38.18

 

CMYK 0 / 12 / 53 / 25

HEX #BEA859

RGB 190 168 89

HSL 46.93, 0.44%, 0.55%

LAB 69.24, -2.18, 43.31

 

CMYK 0 / 3 / 53 / 25

HEX #BEB959

RGB 190 185 89

HSL 57.03, 0.44%, 0.55%

LAB 73.78, -11.09, 48.66

 

CMYK 6 / 0 / 53 / 25

HEX #B2BE59

RGB 178 190 89

HSL 67.13, 0.44%, 0.55%

LAB 74.2, -18.59, 48.9

 

CMYK 15 / 0 / 53 / 25

HEX #A2BE59

RGB 162 190 89

HSL 76.63, 0.44%, 0.55%

LAB 73.04, -25.02, 47.26

 

CMYK 0 / 20 / 53 / 25

HEX #C09A5B

RGB 192 154 91

HSL 37.43, 0.44%, 0.55%

LAB 65.81, 6.39, 38.18

 

CMYK 0 / 20 / 53 / 5

HEX #F3C373

RGB 243 195 115

HSL 37.5, 0.84%, 0.7%

LAB 81.47, 7.77, 46.35

 

CMYK 0 / 21 / 54 / 85

HEX #271F12

RGB 39 31 18

HSL 37.14, 0.37%, 0.11%

LAB 12.32, 1.54, 10.12

 

CMYK 0 / 20 / 52 / 65

HEX #5A482B

RGB 90 72 43

HSL 37.02, 0.35%, 0.26%

LAB 31.77, 3.39, 20.22

 

CMYK 0 / 20 / 52 / 45

HEX #8D7143

RGB 141 113 67

HSL 37.3, 0.36%, 0.41%

LAB 49.35, 4.94, 29.54

 

CMYK 0 / 20 / 53 / 25

HEX #C09A5B

RGB 192 154 91

HSL 37.43, 0.44%, 0.55%

LAB 65.81, 6.39, 38.18

 

CMYK 43 / 0 / 53 / 25

HEX #6CBE59

RGB 108 190 89

HSL 108.71, 0.44%, 0.55%

LAB 69.99, -44.42, 42.89

 

CMYK 42 / 53 / 0 / 25

HEX #6F59BE

RGB 111 89 190

HSL 253.07, 0.44%, 0.55%

LAB 44.58, 33.39, -50.31

 

CMYK 0 / 20 / 53 / 25

HEX #C09A5B

RGB 192 154 91

HSL 37.43, 0.44%, 0.55%

LAB 65.81, 6.39, 38.18

 

CMYK 53 / 0 / 20 / 25

HEX #59BE98

RGB 89 190 152

HSL 157.43, 0.44%, 0.55%

LAB 70.33, -38.62, 10.32

 

CMYK 20 / 53 / 0 / 25

HEX #9859BE

RGB 152 89 190

HSL 277.43, 0.44%, 0.55%

LAB 48.93, 43.93, -43.11

 

CMYK 0 / 20 / 53 / 25

HEX #C09A5B

RGB 192 154 91

HSL 37.43, 0.44%, 0.55%

LAB 65.81, 6.39, 38.18

 

CMYK 43 / 0 / 53 / 25

HEX #6CBE59

RGB 108 190 89

HSL 108.71, 0.44%, 0.55%

LAB 69.99, -44.42, 42.89

 

CMYK 53 / 33 / 0 / 25

HEX #5980BE

RGB 89 128 190

HSL 216.83, 0.44%, 0.55%

LAB 53.25, 4.4, -36.63

 

CMYK 9 / 53 / 0 / 25

HEX #AC59BE

RGB 172 89 190

HSL 289.31, 0.44%, 0.55%

LAB 51.42, 49.37, -39.01

 

CMYK 0 / 20 / 53 / 25

HEX #C09A5B

RGB 192 154 91

HSL 37.43, 0.44%, 0.55%

LAB 65.81, 6.39, 38.18

 

CMYK 53 / 0 / 47 / 25

HEX #59BE65

RGB 89 190 101

HSL 127.13, 0.44%, 0.55%

LAB 69.39, -48.21, 36.06

 

CMYK 53 / 33 / 0 / 25

HEX #5980BE

RGB 89 128 190

HSL 216.83, 0.44%, 0.55%

LAB 53.25, 4.4, -36.63

 

CMYK 0 / 53 / 6 / 25

HEX #BE59B2

RGB 190 89 178

HSL 307.13, 0.44%, 0.55%

LAB 53.28, 52.23, -28.97

 

Description

Color code: CMYK 24 / 39 / 64 / 1 | qconv.com Color code: CMYK 24 / 39 / 64 / 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 154 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 154 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 39 magenta, 64 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 39% 64% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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