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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 23 / 7 / 0 / 38 it is the complementary color CMYK 0 / 19 / 27 / 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 23 / 7 / 0 / 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 23 / 7 / 0 / 38: CMYK 17 / 4 / 0 / 40, CMYK 16 / 4 / 0 / 33, CMYK 16 / 4 / 0 / 25, CMYK 15 / 4 / 0 / 18 and CMYK 15 / 4 / 0 / 10

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 23 / 7 / 0 / 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 23 / 7 / 0 / 38: CMYK 23 / 7 / 0 / 38, CMYK 24 / 7 / 0 / 45, CMYK 27 / 8 / 0 / 53, CMYK 30 / 8 / 0 / 60 and CMYK 34 / 9 / 0 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 7 / 0 / 38

HEX #7A939E

RGB 122 147 158

HSL 198.33, 0.16%, 0.55%

LAB 59.41, -6.27, -8.73

 

Complementary color

CMYK 0 / 19 / 27 / 48

HEX #856C61

RGB 133 108 97

HSL 18.33, 0.16%, 0.45%

LAB 47.72, 8.12, 9.88

 

CMYK 17 / 4 / 0 / 40

HEX #7F9399

RGB 127 147 153

HSL 193.85, 0.11%, 0.55%

LAB 59.6, -5.77, -5.56

 

CMYK 16 / 4 / 0 / 33

HEX #90A5AC

RGB 144 165 172

HSL 195, 0.14%, 0.62%

LAB 66.38, -5.8, -6.09

 

CMYK 16 / 4 / 0 / 25

HEX #A1B7BF

RGB 161 183 191

HSL 196, 0.19%, 0.69%

LAB 73.03, -5.84, -6.61

 

CMYK 15 / 4 / 0 / 18

HEX #B2C9D2

RGB 178 201 210

HSL 196.88, 0.26%, 0.76%

LAB 79.55, -5.88, -7.11

 

CMYK 15 / 4 / 0 / 10

HEX #C3DBE5

RGB 195 219 229

HSL 197.65, 0.4%, 0.83%

LAB 85.97, -5.93, -7.6

 

CMYK 23 / 7 / 0 / 38

HEX #7A939E

RGB 122 147 158

HSL 198.33, 0.16%, 0.55%

LAB 59.41, -6.27, -8.73

 

CMYK 24 / 7 / 0 / 45

HEX #69818B

RGB 105 129 139

HSL 197.65, 0.14%, 0.48%

LAB 52.47, -6.24, -8.26

 

CMYK 27 / 8 / 0 / 53

HEX #586F78

RGB 88 111 120

HSL 196.88, 0.15%, 0.41%

LAB 45.36, -6.21, -7.78

 

CMYK 30 / 8 / 0 / 60

HEX #475D65

RGB 71 93 101

HSL 196, 0.17%, 0.34%

LAB 38.04, -6.19, -7.29

 

CMYK 34 / 9 / 0 / 68

HEX #364B52

RGB 54 75 82

HSL 195, 0.21%, 0.27%

LAB 30.46, -6.17, -6.79

 

CMYK 23 / 7 / 0 / 38

HEX #7A939E

RGB 122 147 158

HSL 198.33, 0.16%, 0.55%

LAB 59.41, -6.27, -8.73

 

CMYK 23 / 11 / 0 / 38

HEX #798D9E

RGB 121 141 158

HSL 207.57, 0.16%, 0.55%

LAB 57.64, -3.23, -11.39

 

CMYK 23 / 15 / 0 / 38

HEX #79879E

RGB 121 135 158

HSL 217.3, 0.16%, 0.55%

LAB 55.95, 0.19, -13.93

 

CMYK 23 / 18 / 0 / 38

HEX #79819E

RGB 121 129 158

HSL 227.03, 0.16%, 0.55%

LAB 54.27, 3.65, -16.47

 

CMYK 23 / 22 / 0 / 38

HEX #797B9E

RGB 121 123 158

HSL 236.76, 0.16%, 0.55%

LAB 52.62, 7.17, -18.99

 

CMYK 23 / 7 / 0 / 38

HEX #7A939E

RGB 122 147 158

HSL 198.33, 0.16%, 0.55%

LAB 59.41, -6.27, -8.73

 

CMYK 23 / 7 / 0 / 18

HEX #A1C2D1

RGB 161 194 209

HSL 198.75, 0.34%, 0.73%

LAB 76.54, -7.73, -11.18

 

CMYK 20 / 0 / 0 / 98

HEX #040505

RGB 4 5 5

HSL 180, 0.11%, 0.02%

LAB 1.31, -0.26, -0.09

 

CMYK 23 / 7 / 0 / 78

HEX #2B3438

RGB 43 52 56

HSL 198.46, 0.13%, 0.19%

LAB 21.04, -2.73, -3.8

 

CMYK 22 / 7 / 0 / 58

HEX #53646B

RGB 83 100 107

HSL 197.5, 0.13%, 0.37%

LAB 41.24, -4.71, -6.1

 

CMYK 23 / 7 / 0 / 38

HEX #7A939E

RGB 122 147 158

HSL 198.33, 0.16%, 0.55%

LAB 59.41, -6.27, -8.73

 

CMYK 11 / 23 / 0 / 38

HEX #8C799E

RGB 140 121 158

HSL 270.81, 0.16%, 0.55%

LAB 53.73, 14.71, -17.15

 

CMYK 0 / 3 / 23 / 38

HEX #9E9A79

RGB 158 154 121

HSL 53.51, 0.16%, 0.55%

LAB 63.14, -4.12, 17.89

 

CMYK 23 / 7 / 0 / 38

HEX #7A939E

RGB 122 147 158

HSL 198.33, 0.16%, 0.55%

LAB 59.41, -6.27, -8.73

 

CMYK 0 / 23 / 7 / 38

HEX #9E7993

RGB 158 121 147

HSL 317.84, 0.16%, 0.55%

LAB 55.12, 18.85, -8.48

 

CMYK 7 / 0 / 23 / 38

HEX #939E79

RGB 147 158 121

HSL 77.84, 0.16%, 0.55%

LAB 63.37, -10.59, 18.06

 

CMYK 23 / 7 / 0 / 38

HEX #7A939E

RGB 122 147 158

HSL 198.33, 0.16%, 0.55%

LAB 59.41, -6.27, -8.73

 

CMYK 11 / 23 / 0 / 38

HEX #8C799E

RGB 140 121 158

HSL 270.81, 0.16%, 0.55%

LAB 53.73, 14.71, -17.15

 

CMYK 0 / 16 / 23 / 38

HEX #9E8479

RGB 158 132 121

HSL 17.84, 0.16%, 0.55%

LAB 57.22, 8.14, 9.63

 

CMYK 11 / 0 / 23 / 38

HEX #8C9E79

RGB 140 158 121

HSL 89.19, 0.16%, 0.55%

LAB 62.85, -13.26, 17.26

 

CMYK 23 / 7 / 0 / 38

HEX #7A939E

RGB 122 147 158

HSL 198.33, 0.16%, 0.55%

LAB 59.41, -6.27, -8.73

 

CMYK 4 / 23 / 0 / 38

HEX #97799E

RGB 151 121 158

HSL 288.65, 0.16%, 0.55%

LAB 54.79, 18.51, -15.45

 

CMYK 0 / 16 / 23 / 38

HEX #9E8479

RGB 158 132 121

HSL 17.84, 0.16%, 0.55%

LAB 57.22, 8.14, 9.63

 

CMYK 18 / 0 / 23 / 38

HEX #819E79

RGB 129 158 121

HSL 107.03, 0.16%, 0.55%

LAB 62.08, -17.36, 16.08

 

Description

Color code: CMYK 23 / 7 / 0 / 38 | qconv.com Color code: CMYK 23 / 7 / 0 / 38 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 147 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 147 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 7 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 7% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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