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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 6 / 0 / 37 it is the complementary color CMYK 0 / 20 / 28 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 6 / 0 / 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 6 / 0 / 37: CMYK 17 / 3 / 0 / 39, CMYK 16 / 3 / 0 / 31, CMYK 15 / 4 / 0 / 24, CMYK 15 / 4 / 0 / 16 and CMYK 15 / 4 / 0 / 9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 6 / 0 / 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 6 / 0 / 37: CMYK 22 / 6 / 0 / 37, CMYK 24 / 6 / 0 / 44, CMYK 26 / 7 / 0 / 52, CMYK 29 / 7 / 0 / 59 and CMYK 33 / 7 / 0 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 6 / 0 / 37

HEX #7D97A1

RGB 125 151 161

HSL 196.67, 0.16%, 0.56%

LAB 60.84, -6.81, -8.28

 

Complementary color

CMYK 0 / 20 / 28 / 49

HEX #82685E

RGB 130 104 94

HSL 16.67, 0.16%, 0.44%

LAB 46.25, 8.77, 9.56

 

CMYK 17 / 3 / 0 / 39

HEX #82979C

RGB 130 151 156

HSL 191.54, 0.12%, 0.56%

LAB 61.03, -6.31, -5.13

 

CMYK 16 / 3 / 0 / 31

HEX #93A9AF

RGB 147 169 175

HSL 192.86, 0.15%, 0.63%

LAB 67.78, -6.33, -5.67

 

CMYK 15 / 4 / 0 / 24

HEX #A4BBC2

RGB 164 187 194

HSL 194, 0.2%, 0.7%

LAB 74.4, -6.36, -6.19

 

CMYK 15 / 4 / 0 / 16

HEX #B5CDD5

RGB 181 205 213

HSL 195, 0.28%, 0.77%

LAB 80.9, -6.39, -6.7

 

CMYK 15 / 4 / 0 / 9

HEX #C6DFE8

RGB 198 223 232

HSL 195.88, 0.43%, 0.84%

LAB 87.29, -6.44, -7.2

 

CMYK 22 / 6 / 0 / 37

HEX #7D97A1

RGB 125 151 161

HSL 196.67, 0.16%, 0.56%

LAB 60.84, -6.81, -8.28

 

CMYK 24 / 6 / 0 / 44

HEX #6C858E

RGB 108 133 142

HSL 195.88, 0.14%, 0.49%

LAB 53.94, -6.79, -7.79

 

CMYK 26 / 7 / 0 / 52

HEX #5B737B

RGB 91 115 123

HSL 195, 0.15%, 0.42%

LAB 46.86, -6.78, -7.3

 

CMYK 29 / 7 / 0 / 59

HEX #4A6168

RGB 74 97 104

HSL 194, 0.17%, 0.35%

LAB 39.59, -6.77, -6.79

 

CMYK 33 / 7 / 0 / 67

HEX #394F55

RGB 57 79 85

HSL 192.86, 0.2%, 0.28%

LAB 32.07, -6.78, -6.27

 

CMYK 22 / 6 / 0 / 37

HEX #7D97A1

RGB 125 151 161

HSL 196.67, 0.16%, 0.56%

LAB 60.84, -6.81, -8.28

 

CMYK 23 / 9 / 0 / 37

HEX #7C91A0

RGB 124 145 160

HSL 205, 0.16%, 0.56%

LAB 59.04, -4.03, -10.4

 

CMYK 23 / 13 / 0 / 37

HEX #7C8BA0

RGB 124 139 160

HSL 215, 0.16%, 0.56%

LAB 57.36, -0.64, -12.94

 

CMYK 23 / 17 / 0 / 37

HEX #7C85A0

RGB 124 133 160

HSL 225, 0.16%, 0.56%

LAB 55.68, 2.8, -15.47

 

CMYK 23 / 21 / 0 / 37

HEX #7C7FA0

RGB 124 127 160

HSL 235, 0.16%, 0.56%

LAB 54.03, 6.29, -17.98

 

CMYK 22 / 6 / 0 / 37

HEX #7D97A1

RGB 125 151 161

HSL 196.67, 0.16%, 0.56%

LAB 60.84, -6.81, -8.28

 

CMYK 22 / 6 / 0 / 17

HEX #A5C7D4

RGB 165 199 212

HSL 196.6, 0.35%, 0.74%

LAB 78.23, -8.47, -10.24

 

CMYK 25 / 0 / 0 / 97

HEX #060808

RGB 6 8 8

HSL 180, 0.14%, 0.03%

LAB 2.08, -0.52, -0.18

 

CMYK 22 / 7 / 0 / 77

HEX #2E373B

RGB 46 55 59

HSL 198.46, 0.12%, 0.21%

LAB 22.4, -2.71, -3.77

 

CMYK 23 / 6 / 0 / 57

HEX #55676E

RGB 85 103 110

HSL 196.8, 0.13%, 0.38%

LAB 42.4, -5.05, -6.19

 

CMYK 22 / 6 / 0 / 37

HEX #7D97A1

RGB 125 151 161

HSL 196.67, 0.16%, 0.56%

LAB 60.84, -6.81, -8.28

 

CMYK 12 / 23 / 0 / 37

HEX #8D7CA0

RGB 141 124 160

HSL 268.33, 0.16%, 0.56%

LAB 54.67, 13.74, -16.86

 

CMYK 0 / 3 / 23 / 37

HEX #A09B7C

RGB 160 155 124

HSL 51.67, 0.16%, 0.56%

LAB 63.65, -3.42, 16.94

 

CMYK 22 / 6 / 0 / 37

HEX #7D97A1

RGB 125 151 161

HSL 196.67, 0.16%, 0.56%

LAB 60.84, -6.81, -8.28

 

CMYK 0 / 23 / 6 / 37

HEX #A07C97

RGB 160 124 151

HSL 315, 0.16%, 0.56%

LAB 56.21, 18.61, -9.15

 

CMYK 6 / 0 / 23 / 37

HEX #97A07C

RGB 151 160 124

HSL 75, 0.16%, 0.56%

LAB 64.3, -9.64, 17.73

 

CMYK 22 / 6 / 0 / 37

HEX #7D97A1

RGB 125 151 161

HSL 196.67, 0.16%, 0.56%

LAB 60.84, -6.81, -8.28

 

CMYK 12 / 23 / 0 / 37

HEX #8D7CA0

RGB 141 124 160

HSL 268.33, 0.16%, 0.56%

LAB 54.67, 13.74, -16.86

 

CMYK 0 / 16 / 23 / 37

HEX #A0867C

RGB 160 134 124

HSL 16.67, 0.16%, 0.56%

LAB 58.02, 8.26, 9.06

 

CMYK 11 / 0 / 23 / 37

HEX #8FA07C

RGB 143 160 124

HSL 88.33, 0.16%, 0.56%

LAB 63.7, -12.7, 16.81

 

CMYK 22 / 6 / 0 / 37

HEX #7D97A1

RGB 125 151 161

HSL 196.67, 0.16%, 0.56%

LAB 60.84, -6.81, -8.28

 

CMYK 5 / 23 / 0 / 37

HEX #987CA0

RGB 152 124 160

HSL 286.67, 0.16%, 0.56%

LAB 55.71, 17.54, -15.19

 

CMYK 0 / 16 / 23 / 37

HEX #A0867C

RGB 160 134 124

HSL 16.67, 0.16%, 0.56%

LAB 58.02, 8.26, 9.06

 

CMYK 17 / 0 / 23 / 37

HEX #85A07C

RGB 133 160 124

HSL 105, 0.16%, 0.56%

LAB 63, -16.42, 15.72

 

Description

Color code: CMYK 22 / 6 / 0 / 37 | qconv.com Color code: CMYK 22 / 6 / 0 / 37 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 151 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 151 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 6 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 6% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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