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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 64 / 0 / 36 it is the complementary color CMYK 35 / 0 / 53 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 64 / 0 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 64 / 0 / 36: CMYK 16 / 63 / 0 / 38, CMYK 16 / 56 / 0 / 31, CMYK 15 / 52 / 0 / 23, CMYK 15 / 47 / 0 / 16 and CMYK 15 / 44 / 0 / 8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 64 / 0 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 64 / 0 / 36: CMYK 22 / 64 / 0 / 36, CMYK 24 / 72 / 0 / 44, CMYK 26 / 82 / 0 / 51, CMYK 28 / 95 / 0 / 58 and CMYK 32 / 100 / 0 / 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 64 / 0 / 36

HEX #7F3BA3

RGB 127 59 163

HSL 279.23, 0.47%, 0.44%

LAB 38.35, 47.05, -44.26

 

Complementary color

CMYK 35 / 0 / 53 / 23

HEX #80C45C

RGB 128 196 92

HSL 99.23, 0.47%, 0.56%

LAB 72.79, -40.12, 45.03

 

CMYK 16 / 63 / 0 / 38

HEX #843B9E

RGB 132 59 158

HSL 284.24, 0.46%, 0.43%

LAB 38.73, 47.19, -40.61

 

CMYK 16 / 56 / 0 / 31

HEX #954DB1

RGB 149 77 177

HSL 283.2, 0.39%, 0.5%

LAB 45.46, 46.6, -41.06

 

CMYK 15 / 52 / 0 / 23

HEX #A65FC4

RGB 166 95 196

HSL 282.18, 0.46%, 0.57%

LAB 52.15, 45.86, -41.37

 

CMYK 15 / 47 / 0 / 16

HEX #B771D7

RGB 183 113 215

HSL 281.18, 0.56%, 0.64%

LAB 58.77, 45.07, -41.59

 

CMYK 15 / 44 / 0 / 8

HEX #C883EA

RGB 200 131 234

HSL 280.19, 0.71%, 0.72%

LAB 65.32, 44.27, -41.77

 

CMYK 22 / 64 / 0 / 36

HEX #7F3BA3

RGB 127 59 163

HSL 279.23, 0.47%, 0.44%

LAB 38.35, 47.05, -44.26

 

CMYK 24 / 72 / 0 / 44

HEX #6E2990

RGB 110 41 144

HSL 280.19, 0.56%, 0.36%

LAB 31.61, 47.39, -43.68

 

CMYK 26 / 82 / 0 / 51

HEX #5D177D

RGB 93 23 125

HSL 281.18, 0.69%, 0.29%

LAB 25.02, 47, -42.6

 

CMYK 28 / 95 / 0 / 58

HEX #4C056A

RGB 76 5 106

HSL 282.18, 0.91%, 0.22%

LAB 18.74, 45.25, -40.71

 

CMYK 32 / 100 / 0 / 66

HEX #3B0057

RGB 59 0 87

HSL 280.69, 1%, 0.17%

LAB 13.34, 40.26, -37

 

CMYK 22 / 64 / 0 / 36

HEX #7F3BA3

RGB 127 59 163

HSL 279.23, 0.47%, 0.44%

LAB 38.35, 47.05, -44.26

 

CMYK 12 / 64 / 0 / 36

HEX #913BA4

RGB 145 59 164

HSL 289.14, 0.47%, 0.44%

LAB 40.94, 51.67, -40.57

 

CMYK 1 / 64 / 0 / 36

HEX #A33BA4

RGB 163 59 164

HSL 299.43, 0.47%, 0.44%

LAB 43.65, 56.14, -36.11

 

CMYK 0 / 64 / 9 / 36

HEX #A43B95

RGB 164 59 149

HSL 308.57, 0.47%, 0.44%

LAB 43.05, 53.86, -28.05

 

CMYK 0 / 64 / 20 / 36

HEX #A43B83

RGB 164 59 131

HSL 318.86, 0.47%, 0.44%

LAB 42.25, 51.07, -18.36

 

CMYK 22 / 64 / 0 / 36

HEX #7F3BA3

RGB 127 59 163

HSL 279.23, 0.47%, 0.44%

LAB 38.35, 47.05, -44.26

 

CMYK 22 / 64 / 0 / 16

HEX #A74DD6

RGB 167 77 214

HSL 279.42, 0.63%, 0.57%

LAB 49.95, 58.89, -55.16

 

CMYK 20 / 60 / 0 / 96

HEX #08040A

RGB 8 4 10

HSL 280, 0.43%, 0.03%

LAB 1.45, 1.88, -1.9

 

CMYK 21 / 64 / 0 / 76

HEX #30163D

RGB 48 22 61

HSL 280, 0.47%, 0.16%

LAB 12.85, 21.25, -19.85

 

CMYK 22 / 63 / 0 / 56

HEX #572970

RGB 87 41 112

HSL 278.87, 0.46%, 0.3%

LAB 26.1, 34.38, -32.61

 

CMYK 22 / 64 / 0 / 36

HEX #7F3BA3

RGB 127 59 163

HSL 279.23, 0.47%, 0.44%

LAB 38.35, 47.05, -44.26

 

CMYK 0 / 64 / 54 / 36

HEX #A43B4B

RGB 164 59 75

HSL 350.86, 0.47%, 0.44%

LAB 40.46, 44.55, 13.83

 

CMYK 64 / 0 / 48 / 36

HEX #3BA455

RGB 59 164 85

HSL 134.86, 0.47%, 0.44%

LAB 60.01, -47.49, 32.21

 

CMYK 22 / 64 / 0 / 36

HEX #7F3BA3

RGB 127 59 163

HSL 279.23, 0.47%, 0.44%

LAB 38.35, 47.05, -44.26

 

CMYK 0 / 22 / 64 / 36

HEX #A4803B

RGB 164 128 59

HSL 39.43, 0.47%, 0.44%

LAB 55.73, 6.04, 41.89

 

CMYK 64 / 0 / 22 / 36

HEX #3BA480

RGB 59 164 128

HSL 159.43, 0.47%, 0.44%

LAB 60.82, -38.88, 9.93

 

CMYK 22 / 64 / 0 / 36

HEX #7F3BA3

RGB 127 59 163

HSL 279.23, 0.47%, 0.44%

LAB 38.35, 47.05, -44.26

 

CMYK 0 / 64 / 54 / 36

HEX #A43B4B

RGB 164 59 75

HSL 350.86, 0.47%, 0.44%

LAB 40.46, 44.55, 13.83

 

CMYK 41 / 0 / 64 / 36

HEX #60A43B

RGB 96 164 59

HSL 98.86, 0.47%, 0.44%

LAB 61.09, -40.51, 46.42

 

CMYK 64 / 0 / 9 / 36

HEX #3BA495

RGB 59 164 149

HSL 171.43, 0.47%, 0.44%

LAB 61.35, -33.54, -1.08

 

CMYK 22 / 64 / 0 / 36

HEX #7F3BA3

RGB 127 59 163

HSL 279.23, 0.47%, 0.44%

LAB 38.35, 47.05, -44.26

 

CMYK 0 / 54 / 64 / 36

HEX #A44B3B

RGB 164 75 59

HSL 9.14, 0.47%, 0.44%

LAB 43.12, 35.53, 27.07

 

CMYK 41 / 0 / 64 / 36

HEX #60A43B

RGB 96 164 59

HSL 98.86, 0.47%, 0.44%

LAB 61.09, -40.51, 46.42

 

CMYK 64 / 9 / 0 / 36

HEX #3B95A4

RGB 59 149 164

HSL 188.57, 0.47%, 0.44%

LAB 57.18, -21.78, -15.81

 

Description

Color code: CMYK 22 / 64 / 0 / 36 | qconv.com Color code: CMYK 22 / 64 / 0 / 36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 59 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 59 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 64 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 64% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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