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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 37 / 13 / 0 it is the complementary color CMYK 40 / 0 / 65 / 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 37 / 13 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 37 / 13 / 0: CMYK 6 / 26 / 0 / 15, CMYK 6 / 24 / 0 / 7, CMYK 7 / 23 / 0 / 0, CMYK 0 / 16 / 0 / 0 and CMYK 0 / 9 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 37 / 13 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 37 / 13 / 0: CMYK 10 / 27 / 0 / 13, CMYK 10 / 30 / 0 / 20, CMYK 10 / 32 / 0 / 28, CMYK 10 / 35 / 0 / 35 and CMYK 10 / 39 / 0 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 37 / 13 / 0

HEX #C7A1DE

RGB 199 161 222

HSL 277.38, 0.48%, 0.75%

LAB 71.49, 25.11, -25.61

 

Complementary color

CMYK 40 / 0 / 65 / 63

HEX #385E21

RGB 56 94 33

HSL 97.38, 0.48%, 0.25%

LAB 35.9, -25.64, 30.06

 

CMYK 6 / 26 / 0 / 15

HEX #CCA1D9

RGB 204 161 217

HSL 286.07, 0.42%, 0.74%

LAB 71.78, 25.71, -22.38

 

CMYK 6 / 24 / 0 / 7

HEX #DDB3EC

RGB 221 179 236

HSL 284.21, 0.6%, 0.81%

LAB 78.27, 25.15, -22.7

 

CMYK 7 / 23 / 0 / 0

HEX #EEC5FF

RGB 238 197 255

HSL 282.41, 1%, 0.89%

LAB 84.65, 24.62, -23.02

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 10 / 27 / 0 / 13

HEX #C7A1DE

RGB 199 161 222

HSL 277.38, 0.48%, 0.75%

LAB 71.49, 25.11, -25.61

 

CMYK 10 / 30 / 0 / 20

HEX #B68FCB

RGB 182 143 203

HSL 279, 0.37%, 0.68%

LAB 64.88, 25.72, -25.37

 

CMYK 10 / 32 / 0 / 28

HEX #A57DB8

RGB 165 125 184

HSL 280.68, 0.29%, 0.61%

LAB 58.16, 26.38, -25.12

 

CMYK 10 / 35 / 0 / 35

HEX #946BA5

RGB 148 107 165

HSL 282.41, 0.24%, 0.53%

LAB 51.3, 27.09, -24.89

 

CMYK 10 / 39 / 0 / 43

HEX #835992

RGB 131 89 146

HSL 284.21, 0.24%, 0.46%

LAB 44.3, 27.87, -24.64

 

CMYK 10 / 27 / 0 / 13

HEX #C7A1DE

RGB 199 161 222

HSL 277.38, 0.48%, 0.75%

LAB 71.49, 25.11, -25.61

 

CMYK 6 / 28 / 0 / 13

HEX #D0A0DD

RGB 208 160 221

HSL 287.21, 0.47%, 0.75%

LAB 72.08, 28.34, -24.09

 

CMYK 1 / 28 / 0 / 13

HEX #DAA0DD

RGB 218 160 221

HSL 297.05, 0.47%, 0.75%

LAB 73.07, 31.57, -22.49

 

CMYK 0 / 28 / 3 / 13

HEX #DDA0D6

RGB 221 160 214

HSL 306.89, 0.47%, 0.75%

LAB 73.13, 31.26, -18.52

 

CMYK 0 / 28 / 8 / 13

HEX #DDA0CC

RGB 221 160 204

HSL 316.72, 0.47%, 0.75%

LAB 72.81, 29.49, -13.52

 

CMYK 10 / 27 / 0 / 13

HEX #C7A1DE

RGB 199 161 222

HSL 277.38, 0.48%, 0.75%

LAB 71.49, 25.11, -25.61

 

CMYK 11 / 28 / 0 / 93

HEX #100D12

RGB 16 13 18

HSL 276, 0.16%, 0.06%

LAB 3.99, 1.92, -2.17

 

CMYK 10 / 28 / 0 / 73

HEX #3E3245

RGB 62 50 69

HSL 277.89, 0.16%, 0.23%

LAB 22.78, 9.65, -9.8

 

CMYK 10 / 28 / 0 / 53

HEX #6C5778

RGB 108 87 120

HSL 278.18, 0.16%, 0.41%

LAB 40.18, 15.34, -15.44

 

CMYK 11 / 27 / 0 / 33

HEX #997CAB

RGB 153 124 171

HSL 277.02, 0.22%, 0.58%

LAB 56.22, 20.21, -20.76

 

CMYK 10 / 27 / 0 / 13

HEX #C7A1DE

RGB 199 161 222

HSL 277.38, 0.48%, 0.75%

LAB 71.49, 25.11, -25.61

 

CMYK 0 / 28 / 23 / 13

HEX #DDA0AB

RGB 221 160 171

HSL 349.18, 0.47%, 0.75%

LAB 71.86, 24.21, 3.29

 

CMYK 28 / 0 / 22 / 13

HEX #A0DDAD

RGB 160 221 173

HSL 132.79, 0.47%, 0.75%

LAB 83.02, -28.93, 17.44

 

CMYK 10 / 27 / 0 / 13

HEX #C7A1DE

RGB 199 161 222

HSL 277.38, 0.48%, 0.75%

LAB 71.49, 25.11, -25.61

 

CMYK 0 / 10 / 28 / 13

HEX #DDC6A0

RGB 221 198 160

HSL 37.38, 0.47%, 0.75%

LAB 80.9, 2.37, 22.02

 

CMYK 28 / 0 / 10 / 13

HEX #A0DDC6

RGB 160 221 198

HSL 157.38, 0.47%, 0.75%

LAB 83.58, -24.14, 5.06

 

CMYK 10 / 27 / 0 / 13

HEX #C7A1DE

RGB 199 161 222

HSL 277.38, 0.48%, 0.75%

LAB 71.49, 25.11, -25.61

 

CMYK 0 / 28 / 23 / 13

HEX #DDA0AB

RGB 221 160 171

HSL 349.18, 0.47%, 0.75%

LAB 71.86, 24.21, 3.29

 

CMYK 17 / 0 / 28 / 13

HEX #B8DDA0

RGB 184 221 160

HSL 96.39, 0.47%, 0.75%

LAB 84.2, -23.02, 26.06

 

CMYK 28 / 0 / 5 / 13

HEX #A0DDD2

RGB 160 221 210

HSL 169.18, 0.47%, 0.75%

LAB 83.88, -21.62, -0.86

 

CMYK 10 / 27 / 0 / 13

HEX #C7A1DE

RGB 199 161 222

HSL 277.38, 0.48%, 0.75%

LAB 71.49, 25.11, -25.61

 

CMYK 0 / 24 / 28 / 13

HEX #DDA7A0

RGB 221 167 160

HSL 6.89, 0.47%, 0.75%

LAB 73.25, 18.88, 11.34

 

CMYK 17 / 0 / 28 / 13

HEX #B8DDA0

RGB 184 221 160

HSL 96.39, 0.47%, 0.75%

LAB 84.2, -23.02, 26.06

 

CMYK 28 / 3 / 0 / 13

HEX #A0D6DD

RGB 160 214 221

HSL 186.89, 0.47%, 0.75%

LAB 82.26, -15.68, -9.09

 

Description

Color code: CMYK 22 / 37 / 13 / 0 | qconv.com Color code: CMYK 22 / 37 / 13 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 161 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 161 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 37 magenta, 13 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 37% 13% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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