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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 22 / 0 / 66 it is the complementary color CMYK 0 / 0 / 10 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 22 / 0 / 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 22 / 0 / 66: CMYK 11 / 17 / 0 / 68, CMYK 11 / 15 / 0 / 60, CMYK 11 / 13 / 0 / 53, CMYK 11 / 12 / 0 / 45 and CMYK 11 / 11 / 0 / 38

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 22 / 0 / 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 22 / 0 / 66: CMYK 22 / 22 / 0 / 66, CMYK 25 / 26 / 0 / 73, CMYK 31 / 35 / 0 / 81, CMYK 43 / 53 / 0 / 88 and CMYK 100 / 100 / 0 / 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 22 / 0 / 66

HEX #444457

RGB 68 68 87

HSL 240, 0.12%, 0.3%

LAB 29.54, 4.66, -11.29

 

Complementary color

CMYK 0 / 0 / 10 / 27

HEX #BBBBA8

RGB 187 187 168

HSL 60, 0.12%, 0.7%

LAB 75.41, -3.35, 9.63

 

CMYK 11 / 17 / 0 / 68

HEX #494452

RGB 73 68 82

HSL 261.43, 0.09%, 0.29%

LAB 29.81, 5.29, -7.61

 

CMYK 11 / 15 / 0 / 60

HEX #5A5665

RGB 90 86 101

HSL 256, 0.08%, 0.37%

LAB 37.42, 4.92, -8.05

 

CMYK 11 / 13 / 0 / 53

HEX #6B6878

RGB 107 104 120

HSL 251.25, 0.07%, 0.44%

LAB 44.78, 4.61, -8.5

 

CMYK 11 / 12 / 0 / 45

HEX #7C7A8B

RGB 124 122 139

HSL 247.06, 0.07%, 0.51%

LAB 51.91, 4.32, -8.94

 

CMYK 11 / 11 / 0 / 38

HEX #8D8C9E

RGB 141 140 158

HSL 243.33, 0.08%, 0.58%

LAB 58.87, 4.07, -9.39

 

CMYK 22 / 22 / 0 / 66

HEX #444457

RGB 68 68 87

HSL 240, 0.12%, 0.3%

LAB 29.54, 4.66, -11.29

 

CMYK 25 / 26 / 0 / 73

HEX #333244

RGB 51 50 68

HSL 243.33, 0.15%, 0.23%

LAB 21.59, 5.1, -11.04

 

CMYK 31 / 35 / 0 / 81

HEX #222031

RGB 34 32 49

HSL 247.06, 0.21%, 0.16%

LAB 13.2, 5.68, -10.87

 

CMYK 43 / 53 / 0 / 88

HEX #110E1E

RGB 17 14 30

HSL 251.25, 0.36%, 0.09%

LAB 4.76, 4.98, -9.89

 

CMYK 100 / 100 / 0 / 96

HEX #00000B

RGB 0 0 11

HSL 240, 1%, 0.02%

LAB 0.22, 1.53, -4.17

 

CMYK 22 / 22 / 0 / 66

HEX #444457

RGB 68 68 87

HSL 240, 0.12%, 0.3%

LAB 29.54, 4.66, -11.29

 

CMYK 18 / 21 / 0 / 67

HEX #464355

RGB 70 67 85

HSL 250, 0.12%, 0.3%

LAB 29.34, 5.54, -10.28

 

CMYK 14 / 21 / 0 / 67

HEX #494355

RGB 73 67 85

HSL 260, 0.12%, 0.3%

LAB 29.63, 6.68, -9.82

 

CMYK 11 / 21 / 0 / 67

HEX #4C4355

RGB 76 67 85

HSL 270, 0.12%, 0.3%

LAB 29.93, 7.83, -9.34

 

CMYK 7 / 21 / 0 / 67

HEX #4F4355

RGB 79 67 85

HSL 280, 0.12%, 0.3%

LAB 30.24, 9, -8.85

 

CMYK 22 / 22 / 0 / 66

HEX #444457

RGB 68 68 87

HSL 240, 0.12%, 0.3%

LAB 29.54, 4.66, -11.29

 

CMYK 22 / 22 / 0 / 46

HEX #6C6C8A

RGB 108 108 138

HSL 240, 0.12%, 0.48%

LAB 46.64, 6.84, -16.45

 

CMYK 22 / 22 / 0 / 26

HEX #9494BD

RGB 148 148 189

HSL 240, 0.24%, 0.66%

LAB 62.63, 8.85, -21.23

 

CMYK 22 / 22 / 0 / 6

HEX #BCBCF0

RGB 188 188 240

HSL 240, 0.63%, 0.84%

LAB 77.84, 10.76, -25.75

 

CMYK 22 / 22 / 0 / 86

HEX #1C1C24

RGB 28 28 36

HSL 240, 0.13%, 0.13%

LAB 10.59, 2.21, -5.45

 

CMYK 22 / 22 / 0 / 66

HEX #444457

RGB 68 68 87

HSL 240, 0.12%, 0.3%

LAB 29.54, 4.66, -11.29

 

CMYK 0 / 21 / 4 / 67

HEX #554352

RGB 85 67 82

HSL 310, 0.12%, 0.3%

LAB 30.77, 10.71, -6.04

 

CMYK 13 / 0 / 21 / 67

HEX #4A5543

RGB 74 85 67

HSL 96.67, 0.12%, 0.3%

LAB 34.72, -8.18, 9.08

 

CMYK 22 / 22 / 0 / 66

HEX #444457

RGB 68 68 87

HSL 240, 0.12%, 0.3%

LAB 29.54, 4.66, -11.29

 

CMYK 0 / 21 / 21 / 67

HEX #554343

RGB 85 67 67

HSL 0, 0.12%, 0.3%

LAB 30.28, 7.74, 2.94

 

CMYK 21 / 0 / 21 / 67

HEX #435543

RGB 67 85 67

HSL 120, 0.12%, 0.3%

LAB 34.18, -11.03, 8.25

 

CMYK 22 / 22 / 0 / 66

HEX #444457

RGB 68 68 87

HSL 240, 0.12%, 0.3%

LAB 29.54, 4.66, -11.29

 

CMYK 0 / 21 / 4 / 67

HEX #554352

RGB 85 67 82

HSL 310, 0.12%, 0.3%

LAB 30.77, 10.71, -6.04

 

CMYK 0 / 0 / 21 / 67

HEX #555543

RGB 85 85 67

HSL 60, 0.12%, 0.3%

LAB 35.66, -3.49, 10.54

 

CMYK 21 / 0 / 18 / 67

HEX #435546

RGB 67 85 70

HSL 130, 0.12%, 0.3%

LAB 34.26, -10.4, 6.48

 

CMYK 22 / 22 / 0 / 66

HEX #444457

RGB 68 68 87

HSL 240, 0.12%, 0.3%

LAB 29.54, 4.66, -11.29

 

CMYK 0 / 21 / 11 / 67

HEX #55434C

RGB 85 67 76

HSL 330, 0.12%, 0.3%

LAB 30.56, 9.46, -2.48

 

CMYK 0 / 0 / 21 / 67

HEX #555543

RGB 85 85 67

HSL 60, 0.12%, 0.3%

LAB 35.66, -3.49, 10.54

 

CMYK 21 / 0 / 11 / 67

HEX #43554C

RGB 67 85 76

HSL 150, 0.12%, 0.3%

LAB 34.42, -9.08, 2.95

 

Description

Color code: CMYK 22 / 22 / 0 / 66 | qconv.com Color code: CMYK 22 / 22 / 0 / 66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 68 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 68 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 22 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 22% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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