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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 21 / 9 / 0 / 15 it is the complementary color CMYK 0 / 31 / 55 / 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 21 / 9 / 0 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 21 / 9 / 0 / 15: CMYK 17 / 7 / 0 / 17, CMYK 16 / 7 / 0 / 9, CMYK 16 / 7 / 0 / 2, CMYK 11 / 2 / 0 / 0 and CMYK 4 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 21 / 9 / 0 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 21 / 9 / 0 / 15: CMYK 21 / 9 / 0 / 15, CMYK 22 / 10 / 0 / 22, CMYK 23 / 10 / 0 / 30, CMYK 25 / 11 / 0 / 37 and CMYK 27 / 11 / 0 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 9 / 0 / 15

HEX #ABC5D9

RGB 171 197 217

HSL 206.09, 0.38%, 0.76%

LAB 78.23, -4.46, -12.9

 

Complementary color

CMYK 0 / 31 / 55 / 67

HEX #543A26

RGB 84 58 38

HSL 26.09, 0.38%, 0.24%

LAB 26.88, 8.79, 16.95

 

CMYK 17 / 7 / 0 / 17

HEX #B0C5D4

RGB 176 197 212

HSL 205, 0.3%, 0.76%

LAB 78.41, -3.99, -9.89

 

CMYK 16 / 7 / 0 / 9

HEX #C1D7E7

RGB 193 215 231

HSL 205.26, 0.44%, 0.83%

LAB 84.85, -4.07, -10.34

 

CMYK 16 / 7 / 0 / 2

HEX #D2E9FA

RGB 210 233 250

HSL 205.5, 0.8%, 0.9%

LAB 91.18, -4.15, -10.79

 

CMYK 11 / 2 / 0 / 0

HEX #E3FBFF

RGB 227 251 255

HSL 188.57, 1%, 0.95%

LAB 97.04, -7, -4.58

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 21 / 9 / 0 / 15

HEX #ABC5D9

RGB 171 197 217

HSL 206.09, 0.38%, 0.76%

LAB 78.23, -4.46, -12.9

 

CMYK 22 / 10 / 0 / 22

HEX #9AB3C6

RGB 154 179 198

HSL 205.91, 0.28%, 0.69%

LAB 71.68, -4.37, -12.49

 

CMYK 23 / 10 / 0 / 30

HEX #89A1B3

RGB 137 161 179

HSL 205.71, 0.22%, 0.62%

LAB 65.01, -4.29, -12.09

 

CMYK 25 / 11 / 0 / 37

HEX #788FA0

RGB 120 143 160

HSL 205.5, 0.17%, 0.55%

LAB 58.2, -4.2, -11.69

 

CMYK 27 / 11 / 0 / 45

HEX #677D8D

RGB 103 125 141

HSL 205.26, 0.16%, 0.48%

LAB 51.24, -4.1, -11.29

 

CMYK 21 / 9 / 0 / 15

HEX #ABC5D9

RGB 171 197 217

HSL 206.09, 0.38%, 0.76%

LAB 78.23, -4.46, -12.9

 

CMYK 22 / 13 / 0 / 15

HEX #AABDD9

RGB 170 189 217

HSL 215.74, 0.38%, 0.76%

LAB 76.04, -0.49, -16.19

 

CMYK 22 / 17 / 0 / 15

HEX #AAB5D9

RGB 170 181 217

HSL 225.96, 0.38%, 0.76%

LAB 73.94, 3.84, -19.37

 

CMYK 22 / 20 / 0 / 15

HEX #AAADD9

RGB 170 173 217

HSL 236.17, 0.38%, 0.76%

LAB 71.85, 8.24, -22.53

 

CMYK 19 / 22 / 0 / 15

HEX #AFAAD9

RGB 175 170 217

HSL 246.38, 0.38%, 0.76%

LAB 71.47, 11.46, -23.09

 

CMYK 21 / 9 / 0 / 15

HEX #ABC5D9

RGB 171 197 217

HSL 206.09, 0.38%, 0.76%

LAB 78.23, -4.46, -12.9

 

CMYK 23 / 8 / 0 / 95

HEX #0A0C0D

RGB 10 12 13

HSL 200, 0.13%, 0.05%

LAB 3.22, -0.39, -0.63

 

CMYK 22 / 9 / 0 / 75

HEX #323A40

RGB 50 58 64

HSL 205.71, 0.12%, 0.22%

LAB 23.92, -1.78, -4.84

 

CMYK 21 / 10 / 0 / 55

HEX #5B6873

RGB 91 104 115

HSL 207.5, 0.12%, 0.4%

LAB 43.3, -2.31, -7.82

 

CMYK 21 / 9 / 0 / 35

HEX #8397A6

RGB 131 151 166

HSL 205.71, 0.16%, 0.58%

LAB 61.4, -3.71, -10.23

 

CMYK 21 / 9 / 0 / 15

HEX #ABC5D9

RGB 171 197 217

HSL 206.09, 0.38%, 0.76%

LAB 78.23, -4.46, -12.9

 

CMYK 8 / 22 / 0 / 15

HEX #C8AAD9

RGB 200 170 217

HSL 278.3, 0.38%, 0.76%

LAB 73.57, 19.47, -19.7

 

CMYK 1 / 0 / 22 / 15

HEX #D7D9AA

RGB 215 217 170

HSL 62.55, 0.38%, 0.76%

LAB 85.49, -8.32, 22.99

 

CMYK 21 / 9 / 0 / 15

HEX #ABC5D9

RGB 171 197 217

HSL 206.09, 0.38%, 0.76%

LAB 78.23, -4.46, -12.9

 

CMYK 0 / 22 / 10 / 15

HEX #D9AAC4

RGB 217 170 196

HSL 326.81, 0.38%, 0.76%

LAB 74.5, 21.34, -6.65

 

CMYK 10 / 0 / 22 / 15

HEX #C4D9AA

RGB 196 217 170

HSL 86.81, 0.38%, 0.76%

LAB 84.1, -15.24, 20.86

 

CMYK 21 / 9 / 0 / 15

HEX #ABC5D9

RGB 171 197 217

HSL 206.09, 0.38%, 0.76%

LAB 78.23, -4.46, -12.9

 

CMYK 8 / 22 / 0 / 15

HEX #C8AAD9

RGB 200 170 217

HSL 278.3, 0.38%, 0.76%

LAB 73.57, 19.47, -19.7

 

CMYK 0 / 12 / 22 / 15

HEX #D9BEAA

RGB 217 190 170

HSL 25.53, 0.38%, 0.76%

LAB 78.74, 6.47, 13.62

 

CMYK 14 / 0 / 22 / 15

HEX #BBD9AA

RGB 187 217 170

HSL 98.3, 0.38%, 0.76%

LAB 83.49, -18.43, 19.92

 

CMYK 21 / 9 / 0 / 15

HEX #ABC5D9

RGB 171 197 217

HSL 206.09, 0.38%, 0.76%

LAB 78.23, -4.46, -12.9

 

CMYK 2 / 22 / 0 / 15

HEX #D5AAD9

RGB 213 170 217

HSL 294.89, 0.38%, 0.76%

LAB 74.77, 23.75, -17.77

 

CMYK 0 / 12 / 22 / 15

HEX #D9BEAA

RGB 217 190 170

HSL 25.53, 0.38%, 0.76%

LAB 78.74, 6.47, 13.62

 

CMYK 20 / 0 / 22 / 15

HEX #ADD9AA

RGB 173 217 170

HSL 116.17, 0.38%, 0.76%

LAB 82.6, -23.26, 18.54

 

Description

Color code: CMYK 21 / 9 / 0 / 15 | qconv.com Color code: CMYK 21 / 9 / 0 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 197 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 197 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 9 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 9% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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