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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 21 / 22 / 0 / 57 it is the complementary color CMYK 1 / 0 / 14 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 21 / 22 / 0 / 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 21 / 22 / 0 / 57: CMYK 12 / 18 / 0 / 59, CMYK 12 / 16 / 0 / 51, CMYK 12 / 15 / 0 / 44, CMYK 12 / 14 / 0 / 36 and CMYK 12 / 13 / 0 / 29

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 21 / 22 / 0 / 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 21 / 22 / 0 / 57: CMYK 21 / 22 / 0 / 57, CMYK 23 / 25 / 0 / 64, CMYK 26 / 31 / 0 / 72, CMYK 32 / 40 / 0 / 79 and CMYK 44 / 59 / 0 / 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 22 / 0 / 57

HEX #57566E

RGB 87 86 110

HSL 242.5, 0.12%, 0.38%

LAB 37.49, 6.03, -13.56

 

Complementary color

CMYK 1 / 0 / 14 / 34

HEX #A8A991

RGB 168 169 145

HSL 62.5, 0.12%, 0.62%

LAB 68.57, -4.61, 12.28

 

CMYK 12 / 18 / 0 / 59

HEX #5C5669

RGB 92 86 105

HSL 258.95, 0.1%, 0.37%

LAB 37.75, 6.61, -10.02

 

CMYK 12 / 16 / 0 / 51

HEX #6D687C

RGB 109 104 124

HSL 255, 0.09%, 0.45%

LAB 45.09, 6.25, -10.41

 

CMYK 12 / 15 / 0 / 44

HEX #7E7A8F

RGB 126 122 143

HSL 251.43, 0.09%, 0.52%

LAB 52.22, 5.92, -10.81

 

CMYK 12 / 14 / 0 / 36

HEX #8F8CA2

RGB 143 140 162

HSL 248.18, 0.11%, 0.59%

LAB 59.16, 5.63, -11.22

 

CMYK 12 / 13 / 0 / 29

HEX #A09EB5

RGB 160 158 181

HSL 245.22, 0.13%, 0.66%

LAB 65.95, 5.36, -11.63

 

CMYK 21 / 22 / 0 / 57

HEX #57566E

RGB 87 86 110

HSL 242.5, 0.12%, 0.38%

LAB 37.49, 6.03, -13.56

 

CMYK 23 / 25 / 0 / 64

HEX #46445B

RGB 70 68 91

HSL 245.22, 0.14%, 0.31%

LAB 29.89, 6.47, -13.32

 

CMYK 26 / 31 / 0 / 72

HEX #353248

RGB 53 50 72

HSL 248.18, 0.18%, 0.24%

LAB 21.97, 7, -13.14

 

CMYK 32 / 40 / 0 / 79

HEX #242035

RGB 36 32 53

HSL 251.43, 0.25%, 0.17%

LAB 13.62, 7.7, -13.06

 

CMYK 44 / 59 / 0 / 87

HEX #130E22

RGB 19 14 34

HSL 255, 0.42%, 0.09%

LAB 5.13, 7.15, -12.4

 

CMYK 21 / 22 / 0 / 57

HEX #57566E

RGB 87 86 110

HSL 242.5, 0.12%, 0.38%

LAB 37.49, 6.03, -13.56

 

CMYK 18 / 21 / 0 / 58

HEX #59556C

RGB 89 85 108

HSL 250.43, 0.12%, 0.38%

LAB 37.31, 6.87, -12.59

 

CMYK 14 / 21 / 0 / 58

HEX #5D556C

RGB 93 85 108

HSL 260.87, 0.12%, 0.38%

LAB 37.67, 8.32, -11.99

 

CMYK 10 / 21 / 0 / 58

HEX #61556C

RGB 97 85 108

HSL 271.3, 0.12%, 0.38%

LAB 38.06, 9.8, -11.37

 

CMYK 6 / 21 / 0 / 58

HEX #65556C

RGB 101 85 108

HSL 281.74, 0.12%, 0.38%

LAB 38.46, 11.29, -10.73

 

CMYK 21 / 22 / 0 / 57

HEX #57566E

RGB 87 86 110

HSL 242.5, 0.12%, 0.38%

LAB 37.49, 6.03, -13.56

 

CMYK 21 / 22 / 0 / 37

HEX #7F7EA1

RGB 127 126 161

HSL 241.71, 0.16%, 0.56%

LAB 54.03, 8.1, -18.53

 

CMYK 21 / 22 / 0 / 17

HEX #A8A6D4

RGB 168 166 212

HSL 242.61, 0.35%, 0.74%

LAB 69.72, 10.36, -23.06

 

CMYK 25 / 25 / 0 / 97

HEX #060608

RGB 6 6 8

HSL 240, 0.14%, 0.03%

LAB 1.68, 0.28, -0.76

 

CMYK 20 / 22 / 0 / 77

HEX #2F2E3B

RGB 47 46 59

HSL 244.62, 0.12%, 0.21%

LAB 19.53, 3.77, -8.08

 

CMYK 21 / 22 / 0 / 57

HEX #57566E

RGB 87 86 110

HSL 242.5, 0.12%, 0.38%

LAB 37.49, 6.03, -13.56

 

CMYK 0 / 21 / 5 / 58

HEX #6C5567

RGB 108 85 103

HSL 313.04, 0.12%, 0.38%

LAB 39.01, 12.89, -6.73

 

CMYK 14 / 0 / 21 / 58

HEX #5D6C55

RGB 93 108 85

HSL 99.13, 0.12%, 0.38%

LAB 43.81, -10.39, 11.02

 

CMYK 21 / 22 / 0 / 57

HEX #57566E

RGB 87 86 110

HSL 242.5, 0.12%, 0.38%

LAB 37.49, 6.03, -13.56

 

CMYK 0 / 20 / 21 / 58

HEX #6C5655

RGB 108 86 85

HSL 2.61, 0.12%, 0.38%

LAB 38.72, 8.9, 4.02

 

CMYK 21 / 0 / 20 / 58

HEX #556C56

RGB 85 108 86

HSL 122.61, 0.12%, 0.38%

LAB 43.25, -13.31, 9.56

 

CMYK 21 / 22 / 0 / 57

HEX #57566E

RGB 87 86 110

HSL 242.5, 0.12%, 0.38%

LAB 37.49, 6.03, -13.56

 

CMYK 0 / 21 / 5 / 58

HEX #6C5567

RGB 108 85 103

HSL 313.04, 0.12%, 0.38%

LAB 39.01, 12.89, -6.73

 

CMYK 1 / 0 / 21 / 58

HEX #6B6C55

RGB 107 108 85

HSL 62.61, 0.12%, 0.38%

LAB 44.95, -4.67, 12.78

 

CMYK 21 / 0 / 17 / 58

HEX #556C5A

RGB 85 108 90

HSL 133.04, 0.12%, 0.38%

LAB 43.35, -12.5, 7.3

 

CMYK 21 / 22 / 0 / 57

HEX #57566E

RGB 87 86 110

HSL 242.5, 0.12%, 0.38%

LAB 37.49, 6.03, -13.56

 

CMYK 0 / 21 / 11 / 58

HEX #6C5560

RGB 108 85 96

HSL 331.3, 0.12%, 0.38%

LAB 38.78, 11.51, -2.74

 

CMYK 1 / 0 / 21 / 58

HEX #6B6C55

RGB 107 108 85

HSL 62.61, 0.12%, 0.38%

LAB 44.95, -4.67, 12.78

 

CMYK 21 / 0 / 10 / 58

HEX #556C61

RGB 85 108 97

HSL 151.3, 0.12%, 0.38%

LAB 43.54, -11.01, 3.35

 

Description

Color code: CMYK 21 / 22 / 0 / 57 | qconv.com Color code: CMYK 21 / 22 / 0 / 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 86 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 86 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 22 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 22% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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