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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 20 / 19 / 0 / 23 it is the complementary color CMYK 0 / 2 / 40 / 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 20 / 19 / 0 / 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 20 / 19 / 0 / 23: CMYK 15 / 17 / 0 / 25, CMYK 15 / 16 / 0 / 18, CMYK 14 / 15 / 0 / 10, CMYK 14 / 14 / 0 / 3 and CMYK 10 / 9 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 20 / 19 / 0 / 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 20 / 19 / 0 / 23: CMYK 20 / 19 / 0 / 23, CMYK 21 / 20 / 0 / 31, CMYK 22 / 22 / 0 / 38, CMYK 24 / 24 / 0 / 45 and CMYK 26 / 28 / 0 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 19 / 0 / 23

HEX #9D9FC4

RGB 157 159 196

HSL 236.92, 0.25%, 0.69%

LAB 66.48, 7.13, -19.22

 

Complementary color

CMYK 0 / 2 / 40 / 62

HEX #62603B

RGB 98 96 59

HSL 56.92, 0.25%, 0.31%

LAB 40.05, -5.46, 21.43

 

CMYK 15 / 17 / 0 / 25

HEX #A29FBF

RGB 162 159 191

HSL 245.63, 0.2%, 0.69%

LAB 66.7, 7.63, -16.06

 

CMYK 15 / 16 / 0 / 18

HEX #B3B1D2

RGB 179 177 210

HSL 243.64, 0.27%, 0.76%

LAB 73.34, 7.33, -16.39

 

CMYK 14 / 15 / 0 / 10

HEX #C4C3E5

RGB 196 195 229

HSL 241.76, 0.4%, 0.83%

LAB 79.85, 7.06, -16.73

 

CMYK 14 / 14 / 0 / 3

HEX #D5D5F8

RGB 213 213 248

HSL 240, 0.71%, 0.9%

LAB 86.26, 6.8, -17.07

 

CMYK 10 / 9 / 0 / 0

HEX #E6E7FF

RGB 230 231 255

HSL 237.6, 1%, 0.95%

LAB 92.22, 4.17, -11.7

 

CMYK 20 / 19 / 0 / 23

HEX #9D9FC4

RGB 157 159 196

HSL 236.92, 0.25%, 0.69%

LAB 66.48, 7.13, -19.22

 

CMYK 21 / 20 / 0 / 31

HEX #8C8DB1

RGB 140 141 177

HSL 238.38, 0.19%, 0.62%

LAB 59.71, 7.46, -18.96

 

CMYK 22 / 22 / 0 / 38

HEX #7B7B9E

RGB 123 123 158

HSL 240, 0.15%, 0.55%

LAB 52.78, 7.82, -18.73

 

CMYK 24 / 24 / 0 / 45

HEX #6A698B

RGB 106 105 139

HSL 241.76, 0.14%, 0.48%

LAB 45.68, 8.23, -18.53

 

CMYK 26 / 28 / 0 / 53

HEX #595778

RGB 89 87 120

HSL 243.64, 0.16%, 0.41%

LAB 38.37, 8.71, -18.38

 

CMYK 20 / 19 / 0 / 23

HEX #9D9FC4

RGB 157 159 196

HSL 236.92, 0.25%, 0.69%

LAB 66.48, 7.13, -19.22

 

CMYK 18 / 20 / 0 / 24

HEX #A09CC3

RGB 160 156 195

HSL 246.15, 0.25%, 0.69%

LAB 65.9, 9.55, -19.53

 

CMYK 15 / 20 / 0 / 24

HEX #A69CC3

RGB 166 156 195

HSL 255.38, 0.25%, 0.69%

LAB 66.39, 11.5, -18.74

 

CMYK 11 / 20 / 0 / 24

HEX #AD9CC3

RGB 173 156 195

HSL 266.15, 0.25%, 0.69%

LAB 66.98, 13.8, -17.79

 

CMYK 8 / 20 / 0 / 24

HEX #B39CC3

RGB 179 156 195

HSL 275.38, 0.25%, 0.69%

LAB 67.5, 15.8, -16.94

 

CMYK 20 / 19 / 0 / 23

HEX #9D9FC4

RGB 157 159 196

HSL 236.92, 0.25%, 0.69%

LAB 66.48, 7.13, -19.22

 

CMYK 20 / 19 / 0 / 3

HEX #C6C8F7

RGB 198 200 247

HSL 237.55, 0.75%, 0.87%

LAB 81.85, 8.87, -23.32

 

CMYK 21 / 19 / 0 / 83

HEX #22232B

RGB 34 35 43

HSL 233.33, 0.12%, 0.15%

LAB 13.92, 1.7, -5.46

 

CMYK 20 / 19 / 0 / 63

HEX #4B4C5E

RGB 75 76 94

HSL 236.84, 0.11%, 0.33%

LAB 32.86, 3.92, -10.67

 

CMYK 20 / 19 / 0 / 43

HEX #747691

RGB 116 118 145

HSL 235.86, 0.12%, 0.51%

LAB 50.35, 5.29, -14.88

 

CMYK 20 / 19 / 0 / 23

HEX #9D9FC4

RGB 157 159 196

HSL 236.92, 0.25%, 0.69%

LAB 66.48, 7.13, -19.22

 

CMYK 0 / 20 / 3 / 24

HEX #C39CBE

RGB 195 156 190

HSL 307.69, 0.25%, 0.69%

LAB 68.82, 20.27, -12.03

 

CMYK 11 / 0 / 20 / 24

HEX #AEC39C

RGB 174 195 156

HSL 92.31, 0.25%, 0.69%

LAB 76.33, -14.23, 17.25

 

CMYK 20 / 19 / 0 / 23

HEX #9D9FC4

RGB 157 159 196

HSL 236.92, 0.25%, 0.69%

LAB 66.48, 7.13, -19.22

 

CMYK 0 / 20 / 19 / 24

HEX #C39C9E

RGB 195 156 158

HSL 356.92, 0.25%, 0.69%

LAB 67.91, 14.78, 4.46

 

CMYK 19 / 0 / 20 / 24

HEX #9EC39C

RGB 158 195 156

HSL 116.92, 0.25%, 0.69%

LAB 75.26, -19.89, 15.6

 

CMYK 20 / 19 / 0 / 23

HEX #9D9FC4

RGB 157 159 196

HSL 236.92, 0.25%, 0.69%

LAB 66.48, 7.13, -19.22

 

CMYK 0 / 20 / 3 / 24

HEX #C39CBE

RGB 195 156 190

HSL 307.69, 0.25%, 0.69%

LAB 68.82, 20.27, -12.03

 

CMYK 0 / 1 / 20 / 24

HEX #C3C19C

RGB 195 193 156

HSL 56.92, 0.25%, 0.69%

LAB 77.37, -5.44, 18.93

 

CMYK 20 / 0 / 17 / 24

HEX #9CC3A1

RGB 156 195 161

HSL 127.69, 0.25%, 0.69%

LAB 75.25, -19.68, 12.87

 

CMYK 20 / 19 / 0 / 23

HEX #9D9FC4

RGB 157 159 196

HSL 236.92, 0.25%, 0.69%

LAB 66.48, 7.13, -19.22

 

CMYK 0 / 20 / 9 / 24

HEX #C39CB2

RGB 195 156 178

HSL 326.15, 0.25%, 0.69%

LAB 68.46, 18.1, -5.89

 

CMYK 0 / 1 / 20 / 24

HEX #C3C19C

RGB 195 193 156

HSL 56.92, 0.25%, 0.69%

LAB 77.37, -5.44, 18.93

 

CMYK 20 / 0 / 11 / 24

HEX #9CC3AD

RGB 156 195 173

HSL 146.15, 0.25%, 0.69%

LAB 75.52, -17.42, 6.79

 

Description

Color code: CMYK 20 / 19 / 0 / 23 | qconv.com Color code: CMYK 20 / 19 / 0 / 23 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 159 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 159 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 19 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 19% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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