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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 60 / 50 / 40 it is the complementary color CMYK 32 / 0 / 8 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 60 / 50 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 60 / 50 / 40: CMYK 0 / 53 / 44 / 49, CMYK 0 / 46 / 38 / 43, CMYK 0 / 40 / 33 / 36, CMYK 0 / 36 / 28 / 29 and CMYK 0 / 32 / 25 / 23

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 60 / 50 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 60 / 50 / 40: CMYK 0 / 51 / 38 / 51, CMYK 0 / 60 / 46 / 58, CMYK 0 / 72 / 57 / 65, CMYK 0 / 90 / 73 / 71 and CMYK 0 / 100 / 98 / 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 60 / 50 / 40

HEX #7C3D4D

RGB 124 61 77

HSL 344.76, 0.34%, 0.36%

LAB 34.31, 29.15, 2.98

 

Complementary color

CMYK 32 / 0 / 8 / 24

HEX #83C2B2

RGB 131 194 178

HSL 164.76, 0.34%, 0.64%

LAB 73.95, -23.65, 1.63

 

CMYK 0 / 53 / 44 / 49

HEX #813D48

RGB 129 61 72

HSL 350.29, 0.36%, 0.37%

LAB 34.95, 30.47, 7.19

 

CMYK 0 / 46 / 38 / 43

HEX #924F5B

RGB 146 79 91

HSL 349.25, 0.3%, 0.44%

LAB 41.94, 29.42, 5.54

 

CMYK 0 / 40 / 33 / 36

HEX #A3616E

RGB 163 97 110

HSL 348.18, 0.26%, 0.51%

LAB 48.84, 28.42, 4.19

 

CMYK 0 / 36 / 28 / 29

HEX #B47381

RGB 180 115 129

HSL 347.08, 0.3%, 0.58%

LAB 55.63, 27.51, 3.05

 

CMYK 0 / 32 / 25 / 23

HEX #C58594

RGB 197 133 148

HSL 345.94, 0.36%, 0.65%

LAB 62.32, 26.68, 2.04

 

CMYK 0 / 51 / 38 / 51

HEX #7C3D4D

RGB 124 61 77

HSL 344.76, 0.34%, 0.36%

LAB 34.31, 29.15, 2.98

 

CMYK 0 / 60 / 46 / 58

HEX #6B2B3A

RGB 107 43 58

HSL 345.94, 0.43%, 0.29%

LAB 27.18, 30.13, 4.83

 

CMYK 0 / 72 / 57 / 65

HEX #5A1927

RGB 90 25 39

HSL 347.08, 0.57%, 0.23%

LAB 20.11, 30.85, 7.44

 

CMYK 0 / 90 / 73 / 71

HEX #490714

RGB 73 7 20

HSL 348.18, 0.83%, 0.16%

LAB 13.35, 30.64, 11.3

 

CMYK 0 / 100 / 98 / 78

HEX #380001

RGB 56 0 1

HSL 358.93, 1%, 0.11%

LAB 7.61, 27.32, 11.62

 

CMYK 0 / 51 / 38 / 51

HEX #7C3D4D

RGB 124 61 77

HSL 344.76, 0.34%, 0.36%

LAB 34.31, 29.15, 2.98

 

CMYK 0 / 51 / 46 / 52

HEX #7B3C42

RGB 123 60 66

HSL 354.29, 0.34%, 0.36%

LAB 33.64, 27.97, 9.06

 

CMYK 0 / 48 / 51 / 52

HEX #7B403C

RGB 123 64 60

HSL 3.81, 0.34%, 0.36%

LAB 34.4, 25.05, 13.93

 

CMYK 0 / 39 / 51 / 52

HEX #7B4B3C

RGB 123 75 60

HSL 14.29, 0.34%, 0.36%

LAB 37.06, 18.6, 17.48

 

CMYK 0 / 31 / 51 / 52

HEX #7B553C

RGB 123 85 60

HSL 23.81, 0.34%, 0.36%

LAB 39.64, 12.62, 20.85

 

CMYK 0 / 51 / 38 / 51

HEX #7C3D4D

RGB 124 61 77

HSL 344.76, 0.34%, 0.36%

LAB 34.31, 29.15, 2.98

 

CMYK 0 / 51 / 38 / 31

HEX #AF566D

RGB 175 86 109

HSL 344.49, 0.36%, 0.51%

LAB 48.1, 38.71, 3.95

 

CMYK 0 / 51 / 38 / 11

HEX #E26F8C

RGB 226 111 140

HSL 344.87, 0.66%, 0.66%

LAB 61.16, 47.59, 5.41

 

CMYK 0 / 50 / 36 / 91

HEX #160B0E

RGB 22 11 14

HSL 343.64, 0.33%, 0.06%

LAB 3.99, 4.51, 0.12

 

CMYK 0 / 51 / 38 / 71

HEX #49242D

RGB 73 36 45

HSL 345.41, 0.34%, 0.21%

LAB 19.51, 18.71, 1.95

 

CMYK 0 / 51 / 38 / 51

HEX #7C3D4D

RGB 124 61 77

HSL 344.76, 0.34%, 0.36%

LAB 34.31, 29.15, 2.98

 

CMYK 0 / 4 / 51 / 52

HEX #7B763C

RGB 123 118 60

HSL 55.24, 0.34%, 0.36%

LAB 48.88, -6.69, 32.36

 

CMYK 51 / 17 / 0 / 52

HEX #3C667B

RGB 60 102 123

HSL 200, 0.34%, 0.36%

LAB 41.05, -8.36, -16.27

 

CMYK 0 / 51 / 38 / 51

HEX #7C3D4D

RGB 124 61 77

HSL 344.76, 0.34%, 0.36%

LAB 34.31, 29.15, 2.98

 

CMYK 37 / 0 / 51 / 52

HEX #4D7B3C

RGB 77 123 60

HSL 103.81, 0.34%, 0.36%

LAB 47.07, -28.48, 29.39

 

CMYK 51 / 37 / 0 / 52

HEX #3C4D7B

RGB 60 77 123

HSL 223.81, 0.34%, 0.36%

LAB 33.35, 7.26, -28.23

 

CMYK 0 / 51 / 38 / 51

HEX #7C3D4D

RGB 124 61 77

HSL 344.76, 0.34%, 0.36%

LAB 34.31, 29.15, 2.98

 

CMYK 0 / 4 / 51 / 52

HEX #7B763C

RGB 123 118 60

HSL 55.24, 0.34%, 0.36%

LAB 48.88, -6.69, 32.36

 

CMYK 51 / 0 / 14 / 52

HEX #3C7B6A

RGB 60 123 106

HSL 163.81, 0.34%, 0.36%

LAB 47.19, -24.74, 3.09

 

CMYK 51 / 48 / 0 / 52

HEX #3C407B

RGB 60 64 123

HSL 236.19, 0.34%, 0.36%

LAB 29.56, 15.9, -34.24

 

CMYK 0 / 51 / 38 / 51

HEX #7C3D4D

RGB 124 61 77

HSL 344.76, 0.34%, 0.36%

LAB 34.31, 29.15, 2.98

 

CMYK 12 / 0 / 51 / 52

HEX #6C7B3C

RGB 108 123 60

HSL 74.29, 0.34%, 0.36%

LAB 49.11, -16.05, 32.34

 

CMYK 51 / 0 / 14 / 52

HEX #3C7B6A

RGB 60 123 106

HSL 163.81, 0.34%, 0.36%

LAB 47.19, -24.74, 3.09

 

CMYK 39 / 51 / 0 / 52

HEX #4B3C7B

RGB 75 60 123

HSL 254.29, 0.34%, 0.36%

LAB 29.81, 22.52, -33.76

 

Description

Color code: CMYK 19 / 60 / 50 / 40 | qconv.com Color code: CMYK 19 / 60 / 50 / 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 61 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 61 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 60 magenta, 50 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 60% 50% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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