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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 5 / 0 / 35 it is the complementary color CMYK 0 / 19 / 26 / 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 5 / 0 / 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 5 / 0 / 35: CMYK 14 / 2 / 0 / 37, CMYK 13 / 3 / 0 / 29, CMYK 13 / 3 / 0 / 22, CMYK 13 / 3 / 0 / 15 and CMYK 13 / 3 / 0 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 5 / 0 / 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 5 / 0 / 35: CMYK 19 / 5 / 0 / 35, CMYK 20 / 5 / 0 / 42, CMYK 22 / 5 / 0 / 50, CMYK 24 / 6 / 0 / 57 and CMYK 27 / 6 / 0 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 5 / 0 / 35

HEX #869DA6

RGB 134 157 166

HSL 196.88, 0.15%, 0.59%

LAB 63.29, -6.04, -7.39

 

Complementary color

CMYK 0 / 19 / 26 / 53

HEX #796259

RGB 121 98 89

HSL 16.88, 0.15%, 0.41%

LAB 43.54, 7.78, 8.61

 

CMYK 14 / 2 / 0 / 37

HEX #8B9DA1

RGB 139 157 161

HSL 190.91, 0.1%, 0.59%

LAB 63.49, -5.48, -4.25

 

CMYK 13 / 3 / 0 / 29

HEX #9CAFB4

RGB 156 175 180

HSL 192.5, 0.14%, 0.66%

LAB 70.19, -5.52, -4.8

 

CMYK 13 / 3 / 0 / 22

HEX #ADC1C7

RGB 173 193 199

HSL 193.85, 0.19%, 0.73%

LAB 76.77, -5.57, -5.33

 

CMYK 13 / 3 / 0 / 15

HEX #BED3DA

RGB 190 211 218

HSL 195, 0.27%, 0.8%

LAB 83.23, -5.62, -5.86

 

CMYK 13 / 3 / 0 / 7

HEX #CFE5ED

RGB 207 229 237

HSL 196, 0.45%, 0.87%

LAB 89.59, -5.67, -6.37

 

CMYK 19 / 5 / 0 / 35

HEX #869DA6

RGB 134 157 166

HSL 196.88, 0.15%, 0.59%

LAB 63.29, -6.04, -7.39

 

CMYK 20 / 5 / 0 / 42

HEX #758B93

RGB 117 139 147

HSL 196, 0.12%, 0.52%

LAB 56.44, -6.02, -6.89

 

CMYK 22 / 5 / 0 / 50

HEX #647980

RGB 100 121 128

HSL 195, 0.12%, 0.45%

LAB 49.43, -6, -6.38

 

CMYK 24 / 6 / 0 / 57

HEX #53676D

RGB 83 103 109

HSL 193.85, 0.14%, 0.38%

LAB 42.22, -5.99, -5.86

 

CMYK 27 / 6 / 0 / 65

HEX #42555A

RGB 66 85 90

HSL 192.5, 0.15%, 0.31%

LAB 34.79, -5.99, -5.31

 

CMYK 19 / 5 / 0 / 35

HEX #869DA6

RGB 134 157 166

HSL 196.88, 0.15%, 0.59%

LAB 63.29, -6.04, -7.39

 

CMYK 19 / 8 / 0 / 35

HEX #8698A6

RGB 134 152 166

HSL 206.25, 0.15%, 0.59%

LAB 61.89, -3.28, -9.47

 

CMYK 19 / 11 / 0 / 35

HEX #8693A6

RGB 134 147 166

HSL 215.63, 0.15%, 0.59%

LAB 60.51, -0.48, -11.55

 

CMYK 19 / 14 / 0 / 35

HEX #868EA6

RGB 134 142 166

HSL 225, 0.15%, 0.59%

LAB 59.13, 2.35, -13.62

 

CMYK 19 / 18 / 0 / 35

HEX #8688A6

RGB 134 136 166

HSL 236.25, 0.15%, 0.59%

LAB 57.49, 5.78, -16.1

 

CMYK 19 / 5 / 0 / 35

HEX #869DA6

RGB 134 157 166

HSL 196.88, 0.15%, 0.59%

LAB 63.29, -6.04, -7.39

 

CMYK 19 / 6 / 0 / 15

HEX #AFCDD9

RGB 175 205 217

HSL 197.14, 0.36%, 0.77%

LAB 80.62, -7.43, -9.3

 

CMYK 23 / 8 / 0 / 95

HEX #0A0C0D

RGB 10 12 13

HSL 200, 0.13%, 0.05%

LAB 3.22, -0.39, -0.63

 

CMYK 19 / 5 / 0 / 75

HEX #343D40

RGB 52 61 64

HSL 195, 0.1%, 0.23%

LAB 25.07, -2.95, -3.1

 

CMYK 19 / 5 / 0 / 55

HEX #5D6D73

RGB 93 109 115

HSL 196.36, 0.11%, 0.41%

LAB 44.94, -4.57, -5.35

 

CMYK 19 / 5 / 0 / 35

HEX #869DA6

RGB 134 157 166

HSL 196.88, 0.15%, 0.59%

LAB 63.29, -6.04, -7.39

 

CMYK 10 / 19 / 0 / 35

HEX #9586A6

RGB 149 134 166

HSL 268.13, 0.15%, 0.59%

LAB 58.22, 12, -14.88

 

CMYK 0 / 3 / 19 / 35

HEX #A6A186

RGB 166 161 134

HSL 50.63, 0.15%, 0.59%

LAB 66, -2.81, 14.73

 

CMYK 19 / 5 / 0 / 35

HEX #869DA6

RGB 134 157 166

HSL 196.88, 0.15%, 0.59%

LAB 63.29, -6.04, -7.39

 

CMYK 0 / 19 / 5 / 35

HEX #A6869D

RGB 166 134 157

HSL 316.88, 0.15%, 0.59%

LAB 59.52, 16.19, -7.61

 

CMYK 5 / 0 / 19 / 35

HEX #9DA686

RGB 157 166 134

HSL 76.88, 0.15%, 0.59%

LAB 66.64, -8.95, 15.52

 

CMYK 19 / 5 / 0 / 35

HEX #869DA6

RGB 134 157 166

HSL 196.88, 0.15%, 0.59%

LAB 63.29, -6.04, -7.39

 

CMYK 10 / 19 / 0 / 35

HEX #9586A6

RGB 149 134 166

HSL 268.13, 0.15%, 0.59%

LAB 58.22, 12, -14.88

 

CMYK 0 / 14 / 19 / 35

HEX #A68F86

RGB 166 143 134

HSL 16.88, 0.15%, 0.59%

LAB 61.2, 7.12, 7.96

 

CMYK 9 / 0 / 19 / 35

HEX #97A686

RGB 151 166 134

HSL 88.13, 0.15%, 0.59%

LAB 66.19, -11.21, 14.83

 

CMYK 19 / 5 / 0 / 35

HEX #869DA6

RGB 134 157 166

HSL 196.88, 0.15%, 0.59%

LAB 63.29, -6.04, -7.39

 

CMYK 5 / 19 / 0 / 35

HEX #9E86A6

RGB 158 134 166

HSL 285, 0.15%, 0.59%

LAB 59.04, 15.11, -13.55

 

CMYK 0 / 14 / 19 / 35

HEX #A68F86

RGB 166 143 134

HSL 16.88, 0.15%, 0.59%

LAB 61.2, 7.12, 7.96

 

CMYK 14 / 0 / 19 / 35

HEX #8EA686

RGB 142 166 134

HSL 105, 0.15%, 0.59%

LAB 65.55, -14.53, 13.83

 

Description

Color code: CMYK 19 / 5 / 0 / 35 | qconv.com Color code: CMYK 19 / 5 / 0 / 35 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 157 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 157 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 5 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 5% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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