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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 5 / 0 / 34 it is the complementary color CMYK 0 / 20 / 27 / 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 5 / 0 / 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 5 / 0 / 34: CMYK 13 / 2 / 0 / 36, CMYK 13 / 2 / 0 / 29, CMYK 13 / 2 / 0 / 21, CMYK 13 / 3 / 0 / 14 and CMYK 13 / 3 / 0 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 5 / 0 / 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 5 / 0 / 34: CMYK 19 / 5 / 0 / 34, CMYK 20 / 5 / 0 / 42, CMYK 22 / 5 / 0 / 49, CMYK 23 / 5 / 0 / 56 and CMYK 26 / 4 / 0 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 5 / 0 / 34

HEX #88A0A8

RGB 136 160 168

HSL 195, 0.16%, 0.6%

LAB 64.32, -6.58, -6.96

 

Complementary color

CMYK 0 / 20 / 27 / 53

HEX #775F57

RGB 119 95 87

HSL 15, 0.16%, 0.4%

LAB 42.45, 8.41, 8.26

 

CMYK 13 / 2 / 0 / 36

HEX #8DA0A3

RGB 141 160 163

HSL 188.18, 0.11%, 0.6%

LAB 64.52, -6.02, -3.83

 

CMYK 13 / 2 / 0 / 29

HEX #9EB2B6

RGB 158 178 182

HSL 190, 0.14%, 0.67%

LAB 71.21, -6.05, -4.39

 

CMYK 13 / 2 / 0 / 21

HEX #AFC4C9

RGB 175 196 201

HSL 191.54, 0.19%, 0.74%

LAB 77.76, -6.09, -4.93

 

CMYK 13 / 3 / 0 / 14

HEX #C0D6DC

RGB 192 214 220

HSL 192.86, 0.29%, 0.81%

LAB 84.21, -6.13, -5.46

 

CMYK 13 / 3 / 0 / 6

HEX #D1E8EF

RGB 209 232 239

HSL 194, 0.48%, 0.88%

LAB 90.55, -6.17, -5.98

 

CMYK 19 / 5 / 0 / 34

HEX #88A0A8

RGB 136 160 168

HSL 195, 0.16%, 0.6%

LAB 64.32, -6.58, -6.96

 

CMYK 20 / 5 / 0 / 42

HEX #778E95

RGB 119 142 149

HSL 194, 0.12%, 0.53%

LAB 57.5, -6.57, -6.45

 

CMYK 22 / 5 / 0 / 49

HEX #667C82

RGB 102 124 130

HSL 192.86, 0.12%, 0.45%

LAB 50.51, -6.56, -5.93

 

CMYK 23 / 5 / 0 / 56

HEX #556A6F

RGB 85 106 111

HSL 191.54, 0.13%, 0.38%

LAB 43.34, -6.56, -5.39

 

CMYK 26 / 4 / 0 / 64

HEX #44585C

RGB 68 88 92

HSL 190, 0.15%, 0.31%

LAB 35.95, -6.58, -4.83

 

CMYK 19 / 5 / 0 / 34

HEX #88A0A8

RGB 136 160 168

HSL 195, 0.16%, 0.6%

LAB 64.32, -6.58, -6.96

 

CMYK 20 / 8 / 0 / 34

HEX #889BA9

RGB 136 155 169

HSL 205.45, 0.16%, 0.6%

LAB 62.96, -3.61, -9.56

 

CMYK 20 / 11 / 0 / 34

HEX #8896A9

RGB 136 150 169

HSL 214.55, 0.16%, 0.6%

LAB 61.58, -0.82, -11.63

 

CMYK 20 / 15 / 0 / 34

HEX #8890A9

RGB 136 144 169

HSL 225.45, 0.16%, 0.6%

LAB 59.93, 2.57, -14.11

 

CMYK 20 / 18 / 0 / 34

HEX #888BA9

RGB 136 139 169

HSL 234.55, 0.16%, 0.6%

LAB 58.57, 5.42, -16.17

 

CMYK 19 / 5 / 0 / 34

HEX #88A0A8

RGB 136 160 168

HSL 195, 0.16%, 0.6%

LAB 64.32, -6.58, -6.96

 

CMYK 19 / 5 / 0 / 14

HEX #B1D1DB

RGB 177 209 219

HSL 194.29, 0.37%, 0.78%

LAB 81.87, -8.47, -8.49

 

CMYK 20 / 7 / 0 / 94

HEX #0C0E0F

RGB 12 14 15

HSL 200, 0.11%, 0.05%

LAB 3.85, -0.44, -0.7

 

CMYK 20 / 5 / 0 / 74

HEX #353F42

RGB 53 63 66

HSL 193.85, 0.11%, 0.23%

LAB 25.88, -3.33, -3.22

 

CMYK 19 / 5 / 0 / 54

HEX #5F6F75

RGB 95 111 117

HSL 196.36, 0.1%, 0.42%

LAB 45.75, -4.56, -5.34

 

CMYK 19 / 5 / 0 / 34

HEX #88A0A8

RGB 136 160 168

HSL 195, 0.16%, 0.6%

LAB 64.32, -6.58, -6.96

 

CMYK 11 / 20 / 0 / 34

HEX #9788A9

RGB 151 136 169

HSL 267.27, 0.16%, 0.6%

LAB 59.02, 12.18, -15.36

 

CMYK 0 / 3 / 20 / 34

HEX #A9A488

RGB 169 164 136

HSL 50.91, 0.16%, 0.6%

LAB 67.1, -2.97, 15.2

 

CMYK 19 / 5 / 0 / 34

HEX #88A0A8

RGB 136 160 168

HSL 195, 0.16%, 0.6%

LAB 64.32, -6.58, -6.96

 

CMYK 0 / 20 / 5 / 34

HEX #A988A1

RGB 169 136 161

HSL 314.55, 0.16%, 0.6%

LAB 60.44, 16.89, -8.49

 

CMYK 5 / 0 / 20 / 34

HEX #A1A988

RGB 161 169 136

HSL 74.55, 0.16%, 0.6%

LAB 67.82, -8.71, 16.11

 

CMYK 19 / 5 / 0 / 34

HEX #88A0A8

RGB 136 160 168

HSL 195, 0.16%, 0.6%

LAB 64.32, -6.58, -6.96

 

CMYK 11 / 20 / 0 / 34

HEX #9788A9

RGB 151 136 169

HSL 267.27, 0.16%, 0.6%

LAB 59.02, 12.18, -15.36

 

CMYK 0 / 15 / 20 / 34

HEX #A99088

RGB 169 144 136

HSL 14.55, 0.16%, 0.6%

LAB 61.79, 8.05, 7.71

 

CMYK 9 / 0 / 20 / 34

HEX #9AA988

RGB 154 169 136

HSL 87.27, 0.16%, 0.6%

LAB 67.29, -11.34, 15.3

 

CMYK 19 / 5 / 0 / 34

HEX #88A0A8

RGB 136 160 168

HSL 195, 0.16%, 0.6%

LAB 64.32, -6.58, -6.96

 

CMYK 5 / 20 / 0 / 34

HEX #A188A9

RGB 161 136 169

HSL 285.45, 0.16%, 0.6%

LAB 59.93, 15.62, -13.89

 

CMYK 0 / 15 / 20 / 34

HEX #A99088

RGB 169 144 136

HSL 14.55, 0.16%, 0.6%

LAB 61.79, 8.05, 7.71

 

CMYK 15 / 0 / 20 / 34

HEX #90A988

RGB 144 169 136

HSL 105.45, 0.16%, 0.6%

LAB 66.58, -15.03, 14.2

 

Description

Color code: CMYK 19 / 5 / 0 / 34 | qconv.com Color code: CMYK 19 / 5 / 0 / 34 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 160 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 160 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 5 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 5% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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