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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 28 / 0 / 72 it is the complementary color CMYK 3 / 0 / 10 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 28 / 0 / 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 28 / 0 / 72: CMYK 5 / 23 / 0 / 74, CMYK 6 / 19 / 0 / 67, CMYK 7 / 16 / 0 / 59, CMYK 7 / 15 / 0 / 52 and CMYK 8 / 13 / 0 / 44

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 28 / 0 / 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 28 / 0 / 72: CMYK 18 / 28 / 0 / 72, CMYK 21 / 37 / 0 / 80, CMYK 27 / 55 / 0 / 87, CMYK 50 / 100 / 0 / 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 28 / 0 / 72

HEX #3A3347

RGB 58 51 71

HSL 261, 0.16%, 0.24%

LAB 22.73, 7.93, -11.25

 

Complementary color

CMYK 3 / 0 / 10 / 20

HEX #C5CCB8

RGB 197 204 184

HSL 81, 0.16%, 0.76%

LAB 81.03, -5.97, 9.14

 

CMYK 5 / 23 / 0 / 74

HEX #3F3342

RGB 63 51 66

HSL 288, 0.13%, 0.23%

LAB 23.06, 8.65, -7.34

 

CMYK 6 / 19 / 0 / 67

HEX #504555

RGB 80 69 85

HSL 281.25, 0.1%, 0.3%

LAB 30.92, 8.1, -7.81

 

CMYK 7 / 16 / 0 / 59

HEX #615768

RGB 97 87 104

HSL 275.29, 0.09%, 0.37%

LAB 38.48, 7.64, -8.27

 

CMYK 7 / 15 / 0 / 52

HEX #72697B

RGB 114 105 123

HSL 270, 0.08%, 0.45%

LAB 45.79, 7.24, -8.72

 

CMYK 8 / 13 / 0 / 44

HEX #837B8E

RGB 131 123 142

HSL 265.26, 0.08%, 0.52%

LAB 52.89, 6.89, -9.18

 

CMYK 18 / 28 / 0 / 72

HEX #3A3347

RGB 58 51 71

HSL 261, 0.16%, 0.24%

LAB 22.73, 7.93, -11.25

 

CMYK 21 / 37 / 0 / 80

HEX #292134

RGB 41 33 52

HSL 265.26, 0.22%, 0.17%

LAB 14.44, 8.61, -11.04

 

CMYK 27 / 55 / 0 / 87

HEX #180F21

RGB 24 15 33

HSL 270, 0.38%, 0.09%

LAB 5.83, 8.54, -10.52

 

CMYK 50 / 100 / 0 / 95

HEX #07000E

RGB 7 0 14

HSL 270, 1%, 0.03%

LAB 0.69, 3.84, -4.83

 

CMYK 18 / 28 / 0 / 72

HEX #3A3347

RGB 58 51 71

HSL 261, 0.16%, 0.24%

LAB 22.73, 7.93, -11.25

 

CMYK 13 / 27 / 0 / 73

HEX #3D3346

RGB 61 51 70

HSL 271.58, 0.16%, 0.24%

LAB 23.01, 8.84, -10.13

 

CMYK 9 / 27 / 0 / 73

HEX #403346

RGB 64 51 70

HSL 281.05, 0.16%, 0.24%

LAB 23.34, 10.02, -9.59

 

CMYK 3 / 27 / 0 / 73

HEX #443346

RGB 68 51 70

HSL 293.68, 0.16%, 0.24%

LAB 23.8, 11.62, -8.85

 

CMYK 0 / 27 / 0 / 73

HEX #463346

RGB 70 51 70

HSL 300, 0.16%, 0.24%

LAB 24.04, 12.43, -8.46

 

CMYK 18 / 28 / 0 / 72

HEX #3A3347

RGB 58 51 71

HSL 261, 0.16%, 0.24%

LAB 22.73, 7.93, -11.25

 

CMYK 18 / 28 / 0 / 52

HEX #64587A

RGB 100 88 122

HSL 261.18, 0.16%, 0.41%

LAB 39.74, 12.37, -17.41

 

CMYK 18 / 28 / 0 / 32

HEX #8D7CAD

RGB 141 124 173

HSL 260.82, 0.23%, 0.58%

LAB 55.17, 16.7, -23.61

 

CMYK 18 / 28 / 0 / 12

HEX #B7A1E0

RGB 183 161 224

HSL 260.95, 0.5%, 0.75%

LAB 70.13, 20.52, -28.92

 

CMYK 20 / 30 / 0 / 92

HEX #100E14

RGB 16 14 20

HSL 260, 0.18%, 0.07%

LAB 4.29, 1.87, -3.01

 

CMYK 18 / 28 / 0 / 72

HEX #3A3347

RGB 58 51 71

HSL 261, 0.16%, 0.24%

LAB 22.73, 7.93, -11.25

 

CMYK 0 / 27 / 14 / 73

HEX #46333C

RGB 70 51 60

HSL 331.58, 0.16%, 0.24%

LAB 23.66, 10.28, -2.31

 

CMYK 26 / 0 / 27 / 73

HEX #344633

RGB 52 70 51

HSL 116.84, 0.16%, 0.24%

LAB 27.71, -11.57, 9.19

 

CMYK 18 / 28 / 0 / 72

HEX #3A3347

RGB 58 51 71

HSL 261, 0.16%, 0.24%

LAB 22.73, 7.93, -11.25

 

CMYK 0 / 17 / 27 / 73

HEX #463A33

RGB 70 58 51

HSL 22.11, 0.16%, 0.24%

LAB 25.46, 3.97, 6.31

 

CMYK 27 / 0 / 17 / 73

HEX #33463A

RGB 51 70 58

HSL 142.11, 0.16%, 0.24%

LAB 27.82, -10.44, 4.82

 

CMYK 18 / 28 / 0 / 72

HEX #3A3347

RGB 58 51 71

HSL 261, 0.16%, 0.24%

LAB 22.73, 7.93, -11.25

 

CMYK 0 / 27 / 14 / 73

HEX #46333C

RGB 70 51 60

HSL 331.58, 0.16%, 0.24%

LAB 23.66, 10.28, -2.31

 

CMYK 9 / 0 / 27 / 73

HEX #404633

RGB 64 70 51

HSL 78.95, 0.16%, 0.24%

LAB 28.67, -6.41, 10.66

 

CMYK 27 / 0 / 11 / 73

HEX #33463E

RGB 51 70 62

HSL 154.74, 0.16%, 0.24%

LAB 27.93, -9.49, 2.39

 

CMYK 18 / 28 / 0 / 72

HEX #3A3347

RGB 58 51 71

HSL 261, 0.16%, 0.24%

LAB 22.73, 7.93, -11.25

 

CMYK 0 / 27 / 23 / 73

HEX #463336

RGB 70 51 54

HSL 350.53, 0.16%, 0.24%

LAB 23.46, 9.12, 1.44

 

CMYK 9 / 0 / 27 / 73

HEX #404633

RGB 64 70 51

HSL 78.95, 0.16%, 0.24%

LAB 28.67, -6.41, 10.66

 

CMYK 27 / 0 / 3 / 73

HEX #334644

RGB 51 70 68

HSL 173.68, 0.16%, 0.24%

LAB 28.12, -7.97, -1.24

 

Description

Color code: CMYK 19 / 28 / 0 / 72 | qconv.com Color code: CMYK 19 / 28 / 0 / 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 51 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 51 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 28 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 28% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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