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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 14 / 0 / 48 it is the complementary color CMYK 0 / 5 / 18 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 14 / 0 / 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 14 / 0 / 48: CMYK 13 / 11 / 0 / 50, CMYK 12 / 10 / 0 / 42, CMYK 12 / 10 / 0 / 35, CMYK 12 / 9 / 0 / 27 and CMYK 12 / 9 / 0 / 20

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 14 / 0 / 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 14 / 0 / 48: CMYK 20 / 14 / 0 / 48, CMYK 21 / 16 / 0 / 55, CMYK 23 / 18 / 0 / 63, CMYK 26 / 21 / 0 / 70 and CMYK 32 / 26 / 0 / 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 14 / 0 / 48

HEX #6B7285

RGB 107 114 133

HSL 223.85, 0.11%, 0.47%

LAB 48.08, 1.69, -11.31

 

Complementary color

CMYK 0 / 5 / 18 / 42

HEX #948D7A

RGB 148 141 122

HSL 43.85, 0.11%, 0.53%

LAB 58.74, -0.74, 11.07

 

CMYK 13 / 11 / 0 / 50

HEX #707280

RGB 112 114 128

HSL 232.5, 0.07%, 0.47%

LAB 48.31, 2.27, -7.95

 

CMYK 12 / 10 / 0 / 42

HEX #818493

RGB 129 132 147

HSL 230, 0.08%, 0.54%

LAB 55.36, 2.06, -8.41

 

CMYK 12 / 10 / 0 / 35

HEX #9296A6

RGB 146 150 166

HSL 228, 0.1%, 0.61%

LAB 62.23, 1.86, -8.87

 

CMYK 12 / 9 / 0 / 27

HEX #A3A8B9

RGB 163 168 185

HSL 226.36, 0.14%, 0.68%

LAB 68.96, 1.68, -9.33

 

CMYK 12 / 9 / 0 / 20

HEX #B4BACC

RGB 180 186 204

HSL 225, 0.19%, 0.75%

LAB 75.56, 1.5, -9.78

 

CMYK 20 / 14 / 0 / 48

HEX #6B7285

RGB 107 114 133

HSL 223.85, 0.11%, 0.47%

LAB 48.08, 1.69, -11.31

 

CMYK 21 / 16 / 0 / 55

HEX #5A6072

RGB 90 96 114

HSL 225, 0.12%, 0.4%

LAB 40.82, 1.92, -10.95

 

CMYK 23 / 18 / 0 / 63

HEX #494E5F

RGB 73 78 95

HSL 226.36, 0.13%, 0.33%

LAB 33.33, 2.18, -10.6

 

CMYK 26 / 21 / 0 / 70

HEX #383C4C

RGB 56 60 76

HSL 228, 0.15%, 0.26%

LAB 25.55, 2.49, -10.3

 

CMYK 32 / 26 / 0 / 78

HEX #272A39

RGB 39 42 57

HSL 230, 0.19%, 0.19%

LAB 17.38, 2.88, -10.05

 

CMYK 20 / 14 / 0 / 48

HEX #6B7285

RGB 107 114 133

HSL 223.85, 0.11%, 0.47%

LAB 48.08, 1.69, -11.31

 

CMYK 20 / 18 / 0 / 48

HEX #6A6D85

RGB 106 109 133

HSL 233.33, 0.11%, 0.47%

LAB 46.57, 4.32, -13.59

 

CMYK 20 / 20 / 0 / 48

HEX #6B6A85

RGB 107 106 133

HSL 242.22, 0.11%, 0.47%

LAB 45.81, 6.47, -14.74

 

CMYK 16 / 20 / 0 / 48

HEX #706A85

RGB 112 106 133

HSL 253.33, 0.11%, 0.47%

LAB 46.24, 8.2, -14.05

 

CMYK 13 / 20 / 0 / 48

HEX #746A85

RGB 116 106 133

HSL 262.22, 0.11%, 0.47%

LAB 46.6, 9.61, -13.47

 

CMYK 20 / 14 / 0 / 48

HEX #6B7285

RGB 107 114 133

HSL 223.85, 0.11%, 0.47%

LAB 48.08, 1.69, -11.31

 

CMYK 20 / 14 / 0 / 28

HEX #949EB8

RGB 148 158 184

HSL 223.33, 0.2%, 0.65%

LAB 65.13, 2.05, -14.63

 

CMYK 20 / 14 / 0 / 8

HEX #BDC9EB

RGB 189 201 235

HSL 224.35, 0.53%, 0.83%

LAB 81.07, 2.93, -18.17

 

CMYK 19 / 13 / 0 / 88

HEX #191B1F

RGB 25 27 31

HSL 220, 0.11%, 0.11%

LAB 9.72, 0.17, -3.09

 

CMYK 20 / 15 / 0 / 68

HEX #424652

RGB 66 70 82

HSL 225, 0.11%, 0.29%

LAB 29.78, 1.3, -7.72

 

CMYK 20 / 14 / 0 / 48

HEX #6B7285

RGB 107 114 133

HSL 223.85, 0.11%, 0.47%

LAB 48.08, 1.69, -11.31

 

CMYK 2 / 20 / 0 / 48

HEX #826A85

RGB 130 106 133

HSL 293.33, 0.11%, 0.47%

LAB 47.94, 14.65, -11.31

 

CMYK 7 / 0 / 20 / 48

HEX #7C856A

RGB 124 133 106

HSL 80, 0.11%, 0.47%

LAB 54.13, -8.41, 13.47

 

CMYK 20 / 14 / 0 / 48

HEX #6B7285

RGB 107 114 133

HSL 223.85, 0.11%, 0.47%

LAB 48.08, 1.69, -11.31

 

CMYK 0 / 20 / 14 / 48

HEX #856A72

RGB 133 106 114

HSL 342.22, 0.11%, 0.47%

LAB 47.64, 12.11, -0.38

 

CMYK 14 / 0 / 20 / 48

HEX #72856A

RGB 114 133 106

HSL 102.22, 0.11%, 0.47%

LAB 53.38, -12.29, 12.3

 

CMYK 20 / 14 / 0 / 48

HEX #6B7285

RGB 107 114 133

HSL 223.85, 0.11%, 0.47%

LAB 48.08, 1.69, -11.31

 

CMYK 2 / 20 / 0 / 48

HEX #826A85

RGB 130 106 133

HSL 293.33, 0.11%, 0.47%

LAB 47.94, 14.65, -11.31

 

CMYK 0 / 6 / 20 / 48

HEX #857D6A

RGB 133 125 106

HSL 42.22, 0.11%, 0.47%

LAB 52.61, -0.31, 11.46

 

CMYK 19 / 0 / 20 / 48

HEX #6C856A

RGB 108 133 106

HSL 115.56, 0.11%, 0.47%

LAB 52.95, -14.55, 11.65

 

CMYK 20 / 14 / 0 / 48

HEX #6B7285

RGB 107 114 133

HSL 223.85, 0.11%, 0.47%

LAB 48.08, 1.69, -11.31

 

CMYK 0 / 20 / 5 / 48

HEX #856A7F

RGB 133 106 127

HSL 313.33, 0.11%, 0.47%

LAB 48.04, 14.55, -7.55

 

CMYK 0 / 6 / 20 / 48

HEX #857D6A

RGB 133 125 106

HSL 42.22, 0.11%, 0.47%

LAB 52.61, -0.31, 11.46

 

CMYK 20 / 0 / 16 / 48

HEX #6A8570

RGB 106 133 112

HSL 133.33, 0.11%, 0.47%

LAB 52.96, -14.12, 8.17

 

Description

Color code: CMYK 19 / 14 / 0 / 48 | qconv.com Color code: CMYK 19 / 14 / 0 / 48 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 114 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 114 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 14 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 14% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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