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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 0 / 33 / 43 it is the complementary color CMYK 13 / 30 / 0 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 0 / 33 / 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 0 / 33 / 43: CMYK 15 / 0 / 37 / 43, CMYK 14 / 0 / 32 / 36, CMYK 13 / 0 / 28 / 29, CMYK 13 / 0 / 25 / 22 and CMYK 12 / 0 / 23 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 0 / 33 / 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 0 / 33 / 43: CMYK 19 / 0 / 33 / 43, CMYK 20 / 0 / 39 / 50, CMYK 23 / 0 / 46 / 57, CMYK 26 / 0 / 56 / 64 and CMYK 32 / 0 / 71 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 33 / 43

HEX #769161

RGB 118 145 97

HSL 93.75, 0.2%, 0.47%

LAB 57.04, -18.66, 22.44

 

Complementary color

CMYK 13 / 30 / 0 / 38

HEX #896E9E

RGB 137 110 158

HSL 273.75, 0.2%, 0.53%

LAB 50.62, 20.16, -21.94

 

CMYK 15 / 0 / 37 / 43

HEX #7B915C

RGB 123 145 92

HSL 84.91, 0.22%, 0.46%

LAB 57.3, -17.45, 25.61

 

CMYK 14 / 0 / 32 / 36

HEX #8CA36F

RGB 140 163 111

HSL 86.54, 0.22%, 0.54%

LAB 64.09, -17.44, 24.44

 

CMYK 13 / 0 / 28 / 29

HEX #9DB582

RGB 157 181 130

HSL 88.24, 0.26%, 0.61%

LAB 70.75, -17.41, 23.34

 

CMYK 13 / 0 / 25 / 22

HEX #AEC795

RGB 174 199 149

HSL 90, 0.31%, 0.68%

LAB 77.29, -17.37, 22.3

 

CMYK 12 / 0 / 23 / 15

HEX #BFD9A8

RGB 191 217 168

HSL 91.84, 0.39%, 0.75%

LAB 83.72, -17.34, 21.32

 

CMYK 19 / 0 / 33 / 43

HEX #769161

RGB 118 145 97

HSL 93.75, 0.2%, 0.47%

LAB 57.04, -18.66, 22.44

 

CMYK 20 / 0 / 39 / 50

HEX #657F4E

RGB 101 127 78

HSL 91.84, 0.24%, 0.4%

LAB 50.09, -18.75, 23.65

 

CMYK 23 / 0 / 46 / 57

HEX #546D3B

RGB 84 109 59

HSL 90, 0.3%, 0.33%

LAB 42.97, -18.82, 24.93

 

CMYK 26 / 0 / 56 / 64

HEX #435B28

RGB 67 91 40

HSL 88.24, 0.39%, 0.26%

LAB 35.65, -18.81, 26.25

 

CMYK 32 / 0 / 71 / 71

HEX #324915

RGB 50 73 21

HSL 86.54, 0.55%, 0.18%

LAB 28.11, -18.65, 27.38

 

CMYK 19 / 0 / 33 / 43

HEX #769161

RGB 118 145 97

HSL 93.75, 0.2%, 0.47%

LAB 57.04, -18.66, 22.44

 

CMYK 24 / 0 / 34 / 44

HEX #6D8F5F

RGB 109 143 95

HSL 102.5, 0.2%, 0.47%

LAB 55.81, -21.36, 21.8

 

CMYK 29 / 0 / 34 / 44

HEX #658F5F

RGB 101 143 95

HSL 112.5, 0.2%, 0.47%

LAB 55.32, -24.28, 21.06

 

CMYK 34 / 0 / 31 / 44

HEX #5F8F62

RGB 95 143 98

HSL 123.75, 0.2%, 0.47%

LAB 55.03, -25.86, 18.93

 

CMYK 34 / 0 / 26 / 44

HEX #5F8F6A

RGB 95 143 106

HSL 133.75, 0.2%, 0.47%

LAB 55.19, -24.37, 14.65

 

CMYK 19 / 0 / 33 / 43

HEX #769161

RGB 118 145 97

HSL 93.75, 0.2%, 0.47%

LAB 57.04, -18.66, 22.44

 

CMYK 18 / 0 / 33 / 23

HEX #A0C483

RGB 160 196 131

HSL 93.23, 0.36%, 0.64%

LAB 75.2, -23.67, 28.81

 

CMYK 19 / 0 / 33 / 3

HEX #C9F7A5

RGB 201 247 165

HSL 93.66, 0.84%, 0.81%

LAB 92.42, -28.78, 34.74

 

CMYK 19 / 0 / 33 / 83

HEX #232B1D

RGB 35 43 29

HSL 94.29, 0.19%, 0.14%

LAB 16.37, -6.79, 8

 

CMYK 19 / 0 / 33 / 63

HEX #4C5E3F

RGB 76 94 63

HSL 94.84, 0.2%, 0.31%

LAB 37.66, -13.28, 15.59

 

CMYK 19 / 0 / 33 / 43

HEX #769161

RGB 118 145 97

HSL 93.75, 0.2%, 0.47%

LAB 57.04, -18.66, 22.44

 

CMYK 34 / 0 / 8 / 44

HEX #5F8F83

RGB 95 143 131

HSL 165, 0.2%, 0.47%

LAB 55.8, -19.01, 1.22

 

CMYK 0 / 34 / 5 / 44

HEX #8F5F88

RGB 143 95 136

HSL 308.75, 0.2%, 0.47%

LAB 46.71, 26.4, -14.82

 

CMYK 19 / 0 / 33 / 43

HEX #769161

RGB 118 145 97

HSL 93.75, 0.2%, 0.47%

LAB 57.04, -18.66, 22.44

 

CMYK 34 / 18 / 0 / 44

HEX #5F758F

RGB 95 117 143

HSL 212.5, 0.2%, 0.47%

LAB 48.43, -1.44, -16.77

 

CMYK 0 / 34 / 18 / 44

HEX #8F5F75

RGB 143 95 117

HSL 332.5, 0.2%, 0.47%

LAB 46.05, 22.97, -4.38

 

CMYK 19 / 0 / 33 / 43

HEX #769161

RGB 118 145 97

HSL 93.75, 0.2%, 0.47%

LAB 57.04, -18.66, 22.44

 

CMYK 34 / 0 / 8 / 44

HEX #5F8F83

RGB 95 143 131

HSL 165, 0.2%, 0.47%

LAB 55.8, -19.01, 1.22

 

CMYK 15 / 34 / 0 / 44

HEX #7A5F8F

RGB 122 95 143

HSL 273.75, 0.2%, 0.47%

LAB 44.67, 20.64, -22.35

 

CMYK 0 / 34 / 25 / 44

HEX #8F5F6B

RGB 143 95 107

HSL 345, 0.2%, 0.47%

LAB 45.75, 21.35, 1.22

 

CMYK 19 / 0 / 33 / 43

HEX #769161

RGB 118 145 97

HSL 93.75, 0.2%, 0.47%

LAB 57.04, -18.66, 22.44

 

CMYK 34 / 1 / 0 / 44

HEX #5F8D8F

RGB 95 141 143

HSL 182.5, 0.2%, 0.47%

LAB 55.55, -15.01, -6.06

 

CMYK 15 / 34 / 0 / 44

HEX #7A5F8F

RGB 122 95 143

HSL 273.75, 0.2%, 0.47%

LAB 44.67, 20.64, -22.35

 

CMYK 0 / 31 / 34 / 44

HEX #8F625F

RGB 143 98 95

HSL 3.75, 0.2%, 0.47%

LAB 46.18, 17.84, 9.07

 

Description

Color code: CMYK 19 / 0 / 33 / 43 | qconv.com Color code: CMYK 19 / 0 / 33 / 43 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 145 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 145 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 33 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 33% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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