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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 18 / 0 / 18 / 20 it is the complementary color CMYK 0 / 42 / 0 / 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 18 / 0 / 18 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 18 / 0 / 18 / 20: CMYK 16 / 0 / 21 / 20, CMYK 15 / 0 / 18 / 13, CMYK 14 / 0 / 17 / 6, CMYK 13 / 0 / 14 / 0 and CMYK 6 / 0 / 7 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 18 / 0 / 18 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 18 / 0 / 18 / 20: CMYK 18 / 0 / 18 / 20, CMYK 19 / 0 / 20 / 27, CMYK 21 / 0 / 23 / 34, CMYK 23 / 0 / 27 / 41 and CMYK 25 / 0 / 31 / 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 18 / 20

HEX #A7CCA7

RGB 167 204 167

HSL 120, 0.27%, 0.73%

LAB 78.57, -19.38, 14.44

 

Complementary color

CMYK 0 / 42 / 0 / 65

HEX #583358

RGB 88 51 88

HSL 300, 0.27%, 0.27%

LAB 27.15, 23.29, -15.41

 

CMYK 16 / 0 / 21 / 20

HEX #ACCCA2

RGB 172 204 162

HSL 105.71, 0.29%, 0.72%

LAB 78.79, -18.51, 17.46

 

CMYK 15 / 0 / 18 / 13

HEX #BDDEB5

RGB 189 222 181

HSL 108.29, 0.38%, 0.79%

LAB 85.2, -18.42, 16.55

 

CMYK 14 / 0 / 17 / 6

HEX #CEF0C8

RGB 206 240 200

HSL 111, 0.57%, 0.86%

LAB 91.51, -18.33, 15.69

 

CMYK 13 / 0 / 14 / 0

HEX #DFFFDB

RGB 223 255 219

HSL 113.33, 1%, 0.93%

LAB 96.95, -16.8, 13.77

 

CMYK 6 / 0 / 7 / 0

HEX #F0FFEE

RGB 240 255 238

HSL 112.94, 1%, 0.97%

LAB 98.52, -7.91, 6.42

 

CMYK 18 / 0 / 18 / 20

HEX #A7CCA7

RGB 167 204 167

HSL 120, 0.27%, 0.73%

LAB 78.57, -19.38, 14.44

 

CMYK 19 / 0 / 20 / 27

HEX #96BA94

RGB 150 186 148

HSL 116.84, 0.22%, 0.65%

LAB 72.05, -19.53, 15.35

 

CMYK 21 / 0 / 23 / 34

HEX #85A881

RGB 133 168 129

HSL 113.85, 0.18%, 0.58%

LAB 65.42, -19.69, 16.32

 

CMYK 23 / 0 / 27 / 41

HEX #74966E

RGB 116 150 110

HSL 111, 0.16%, 0.51%

LAB 58.65, -19.87, 17.35

 

CMYK 25 / 0 / 31 / 48

HEX #63845B

RGB 99 132 91

HSL 108.29, 0.18%, 0.44%

LAB 51.74, -20.06, 18.47

 

CMYK 18 / 0 / 18 / 20

HEX #A7CCA7

RGB 167 204 167

HSL 120, 0.27%, 0.73%

LAB 78.57, -19.38, 14.44

 

CMYK 18 / 0 / 15 / 20

HEX #A7CCAD

RGB 167 204 173

HSL 129.73, 0.27%, 0.73%

LAB 78.71, -18.31, 11.43

 

CMYK 18 / 0 / 12 / 20

HEX #A7CCB3

RGB 167 204 179

HSL 139.46, 0.27%, 0.73%

LAB 78.84, -17.19, 8.41

 

CMYK 18 / 0 / 9 / 20

HEX #A7CCBA

RGB 167 204 186

HSL 150.81, 0.27%, 0.73%

LAB 79.01, -15.85, 4.9

 

CMYK 18 / 0 / 6 / 20

HEX #A7CCC0

RGB 167 204 192

HSL 160.54, 0.27%, 0.73%

LAB 79.16, -14.66, 1.9

 

CMYK 18 / 0 / 18 / 20

HEX #A7CCA7

RGB 167 204 167

HSL 120, 0.27%, 0.73%

LAB 78.57, -19.38, 14.44

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 18 / 0 / 18 / 80

HEX #2A332A

RGB 42 51 42

HSL 120, 0.1%, 0.18%

LAB 20.15, -6.02, 4.44

 

CMYK 18 / 0 / 18 / 60

HEX #546654

RGB 84 102 84

HSL 120, 0.1%, 0.36%

LAB 41.26, -10.71, 7.95

 

CMYK 18 / 0 / 18 / 40

HEX #7D997D

RGB 125 153 125

HSL 120, 0.12%, 0.55%

LAB 60.45, -15.47, 11.52

 

CMYK 18 / 0 / 18 / 20

HEX #A7CCA7

RGB 167 204 167

HSL 120, 0.27%, 0.73%

LAB 78.57, -19.38, 14.44

 

CMYK 18 / 3 / 0 / 20

HEX #A7C5CC

RGB 167 197 204

HSL 191.35, 0.27%, 0.73%

LAB 77.58, -8.55, -6.87

 

CMYK 0 / 18 / 11 / 20

HEX #CCA7B6

RGB 204 167 182

HSL 335.68, 0.27%, 0.73%

LAB 72.13, 15.98, -2.59

 

CMYK 18 / 0 / 18 / 20

HEX #A7CCA7

RGB 167 204 167

HSL 120, 0.27%, 0.73%

LAB 78.57, -19.38, 14.44

 

CMYK 18 / 18 / 0 / 20

HEX #A7A7CC

RGB 167 167 204

HSL 240, 0.27%, 0.73%

LAB 69.62, 7.67, -18.81

 

CMYK 0 / 18 / 18 / 20

HEX #CCA7A7

RGB 204 167 167

HSL 0, 0.27%, 0.73%

LAB 71.73, 13.53, 5.1

 

CMYK 18 / 0 / 18 / 20

HEX #A7CCA7

RGB 167 204 167

HSL 120, 0.27%, 0.73%

LAB 78.57, -19.38, 14.44

 

CMYK 18 / 3 / 0 / 20

HEX #A7C5CC

RGB 167 197 204

HSL 191.35, 0.27%, 0.73%

LAB 77.58, -8.55, -6.87

 

CMYK 0 / 18 / 0 / 20

HEX #CCA7CC

RGB 204 167 204

HSL 300, 0.27%, 0.73%

LAB 72.78, 19.92, -13.73

 

CMYK 0 / 15 / 18 / 20

HEX #CCAEA7

RGB 204 174 167

HSL 11.35, 0.27%, 0.73%

LAB 73.48, 9.73, 7.61

 

CMYK 18 / 0 / 18 / 20

HEX #A7CCA7

RGB 167 204 167

HSL 120, 0.27%, 0.73%

LAB 78.57, -19.38, 14.44

 

CMYK 18 / 9 / 0 / 20

HEX #A7BACC

RGB 167 186 204

HSL 209.19, 0.27%, 0.73%

LAB 74.63, -2.71, -11.27

 

CMYK 0 / 18 / 0 / 20

HEX #CCA7CC

RGB 204 167 204

HSL 300, 0.27%, 0.73%

LAB 72.78, 19.92, -13.73

 

CMYK 0 / 9 / 18 / 20

HEX #CCBAA7

RGB 204 186 167

HSL 30.81, 0.27%, 0.73%

LAB 76.52, 3.29, 11.94

 

Description

Color code: CMYK 18 / 0 / 18 / 20 | qconv.com Color code: CMYK 18 / 0 / 18 / 20 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 204 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 204 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 18 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 18% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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