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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 17 / 2 / 0 / 33 it is the complementary color CMYK 0 / 22 / 26 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 17 / 2 / 0 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 17 / 2 / 0 / 33: CMYK 12 / 0 / 1 / 35, CMYK 11 / 0 / 0 / 27, CMYK 11 / 0 / 0 / 20, CMYK 11 / 1 / 0 / 13 and CMYK 11 / 1 / 0 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 17 / 2 / 0 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 17 / 2 / 0 / 33: CMYK 17 / 2 / 0 / 33, CMYK 18 / 2 / 0 / 40, CMYK 19 / 2 / 0 / 48, CMYK 20 / 1 / 0 / 55 and CMYK 22 / 0 / 0 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 2 / 0 / 33

HEX #8EA7AB

RGB 142 167 171

HSL 188.28, 0.15%, 0.61%

LAB 66.77, -7.76, -4.97

 

Complementary color

CMYK 0 / 22 / 26 / 56

HEX #715854

RGB 113 88 84

HSL 8.28, 0.15%, 0.39%

LAB 39.8, 9.62, 6.25

 

CMYK 12 / 0 / 1 / 35

HEX #93A7A6

RGB 147 167 166

HSL 177, 0.1%, 0.62%

LAB 66.97, -7.16, -1.85

 

CMYK 11 / 0 / 0 / 27

HEX #A4B9B9

RGB 164 185 185

HSL 180, 0.13%, 0.68%

LAB 73.61, -7.17, -2.45

 

CMYK 11 / 0 / 0 / 20

HEX #B5CBCC

RGB 181 203 204

HSL 182.61, 0.18%, 0.75%

LAB 80.12, -7.19, -3.03

 

CMYK 11 / 1 / 0 / 13

HEX #C6DDDF

RGB 198 221 223

HSL 184.8, 0.28%, 0.83%

LAB 86.53, -7.21, -3.58

 

CMYK 11 / 1 / 0 / 5

HEX #D7EFF2

RGB 215 239 242

HSL 186.67, 0.51%, 0.9%

LAB 92.84, -7.25, -4.13

 

CMYK 17 / 2 / 0 / 33

HEX #8EA7AB

RGB 142 167 171

HSL 188.28, 0.15%, 0.61%

LAB 66.77, -7.76, -4.97

 

CMYK 18 / 2 / 0 / 40

HEX #7D9598

RGB 125 149 152

HSL 186.67, 0.12%, 0.54%

LAB 60, -7.77, -4.42

 

CMYK 19 / 2 / 0 / 48

HEX #6C8385

RGB 108 131 133

HSL 184.8, 0.1%, 0.47%

LAB 53.07, -7.79, -3.84

 

CMYK 20 / 1 / 0 / 55

HEX #5B7172

RGB 91 113 114

HSL 182.61, 0.11%, 0.4%

LAB 45.97, -7.83, -3.25

 

CMYK 22 / 0 / 0 / 63

HEX #4A5F5F

RGB 74 95 95

HSL 180, 0.12%, 0.33%

LAB 38.67, -7.89, -2.62

 

CMYK 17 / 2 / 0 / 33

HEX #8EA7AB

RGB 142 167 171

HSL 188.28, 0.15%, 0.61%

LAB 66.77, -7.76, -4.97

 

CMYK 18 / 5 / 0 / 33

HEX #8CA1AA

RGB 140 161 170

HSL 198, 0.15%, 0.61%

LAB 64.94, -5.37, -7.15

 

CMYK 18 / 8 / 0 / 33

HEX #8C9CAA

RGB 140 156 170

HSL 208, 0.15%, 0.61%

LAB 63.55, -2.62, -9.21

 

CMYK 18 / 11 / 0 / 33

HEX #8C97AA

RGB 140 151 170

HSL 218, 0.15%, 0.61%

LAB 62.18, 0.16, -11.26

 

CMYK 18 / 14 / 0 / 33

HEX #8C92AA

RGB 140 146 170

HSL 228, 0.15%, 0.61%

LAB 60.81, 2.98, -13.31

 

CMYK 17 / 2 / 0 / 33

HEX #8EA7AB

RGB 142 167 171

HSL 188.28, 0.15%, 0.61%

LAB 66.77, -7.76, -4.97

 

CMYK 17 / 2 / 0 / 13

HEX #B8D9DE

RGB 184 217 222

HSL 187.89, 0.37%, 0.8%

LAB 84.53, -9.79, -6.1

 

CMYK 17 / 0 / 0 / 93

HEX #0F1212

RGB 15 18 18

HSL 180, 0.09%, 0.06%

LAB 5.22, -1.1, -0.39

 

CMYK 17 / 3 / 0 / 73

HEX #394345

RGB 57 67 69

HSL 190, 0.1%, 0.25%

LAB 27.61, -3.57, -2.59

 

CMYK 17 / 3 / 0 / 53

HEX #647578

RGB 100 117 120

HSL 189, 0.09%, 0.43%

LAB 47.99, -5.58, -3.77

 

CMYK 17 / 2 / 0 / 33

HEX #8EA7AB

RGB 142 167 171

HSL 188.28, 0.15%, 0.61%

LAB 66.77, -7.76, -4.97

 

CMYK 12 / 18 / 0 / 33

HEX #968CAA

RGB 150 140 170

HSL 260, 0.15%, 0.61%

LAB 60.02, 9.76, -14.43

 

CMYK 0 / 5 / 18 / 33

HEX #AAA28C

RGB 170 162 140

HSL 44, 0.15%, 0.61%

LAB 66.73, -0.87, 12.49

 

CMYK 17 / 2 / 0 / 33

HEX #8EA7AB

RGB 142 167 171

HSL 188.28, 0.15%, 0.61%

LAB 66.77, -7.76, -4.97

 

CMYK 0 / 18 / 2 / 33

HEX #AA8CA6

RGB 170 140 166

HSL 308, 0.15%, 0.61%

LAB 61.7, 15.93, -9.45

 

CMYK 2 / 0 / 18 / 33

HEX #A6AA8C

RGB 166 170 140

HSL 68, 0.15%, 0.61%

LAB 68.57, -6.71, 15.01

 

CMYK 17 / 2 / 0 / 33

HEX #8EA7AB

RGB 142 167 171

HSL 188.28, 0.15%, 0.61%

LAB 66.77, -7.76, -4.97

 

CMYK 12 / 18 / 0 / 33

HEX #968CAA

RGB 150 140 170

HSL 260, 0.15%, 0.61%

LAB 60.02, 9.76, -14.43

 

CMYK 0 / 15 / 18 / 33

HEX #AA908C

RGB 170 144 140

HSL 8, 0.15%, 0.61%

LAB 61.99, 9.08, 5.74

 

CMYK 6 / 0 / 18 / 33

HEX #A0AA8C

RGB 160 170 140

HSL 80, 0.15%, 0.61%

LAB 68.11, -8.97, 14.3

 

CMYK 17 / 2 / 0 / 33

HEX #8EA7AB

RGB 142 167 171

HSL 188.28, 0.15%, 0.61%

LAB 66.77, -7.76, -4.97

 

CMYK 6 / 18 / 0 / 33

HEX #9F8CAA

RGB 159 140 170

HSL 278, 0.15%, 0.61%

LAB 60.81, 12.85, -13.17

 

CMYK 0 / 15 / 18 / 33

HEX #AA908C

RGB 170 144 140

HSL 8, 0.15%, 0.61%

LAB 61.99, 9.08, 5.74

 

CMYK 11 / 0 / 18 / 33

HEX #97AA8C

RGB 151 170 140

HSL 98, 0.15%, 0.61%

LAB 67.44, -12.3, 13.27

 

Description

Color code: CMYK 17 / 2 / 0 / 33 | qconv.com Color code: CMYK 17 / 2 / 0 / 33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 167 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 167 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 2 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 2% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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