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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 17 / 0 / 56 / 30 it is the complementary color CMYK 39 / 57 / 0 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 17 / 0 / 56 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 17 / 0 / 56 / 30: CMYK 15 / 0 / 59 / 30, CMYK 14 / 0 / 53 / 23, CMYK 13 / 0 / 48 / 16, CMYK 12 / 0 / 44 / 9 and CMYK 12 / 0 / 40 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 17 / 0 / 56 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 17 / 0 / 56 / 30: CMYK 17 / 0 / 56 / 30, CMYK 19 / 0 / 63 / 37, CMYK 20 / 0 / 71 / 44, CMYK 22 / 0 / 82 / 51 and CMYK 25 / 0 / 97 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 56 / 30

HEX #94B34F

RGB 148 179 79

HSL 78.6, 0.4%, 0.51%

LAB 68.82, -26.16, 46.82

 

Complementary color

CMYK 39 / 57 / 0 / 31

HEX #6B4CB0

RGB 107 76 176

HSL 258.6, 0.4%, 0.49%

LAB 40.29, 36.19, -49

 

CMYK 15 / 0 / 59 / 30

HEX #99B34A

RGB 153 179 74

HSL 74.86, 0.42%, 0.5%

LAB 69.12, -24.6, 49.56

 

CMYK 14 / 0 / 53 / 23

HEX #AAC55D

RGB 170 197 93

HSL 75.58, 0.47%, 0.57%

LAB 75.62, -24.89, 48.53

 

CMYK 13 / 0 / 48 / 16

HEX #BBD770

RGB 187 215 112

HSL 76.31, 0.56%, 0.64%

LAB 82.02, -25.11, 47.42

 

CMYK 12 / 0 / 44 / 9

HEX #CCE983

RGB 204 233 131

HSL 77.06, 0.7%, 0.71%

LAB 88.33, -25.27, 46.29

 

CMYK 12 / 0 / 40 / 2

HEX #DDFB96

RGB 221 251 150

HSL 77.82, 0.93%, 0.79%

LAB 94.55, -25.38, 45.16

 

CMYK 17 / 0 / 56 / 30

HEX #94B34F

RGB 148 179 79

HSL 78.6, 0.4%, 0.51%

LAB 68.82, -26.16, 46.82

 

CMYK 19 / 0 / 63 / 37

HEX #83A13C

RGB 131 161 60

HSL 77.82, 0.46%, 0.43%

LAB 62.2, -25.87, 47.77

 

CMYK 20 / 0 / 71 / 44

HEX #728F29

RGB 114 143 41

HSL 77.06, 0.55%, 0.36%

LAB 55.46, -25.43, 48.37

 

CMYK 22 / 0 / 82 / 51

HEX #617D16

RGB 97 125 22

HSL 76.31, 0.7%, 0.29%

LAB 48.59, -24.78, 48.16

 

CMYK 25 / 0 / 97 / 58

HEX #506B03

RGB 80 107 3

HSL 75.58, 0.95%, 0.22%

LAB 41.58, -23.85, 46.55

 

CMYK 17 / 0 / 56 / 30

HEX #94B34F

RGB 148 179 79

HSL 78.6, 0.4%, 0.51%

LAB 68.82, -26.16, 46.82

 

CMYK 26 / 0 / 56 / 29

HEX #85B450

RGB 133 180 80

HSL 88.2, 0.4%, 0.51%

LAB 68.17, -32.35, 45.35

 

CMYK 36 / 0 / 56 / 29

HEX #74B450

RGB 116 180 80

HSL 98.4, 0.4%, 0.51%

LAB 67.23, -38.5, 44.01

 

CMYK 44 / 0 / 56 / 29

HEX #64B450

RGB 100 180 80

HSL 108, 0.4%, 0.51%

LAB 66.47, -43.77, 42.92

 

CMYK 54 / 0 / 56 / 29

HEX #53B450

RGB 83 180 80

HSL 118.2, 0.4%, 0.51%

LAB 65.8, -48.69, 41.96

 

CMYK 17 / 0 / 56 / 30

HEX #94B34F

RGB 148 179 79

HSL 78.6, 0.4%, 0.51%

LAB 68.82, -26.16, 46.82

 

CMYK 17 / 0 / 56 / 10

HEX #BEE666

RGB 190 230 102

HSL 78.75, 0.72%, 0.65%

LAB 86.26, -32, 57.1

 

CMYK 19 / 0 / 58 / 90

HEX #151A0B

RGB 21 26 11

HSL 80, 0.41%, 0.07%

LAB 8.33, -5.62, 7.84

 

CMYK 17 / 0 / 56 / 70

HEX #404D22

RGB 64 77 34

HSL 78.14, 0.39%, 0.22%

LAB 30.67, -13.12, 23.59

 

CMYK 17 / 0 / 56 / 50

HEX #6A8038

RGB 106 128 56

HSL 78.33, 0.39%, 0.36%

LAB 50.44, -19.97, 35.94

 

CMYK 17 / 0 / 56 / 30

HEX #94B34F

RGB 148 179 79

HSL 78.6, 0.4%, 0.51%

LAB 68.82, -26.16, 46.82

 

CMYK 56 / 0 / 28 / 29

HEX #50B482

RGB 80 180 130

HSL 150, 0.4%, 0.51%

LAB 66.49, -41.03, 16.86

 

CMYK 6 / 56 / 0 / 29

HEX #AA50B4

RGB 170 80 180

HSL 294, 0.4%, 0.51%

LAB 48.98, 51.35, -37.06

 

CMYK 17 / 0 / 56 / 30

HEX #94B34F

RGB 148 179 79

HSL 78.6, 0.4%, 0.51%

LAB 68.82, -26.16, 46.82

 

CMYK 56 / 17 / 0 / 29

HEX #5096B4

RGB 80 150 180

HSL 198, 0.4%, 0.51%

LAB 58.8, -13.33, -22.37

 

CMYK 0 / 56 / 17 / 29

HEX #B45096

RGB 180 80 150

HSL 318, 0.4%, 0.51%

LAB 49.06, 49.05, -19.15

 

CMYK 17 / 0 / 56 / 30

HEX #94B34F

RGB 148 179 79

HSL 78.6, 0.4%, 0.51%

LAB 68.82, -26.16, 46.82

 

CMYK 56 / 0 / 28 / 29

HEX #50B482

RGB 80 180 130

HSL 150, 0.4%, 0.51%

LAB 66.49, -41.03, 16.86

 

CMYK 39 / 56 / 0 / 29

HEX #6E50B4

RGB 110 80 180

HSL 258, 0.4%, 0.51%

LAB 41.76, 35.67, -48.98

 

CMYK 0 / 56 / 28 / 29

HEX #B45082

RGB 180 80 130

HSL 330, 0.4%, 0.51%

LAB 48.33, 46.14, -8.3

 

CMYK 17 / 0 / 56 / 30

HEX #94B34F

RGB 148 179 79

HSL 78.6, 0.4%, 0.51%

LAB 68.82, -26.16, 46.82

 

CMYK 56 / 0 / 11 / 29

HEX #50B4A0

RGB 80 180 160

HSL 168, 0.4%, 0.51%

LAB 67.19, -34.11, 1.39

 

CMYK 39 / 56 / 0 / 29

HEX #6E50B4

RGB 110 80 180

HSL 258, 0.4%, 0.51%

LAB 41.76, 35.67, -48.98

 

CMYK 0 / 56 / 44 / 29

HEX #B45064

RGB 180 80 100

HSL 348, 0.4%, 0.51%

LAB 47.44, 42.52, 8.56

 

Description

Color code: CMYK 17 / 0 / 56 / 30 | qconv.com Color code: CMYK 17 / 0 / 56 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 179 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 179 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 56 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 56% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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