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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 16 / 9 / 0 / 70 it is the complementary color CMYK 0 / 3 / 7 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 16 / 9 / 0 / 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 16 / 9 / 0 / 70: CMYK 4 / 3 / 0 / 72, CMYK 5 / 3 / 0 / 64, CMYK 6 / 4 / 0 / 57, CMYK 7 / 4 / 0 / 49 and CMYK 7 / 4 / 0 / 42

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 16 / 9 / 0 / 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 16 / 9 / 0 / 70: CMYK 17 / 9 / 0 / 70, CMYK 19 / 10 / 0 / 77, CMYK 23 / 13 / 0 / 85, CMYK 35 / 20 / 0 / 92 and CMYK 100 / 100 / 0 / 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 9 / 0 / 70

HEX #40464D

RGB 64 70 77

HSL 212.31, 0.09%, 0.28%

LAB 29.43, -0.74, -5.03

 

Complementary color

CMYK 0 / 3 / 7 / 25

HEX #BFB9B2

RGB 191 185 178

HSL 32.31, 0.09%, 0.72%

LAB 75.44, 0.87, 4.29

 

CMYK 4 / 3 / 0 / 72

HEX #454648

RGB 69 70 72

HSL 220, 0.02%, 0.28%

LAB 29.7, 0.04, -1.35

 

CMYK 5 / 3 / 0 / 64

HEX #56585B

RGB 86 88 91

HSL 216, 0.03%, 0.35%

LAB 37.32, -0.14, -2.01

 

CMYK 6 / 4 / 0 / 57

HEX #676A6E

RGB 103 106 110

HSL 214.29, 0.03%, 0.42%

LAB 44.68, -0.3, -2.64

 

CMYK 7 / 4 / 0 / 49

HEX #787C81

RGB 120 124 129

HSL 213.33, 0.04%, 0.49%

LAB 51.83, -0.45, -3.24

 

CMYK 7 / 4 / 0 / 42

HEX #898E94

RGB 137 142 148

HSL 212.73, 0.05%, 0.56%

LAB 58.79, -0.59, -3.82

 

CMYK 17 / 9 / 0 / 70

HEX #40464D

RGB 64 70 77

HSL 212.31, 0.09%, 0.28%

LAB 29.43, -0.74, -5.03

 

CMYK 19 / 10 / 0 / 77

HEX #2F343A

RGB 47 52 58

HSL 212.73, 0.1%, 0.21%

LAB 21.45, -0.59, -4.5

 

CMYK 23 / 13 / 0 / 85

HEX #1E2227

RGB 30 34 39

HSL 213.33, 0.13%, 0.14%

LAB 13.03, -0.43, -3.97

 

CMYK 35 / 20 / 0 / 92

HEX #0D1014

RGB 13 16 20

HSL 214.29, 0.21%, 0.06%

LAB 4.58, -0.16, -2.61

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 17 / 9 / 0 / 70

HEX #40464D

RGB 64 70 77

HSL 212.31, 0.09%, 0.28%

LAB 29.43, -0.74, -5.03

 

CMYK 17 / 12 / 0 / 70

HEX #40444D

RGB 64 68 77

HSL 221.54, 0.09%, 0.28%

LAB 28.8, 0.54, -5.97

 

CMYK 17 / 14 / 0 / 70

HEX #40424D

RGB 64 66 77

HSL 230.77, 0.09%, 0.28%

LAB 28.17, 1.84, -6.91

 

CMYK 16 / 17 / 0 / 70

HEX #41404D

RGB 65 64 77

HSL 244.62, 0.09%, 0.28%

LAB 27.65, 3.53, -7.7

 

CMYK 13 / 17 / 0 / 70

HEX #43404D

RGB 67 64 77

HSL 253.85, 0.09%, 0.28%

LAB 27.83, 4.31, -7.39

 

CMYK 17 / 9 / 0 / 70

HEX #40464D

RGB 64 70 77

HSL 212.31, 0.09%, 0.28%

LAB 29.43, -0.74, -5.03

 

CMYK 17 / 9 / 0 / 50

HEX #6A7480

RGB 106 116 128

HSL 212.73, 0.09%, 0.46%

LAB 48.4, -1.03, -7.86

 

CMYK 17 / 9 / 0 / 30

HEX #95A3B3

RGB 149 163 179

HSL 212, 0.16%, 0.64%

LAB 66.4, -1.52, -9.93

 

CMYK 17 / 9 / 0 / 10

HEX #BFD1E6

RGB 191 209 230

HSL 212.31, 0.44%, 0.83%

LAB 83.12, -1.76, -12.4

 

CMYK 15 / 8 / 0 / 90

HEX #16181A

RGB 22 24 26

HSL 210, 0.08%, 0.09%

LAB 8.11, -0.41, -1.74

 

CMYK 17 / 9 / 0 / 70

HEX #40464D

RGB 64 70 77

HSL 212.31, 0.09%, 0.28%

LAB 29.43, -0.74, -5.03

 

CMYK 4 / 17 / 0 / 70

HEX #4A404D

RGB 74 64 77

HSL 286.15, 0.09%, 0.28%

LAB 28.53, 7.1, -6.27

 

CMYK 1 / 0 / 17 / 70

HEX #4C4D40

RGB 76 77 64

HSL 64.62, 0.09%, 0.28%

LAB 32.29, -3.05, 7.59

 

CMYK 17 / 9 / 0 / 70

HEX #40464D

RGB 64 70 77

HSL 212.31, 0.09%, 0.28%

LAB 29.43, -0.74, -5.03

 

CMYK 0 / 17 / 9 / 70

HEX #4D4046

RGB 77 64 70

HSL 332.31, 0.09%, 0.28%

LAB 28.61, 6.8, -1.56

 

CMYK 9 / 0 / 17 / 70

HEX #464D40

RGB 70 77 64

HSL 92.31, 0.09%, 0.28%

LAB 31.76, -5.63, 6.77

 

CMYK 17 / 9 / 0 / 70

HEX #40464D

RGB 64 70 77

HSL 212.31, 0.09%, 0.28%

LAB 29.43, -0.74, -5.03

 

CMYK 4 / 17 / 0 / 70

HEX #4A404D

RGB 74 64 77

HSL 286.15, 0.09%, 0.28%

LAB 28.53, 7.1, -6.27

 

CMYK 0 / 8 / 17 / 70

HEX #4D4740

RGB 77 71 64

HSL 32.31, 0.09%, 0.28%

LAB 30.53, 1.13, 5.11

 

CMYK 12 / 0 / 17 / 70

HEX #444D40

RGB 68 77 64

HSL 101.54, 0.09%, 0.28%

LAB 31.59, -6.47, 6.51

 

CMYK 17 / 9 / 0 / 70

HEX #40464D

RGB 64 70 77

HSL 212.31, 0.09%, 0.28%

LAB 29.43, -0.74, -5.03

 

CMYK 0 / 17 / 0 / 70

HEX #4D404D

RGB 77 64 77

HSL 300, 0.09%, 0.28%

LAB 28.85, 8.31, -5.76

 

CMYK 0 / 8 / 17 / 70

HEX #4D4740

RGB 77 71 64

HSL 32.31, 0.09%, 0.28%

LAB 30.53, 1.13, 5.11

 

CMYK 17 / 0 / 16 / 70

HEX #404D41

RGB 64 77 65

HSL 124.62, 0.09%, 0.28%

LAB 31.3, -7.91, 5.41

 

Description

Color code: CMYK 16 / 9 / 0 / 70 | qconv.com Color code: CMYK 16 / 9 / 0 / 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 70 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 70 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 9 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 9% 0% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Getaround - Peer-to-...
Link: http://www.getaround.com

27% - Shop for Blinds in C...
Link: http://www.blinds.ca

33% - FlatAds - WordPress ...
Link: http://alexgurghis.com

53% - 1446740653-logo-mu-o...
Link: http://img.9gate.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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