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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 16 / 5 / 0 / 17 it is the complementary color CMYK 0 / 30 / 44 / 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 16 / 5 / 0 / 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 16 / 5 / 0 / 17: CMYK 12 / 3 / 0 / 19, CMYK 12 / 3 / 0 / 11, CMYK 11 / 3 / 0 / 4, CMYK 8 / 0 / 0 / 0 and CMYK 2 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 16 / 5 / 0 / 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 16 / 5 / 0 / 17: CMYK 16 / 5 / 0 / 17, CMYK 17 / 5 / 0 / 24, CMYK 17 / 5 / 0 / 32, CMYK 18 / 5 / 0 / 39 and CMYK 19 / 5 / 0 / 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 5 / 0 / 17

HEX #B2C9D4

RGB 178 201 212

HSL 199.41, 0.28%, 0.76%

LAB 79.61, -5.46, -8.1

 

Complementary color

CMYK 0 / 30 / 44 / 70

HEX #4D362B

RGB 77 54 43

HSL 19.41, 0.28%, 0.24%

LAB 24.92, 8.63, 10.97

 

CMYK 12 / 3 / 0 / 19

HEX #B7C9CF

RGB 183 201 207

HSL 195, 0.2%, 0.76%

LAB 79.81, -4.88, -5.08

 

CMYK 12 / 3 / 0 / 11

HEX #C8DBE2

RGB 200 219 226

HSL 196.15, 0.31%, 0.84%

LAB 86.22, -4.95, -5.6

 

CMYK 11 / 3 / 0 / 4

HEX #D9EDF5

RGB 217 237 245

HSL 197.14, 0.58%, 0.91%

LAB 92.54, -5.01, -6.12

 

CMYK 8 / 0 / 0 / 0

HEX #EAFFFF

RGB 234 255 255

HSL 180, 1%, 0.96%

LAB 98.52, -6.79, -2.34

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 16 / 5 / 0 / 17

HEX #B2C9D4

RGB 178 201 212

HSL 199.41, 0.28%, 0.76%

LAB 79.61, -5.46, -8.1

 

CMYK 17 / 5 / 0 / 24

HEX #A1B7C1

RGB 161 183 193

HSL 198.75, 0.21%, 0.69%

LAB 73.09, -5.41, -7.61

 

CMYK 17 / 5 / 0 / 32

HEX #90A5AE

RGB 144 165 174

HSL 198, 0.16%, 0.62%

LAB 66.44, -5.36, -7.12

 

CMYK 18 / 5 / 0 / 39

HEX #7F939B

RGB 127 147 155

HSL 197.14, 0.12%, 0.55%

LAB 59.66, -5.32, -6.61

 

CMYK 19 / 5 / 0 / 47

HEX #6E8188

RGB 110 129 136

HSL 196.15, 0.11%, 0.48%

LAB 52.72, -5.28, -6.1

 

CMYK 16 / 5 / 0 / 17

HEX #B2C9D4

RGB 178 201 212

HSL 199.41, 0.28%, 0.76%

LAB 79.61, -5.46, -8.1

 

CMYK 16 / 8 / 0 / 18

HEX #B0C2D2

RGB 176 194 210

HSL 208.24, 0.27%, 0.76%

LAB 77.56, -2.82, -10.09

 

CMYK 16 / 10 / 0 / 18

HEX #B0BCD2

RGB 176 188 210

HSL 218.82, 0.27%, 0.76%

LAB 75.98, 0.39, -12.45

 

CMYK 16 / 13 / 0 / 18

HEX #B0B6D2

RGB 176 182 210

HSL 229.41, 0.27%, 0.76%

LAB 74.41, 3.63, -14.81

 

CMYK 16 / 16 / 0 / 18

HEX #B0B1D2

RGB 176 177 210

HSL 238.24, 0.27%, 0.76%

LAB 73.11, 6.36, -16.76

 

CMYK 16 / 5 / 0 / 17

HEX #B2C9D4

RGB 178 201 212

HSL 199.41, 0.28%, 0.76%

LAB 79.61, -5.46, -8.1

 

CMYK 13 / 0 / 0 / 97

HEX #070808

RGB 7 8 8

HSL 180, 0.07%, 0.03%

LAB 2.14, -0.26, -0.09

 

CMYK 15 / 5 / 0 / 77

HEX #32383B

RGB 50 56 59

HSL 200, 0.08%, 0.21%

LAB 23.07, -1.78, -2.74

 

CMYK 16 / 5 / 0 / 57

HEX #5C686E

RGB 92 104 110

HSL 200, 0.09%, 0.4%

LAB 43.21, -3.16, -4.92

 

CMYK 16 / 5 / 0 / 37

HEX #8799A1

RGB 135 153 161

HSL 198.46, 0.12%, 0.58%

LAB 62.09, -4.63, -6.35

 

CMYK 16 / 5 / 0 / 17

HEX #B2C9D4

RGB 178 201 212

HSL 199.41, 0.28%, 0.76%

LAB 79.61, -5.46, -8.1

 

CMYK 8 / 16 / 0 / 18

HEX #C2B0D2

RGB 194 176 210

HSL 271.76, 0.27%, 0.76%

LAB 74.3, 12.8, -14.82

 

CMYK 0 / 1 / 16 / 18

HEX #D2D0B0

RGB 210 208 176

HSL 56.47, 0.27%, 0.76%

LAB 82.89, -4.66, 16.16

 

CMYK 16 / 5 / 0 / 17

HEX #B2C9D4

RGB 178 201 212

HSL 199.41, 0.28%, 0.76%

LAB 79.61, -5.46, -8.1

 

CMYK 0 / 16 / 5 / 18

HEX #D2B0C8

RGB 210 176 200

HSL 317.65, 0.27%, 0.76%

LAB 75.4, 16.34, -7.57

 

CMYK 5 / 0 / 16 / 18

HEX #C8D2B0

RGB 200 210 176

HSL 77.65, 0.27%, 0.76%

LAB 82.65, -9.31, 15.72

 

CMYK 16 / 5 / 0 / 17

HEX #B2C9D4

RGB 178 201 212

HSL 199.41, 0.28%, 0.76%

LAB 79.61, -5.46, -8.1

 

CMYK 8 / 16 / 0 / 18

HEX #C2B0D2

RGB 194 176 210

HSL 271.76, 0.27%, 0.76%

LAB 74.3, 12.8, -14.82

 

CMYK 0 / 11 / 16 / 18

HEX #D2BBB0

RGB 210 187 176

HSL 19.41, 0.27%, 0.76%

LAB 77.51, 6.38, 8.54

 

CMYK 8 / 0 / 16 / 18

HEX #C1D2B0

RGB 193 210 176

HSL 90, 0.27%, 0.76%

LAB 82.14, -11.82, 14.94

 

CMYK 16 / 5 / 0 / 17

HEX #B2C9D4

RGB 178 201 212

HSL 199.41, 0.28%, 0.76%

LAB 79.61, -5.46, -8.1

 

CMYK 3 / 16 / 0 / 18

HEX #CCB0D2

RGB 204 176 210

HSL 289.41, 0.27%, 0.76%

LAB 75.16, 16.14, -13.44

 

CMYK 0 / 11 / 16 / 18

HEX #D2BBB0

RGB 210 187 176

HSL 19.41, 0.27%, 0.76%

LAB 77.51, 6.38, 8.54

 

CMYK 13 / 0 / 16 / 18

HEX #B6D2B0

RGB 182 210 176

HSL 109.41, 0.27%, 0.76%

LAB 81.39, -15.67, 13.76

 

Description

Color code: CMYK 16 / 5 / 0 / 17 | qconv.com Color code: CMYK 16 / 5 / 0 / 17 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 201 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 201 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 5 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 5% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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