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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 16 / 0 / 21 / 66 it is the complementary color CMYK 3 / 10 / 0 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 16 / 0 / 21 / 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 16 / 0 / 21 / 66: CMYK 10 / 0 / 28 / 66, CMYK 10 / 0 / 22 / 59, CMYK 9 / 0 / 18 / 52, CMYK 9 / 0 / 15 / 45 and CMYK 8 / 0 / 13 / 38

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 16 / 0 / 21 / 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 16 / 0 / 21 / 66: CMYK 16 / 0 / 22 / 66, CMYK 19 / 0 / 29 / 73, CMYK 24 / 0 / 41 / 80, CMYK 33 / 0 / 67 / 87 and CMYK 67 / 0 / 100 / 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 21 / 66

HEX #495744

RGB 73 87 68

HSL 104.21, 0.12%, 0.3%

LAB 35.3, -9.58, 9.26

 

Complementary color

CMYK 3 / 10 / 0 / 27

HEX #B6A8BB

RGB 182 168 187

HSL 284.21, 0.12%, 0.7%

LAB 70.55, 8.57, -7.91

 

CMYK 10 / 0 / 28 / 66

HEX #4E573F

RGB 78 87 63

HSL 82.5, 0.16%, 0.29%

LAB 35.59, -8.4, 12.8

 

CMYK 10 / 0 / 22 / 59

HEX #5F6952

RGB 95 105 82

HSL 86.09, 0.12%, 0.37%

LAB 42.98, -8.42, 11.68

 

CMYK 9 / 0 / 18 / 52

HEX #707B65

RGB 112 123 101

HSL 90, 0.1%, 0.44%

LAB 50.16, -8.43, 10.67

 

CMYK 9 / 0 / 15 / 45

HEX #818D78

RGB 129 141 120

HSL 94.29, 0.08%, 0.51%

LAB 57.15, -8.44, 9.74

 

CMYK 8 / 0 / 13 / 38

HEX #929F8B

RGB 146 159 139

HSL 99, 0.09%, 0.58%

LAB 63.98, -8.45, 8.87

 

CMYK 16 / 0 / 22 / 66

HEX #495744

RGB 73 87 68

HSL 104.21, 0.12%, 0.3%

LAB 35.3, -9.58, 9.26

 

CMYK 19 / 0 / 29 / 73

HEX #384531

RGB 56 69 49

HSL 99, 0.17%, 0.23%

LAB 27.62, -9.69, 10.4

 

CMYK 24 / 0 / 41 / 80

HEX #27331E

RGB 39 51 30

HSL 94.29, 0.26%, 0.16%

LAB 19.61, -9.82, 11.73

 

CMYK 33 / 0 / 67 / 87

HEX #16210B

RGB 22 33 11

HSL 90, 0.5%, 0.09%

LAB 11.15, -9.9, 11.86

 

CMYK 67 / 0 / 100 / 94

HEX #050F00

RGB 5 15 0

HSL 100, 1%, 0.03%

LAB 3.38, -5, 4.97

 

CMYK 16 / 0 / 22 / 66

HEX #495744

RGB 73 87 68

HSL 104.21, 0.12%, 0.3%

LAB 35.3, -9.58, 9.26

 

CMYK 19 / 0 / 21 / 67

HEX #455543

RGB 69 85 67

HSL 113.33, 0.12%, 0.3%

LAB 34.33, -10.23, 8.48

 

CMYK 21 / 0 / 20 / 67

HEX #435544

RGB 67 85 68

HSL 123.33, 0.12%, 0.3%

LAB 34.21, -10.82, 7.66

 

CMYK 21 / 0 / 16 / 67

HEX #435547

RGB 67 85 71

HSL 133.33, 0.12%, 0.3%

LAB 34.28, -10.19, 5.89

 

CMYK 21 / 0 / 13 / 67

HEX #43554A

RGB 67 85 74

HSL 143.33, 0.12%, 0.3%

LAB 34.36, -9.53, 4.13

 

CMYK 16 / 0 / 22 / 66

HEX #495744

RGB 73 87 68

HSL 104.21, 0.12%, 0.3%

LAB 35.3, -9.58, 9.26

 

CMYK 16 / 0 / 22 / 46

HEX #748A6C

RGB 116 138 108

HSL 104, 0.12%, 0.48%

LAB 55.04, -13.88, 13.5

 

CMYK 16 / 0 / 22 / 26

HEX #9FBD94

RGB 159 189 148

HSL 103.9, 0.24%, 0.66%

LAB 73.48, -17.88, 17.43

 

CMYK 16 / 0 / 22 / 6

HEX #C9F0BC

RGB 201 240 188

HSL 105, 0.63%, 0.84%

LAB 90.95, -22, 21.05

 

CMYK 17 / 0 / 22 / 86

HEX #1E241C

RGB 30 36 28

HSL 105, 0.13%, 0.13%

LAB 13.36, -4.7, 4.46

 

CMYK 16 / 0 / 22 / 66

HEX #495744

RGB 73 87 68

HSL 104.21, 0.12%, 0.3%

LAB 35.3, -9.58, 9.26

 

CMYK 21 / 0 / 1 / 67

HEX #435554

RGB 67 85 84

HSL 176.67, 0.12%, 0.3%

LAB 34.66, -7.17, -1.72

 

CMYK 0 / 21 / 7 / 67

HEX #55434F

RGB 85 67 79

HSL 320, 0.12%, 0.3%

LAB 30.66, 10.07, -4.26

 

CMYK 16 / 0 / 22 / 66

HEX #495744

RGB 73 87 68

HSL 104.21, 0.12%, 0.3%

LAB 35.3, -9.58, 9.26

 

CMYK 21 / 15 / 0 / 67

HEX #434855

RGB 67 72 85

HSL 223.33, 0.12%, 0.3%

LAB 30.6, 1.18, -8.41

 

CMYK 0 / 21 / 15 / 67

HEX #554348

RGB 85 67 72

HSL 343.33, 0.12%, 0.3%

LAB 30.43, 8.67, -0.08

 

CMYK 16 / 0 / 22 / 66

HEX #495744

RGB 73 87 68

HSL 104.21, 0.12%, 0.3%

LAB 35.3, -9.58, 9.26

 

CMYK 21 / 0 / 1 / 67

HEX #435554

RGB 67 85 84

HSL 176.67, 0.12%, 0.3%

LAB 34.66, -7.17, -1.72

 

CMYK 6 / 21 / 0 / 67

HEX #504355

RGB 80 67 85

HSL 283.33, 0.12%, 0.3%

LAB 30.34, 9.39, -8.68

 

CMYK 0 / 21 / 20 / 67

HEX #554344

RGB 85 67 68

HSL 356.67, 0.12%, 0.3%

LAB 30.31, 7.92, 2.33

 

CMYK 16 / 0 / 22 / 66

HEX #495744

RGB 73 87 68

HSL 104.21, 0.12%, 0.3%

LAB 35.3, -9.58, 9.26

 

CMYK 21 / 5 / 0 / 67

HEX #435155

RGB 67 81 85

HSL 193.33, 0.12%, 0.3%

LAB 33.42, -4.48, -4.18

 

CMYK 6 / 21 / 0 / 67

HEX #504355

RGB 80 67 85

HSL 283.33, 0.12%, 0.3%

LAB 30.34, 9.39, -8.68

 

CMYK 0 / 16 / 21 / 67

HEX #554743

RGB 85 71 67

HSL 13.33, 0.12%, 0.3%

LAB 31.45, 5.2, 4.61

 

Description

Color code: CMYK 16 / 0 / 21 / 66 | qconv.com Color code: CMYK 16 / 0 / 21 / 66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 87 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 87 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 21 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 21% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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