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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 16 / 0 / 16 / 45 it is the complementary color CMYK 0 / 16 / 0 / 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 16 / 0 / 16 / 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 16 / 0 / 16 / 45: CMYK 12 / 0 / 19 / 45, CMYK 11 / 0 / 16 / 38, CMYK 11 / 0 / 14 / 31, CMYK 10 / 0 / 12 / 24 and CMYK 10 / 0 / 11 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 16 / 0 / 16 / 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 16 / 0 / 16 / 45: CMYK 16 / 0 / 16 / 45, CMYK 17 / 0 / 19 / 52, CMYK 19 / 0 / 23 / 59, CMYK 22 / 0 / 29 / 66 and CMYK 26 / 0 / 38 / 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 16 / 45

HEX #768C76

RGB 118 140 118

HSL 120, 0.09%, 0.51%

LAB 56, -12.37, 9.15

 

Complementary color

CMYK 0 / 16 / 0 / 46

HEX #897389

RGB 137 115 137

HSL 300, 0.09%, 0.49%

LAB 51.14, 12.71, -8.81

 

CMYK 12 / 0 / 19 / 45

HEX #7B8C71

RGB 123 140 113

HSL 97.78, 0.11%, 0.5%

LAB 56.25, -11.42, 12.4

 

CMYK 11 / 0 / 16 / 38

HEX #8C9E84

RGB 140 158 132

HSL 101.54, 0.12%, 0.57%

LAB 63.09, -11.38, 11.47

 

CMYK 11 / 0 / 14 / 31

HEX #9DB097

RGB 157 176 151

HSL 105.6, 0.14%, 0.64%

LAB 69.79, -11.35, 10.6

 

CMYK 10 / 0 / 12 / 24

HEX #AEC2AA

RGB 174 194 170

HSL 110, 0.16%, 0.71%

LAB 76.37, -11.33, 9.78

 

CMYK 10 / 0 / 11 / 17

HEX #BFD4BD

RGB 191 212 189

HSL 114.78, 0.21%, 0.79%

LAB 82.83, -11.31, 8.99

 

CMYK 16 / 0 / 16 / 45

HEX #768C76

RGB 118 140 118

HSL 120, 0.09%, 0.51%

LAB 56, -12.37, 9.15

 

CMYK 17 / 0 / 19 / 52

HEX #657A63

RGB 101 122 99

HSL 114.78, 0.1%, 0.43%

LAB 48.99, -12.49, 10.08

 

CMYK 19 / 0 / 23 / 59

HEX #546850

RGB 84 104 80

HSL 110, 0.13%, 0.36%

LAB 41.79, -12.62, 11.1

 

CMYK 22 / 0 / 29 / 66

HEX #43563D

RGB 67 86 61

HSL 105.6, 0.17%, 0.29%

LAB 34.37, -12.79, 12.23

 

CMYK 26 / 0 / 38 / 73

HEX #32442A

RGB 50 68 42

HSL 101.54, 0.24%, 0.22%

LAB 26.68, -12.97, 13.5

 

CMYK 16 / 0 / 16 / 45

HEX #768C76

RGB 118 140 118

HSL 120, 0.09%, 0.51%

LAB 56, -12.37, 9.15

 

CMYK 16 / 0 / 13 / 45

HEX #768D7A

RGB 118 141 122

HSL 130.43, 0.09%, 0.51%

LAB 56.39, -12.14, 7.42

 

CMYK 16 / 0 / 11 / 45

HEX #768D7E

RGB 118 141 126

HSL 140.87, 0.09%, 0.51%

LAB 56.49, -11.35, 5.27

 

CMYK 16 / 0 / 8 / 45

HEX #768D82

RGB 118 141 130

HSL 151.3, 0.09%, 0.51%

LAB 56.6, -10.53, 3.12

 

CMYK 16 / 0 / 6 / 45

HEX #768D85

RGB 118 141 133

HSL 159.13, 0.09%, 0.51%

LAB 56.68, -9.9, 1.52

 

CMYK 16 / 0 / 16 / 45

HEX #768C76

RGB 118 140 118

HSL 120, 0.09%, 0.51%

LAB 56, -12.37, 9.15

 

CMYK 16 / 0 / 16 / 25

HEX #A1BFA1

RGB 161 191 161

HSL 120, 0.19%, 0.69%

LAB 74.45, -15.93, 11.79

 

CMYK 16 / 0 / 16 / 5

HEX #CCF2CC

RGB 204 242 204

HSL 120, 0.59%, 0.87%

LAB 92, -19.3, 14.3

 

CMYK 16 / 0 / 16 / 85

HEX #202620

RGB 32 38 32

HSL 120, 0.09%, 0.14%

LAB 14.39, -4.2, 3.08

 

CMYK 16 / 0 / 16 / 65

HEX #4B594B

RGB 75 89 75

HSL 120, 0.09%, 0.32%

LAB 36.27, -8.54, 6.3

 

CMYK 16 / 0 / 16 / 45

HEX #768C76

RGB 118 140 118

HSL 120, 0.09%, 0.51%

LAB 56, -12.37, 9.15

 

CMYK 16 / 4 / 0 / 45

HEX #76888D

RGB 118 136 141

HSL 193.04, 0.09%, 0.51%

LAB 55.46, -5.37, -4.87

 

CMYK 0 / 16 / 10 / 45

HEX #8D767F

RGB 141 118 127

HSL 336.52, 0.09%, 0.51%

LAB 52.01, 10.53, -1.59

 

CMYK 16 / 0 / 16 / 45

HEX #768C76

RGB 118 140 118

HSL 120, 0.09%, 0.51%

LAB 56, -12.37, 9.15

 

CMYK 16 / 16 / 0 / 45

HEX #76768D

RGB 118 118 141

HSL 240, 0.09%, 0.51%

LAB 50.37, 5.02, -12.49

 

CMYK 0 / 16 / 16 / 45

HEX #8D7676

RGB 141 118 118

HSL 0, 0.09%, 0.51%

LAB 51.76, 8.94, 3.33

 

CMYK 16 / 0 / 16 / 45

HEX #768C76

RGB 118 140 118

HSL 120, 0.09%, 0.51%

LAB 56, -12.37, 9.15

 

CMYK 16 / 4 / 0 / 45

HEX #76888D

RGB 118 136 141

HSL 193.04, 0.09%, 0.51%

LAB 55.46, -5.37, -4.87

 

CMYK 0 / 16 / 0 / 45

HEX #8D768D

RGB 141 118 141

HSL 300, 0.09%, 0.51%

LAB 52.45, 13.23, -9.16

 

CMYK 0 / 13 / 16 / 45

HEX #8D7B76

RGB 141 123 118

HSL 13.04, 0.09%, 0.51%

LAB 53.1, 6.04, 5.27

 

CMYK 16 / 0 / 16 / 45

HEX #768C76

RGB 118 140 118

HSL 120, 0.09%, 0.51%

LAB 56, -12.37, 9.15

 

CMYK 16 / 8 / 0 / 45

HEX #76828D

RGB 118 130 141

HSL 208.7, 0.09%, 0.51%

LAB 53.75, -1.96, -7.42

 

CMYK 0 / 16 / 0 / 45

HEX #8D768D

RGB 141 118 141

HSL 300, 0.09%, 0.51%

LAB 52.45, 13.23, -9.16

 

CMYK 0 / 8 / 16 / 45

HEX #8D8276

RGB 141 130 118

HSL 31.3, 0.09%, 0.51%

LAB 55.01, 2.03, 7.99

 

Description

Color code: CMYK 16 / 0 / 16 / 45 | qconv.com Color code: CMYK 16 / 0 / 16 / 45 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 140 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 140 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 16 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 16% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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