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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 15 / 17 / 0 / 76 it is the complementary color CMYK 0 / 0 / 5 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 15 / 17 / 0 / 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 15 / 17 / 0 / 76: CMYK 0 / 11 / 2 / 78, CMYK 1 / 8 / 0 / 71, CMYK 3 / 7 / 0 / 63, CMYK 4 / 7 / 0 / 56 and CMYK 5 / 7 / 0 / 48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 15 / 17 / 0 / 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 15 / 17 / 0 / 76: CMYK 15 / 16 / 0 / 76, CMYK 17 / 21 / 0 / 84, CMYK 22 / 35 / 0 / 91, CMYK 75 / 100 / 0 / 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 17 / 0 / 76

HEX #34333D

RGB 52 51 61

HSL 246, 0.09%, 0.22%

LAB 21.71, 2.9, -6.11

 

Complementary color

CMYK 0 / 0 / 5 / 20

HEX #CBCCC2

RGB 203 204 194

HSL 66, 0.09%, 0.78%

LAB 81.72, -2.13, 4.85

 

CMYK 0 / 11 / 2 / 78

HEX #393338

RGB 57 51 56

HSL 310, 0.06%, 0.21%

LAB 22.03, 3.77, -2.19

 

CMYK 1 / 8 / 0 / 71

HEX #4A454B

RGB 74 69 75

HSL 290, 0.04%, 0.28%

LAB 29.96, 3.41, -2.85

 

CMYK 3 / 7 / 0 / 63

HEX #5B575E

RGB 91 87 94

HSL 274.29, 0.04%, 0.35%

LAB 37.57, 3.1, -3.47

 

CMYK 4 / 7 / 0 / 56

HEX #6C6971

RGB 108 105 113

HSL 262.5, 0.04%, 0.43%

LAB 44.92, 2.83, -4.06

 

CMYK 5 / 7 / 0 / 48

HEX #7D7B84

RGB 125 123 132

HSL 253.33, 0.04%, 0.5%

LAB 52.05, 2.59, -4.62

 

CMYK 15 / 16 / 0 / 76

HEX #34333D

RGB 52 51 61

HSL 246, 0.09%, 0.22%

LAB 21.71, 2.9, -6.11

 

CMYK 17 / 21 / 0 / 84

HEX #23212A

RGB 35 33 42

HSL 253.33, 0.12%, 0.15%

LAB 13.3, 3.28, -5.66

 

CMYK 22 / 35 / 0 / 91

HEX #120F17

RGB 18 15 23

HSL 262.5, 0.21%, 0.07%

LAB 4.81, 2.83, -4.34

 

CMYK 75 / 100 / 0 / 98

HEX #010004

RGB 1 0 4

HSL 255, 1%, 0.01%

LAB 0.14, 0.82, -1.42

 

CMYK 15 / 16 / 0 / 76

HEX #34333D

RGB 52 51 61

HSL 246, 0.09%, 0.22%

LAB 21.71, 2.9, -6.11

 

CMYK 13 / 16 / 0 / 76

HEX #35333D

RGB 53 51 61

HSL 252, 0.09%, 0.22%

LAB 21.8, 3.31, -5.95

 

CMYK 10 / 16 / 0 / 76

HEX #37333D

RGB 55 51 61

HSL 264, 0.09%, 0.22%

LAB 22, 4.13, -5.63

 

CMYK 7 / 16 / 0 / 76

HEX #39333D

RGB 57 51 61

HSL 276, 0.09%, 0.22%

LAB 22.21, 4.96, -5.3

 

CMYK 5 / 16 / 0 / 76

HEX #3A333D

RGB 58 51 61

HSL 282, 0.09%, 0.22%

LAB 22.32, 5.37, -5.13

 

CMYK 15 / 16 / 0 / 76

HEX #34333D

RGB 52 51 61

HSL 246, 0.09%, 0.22%

LAB 21.71, 2.9, -6.11

 

CMYK 15 / 16 / 0 / 56

HEX #5F5E70

RGB 95 94 112

HSL 243.33, 0.09%, 0.4%

LAB 40.59, 4.44, -10.04

 

CMYK 15 / 17 / 0 / 36

HEX #8B88A3

RGB 139 136 163

HSL 246.67, 0.13%, 0.59%

LAB 57.79, 6.77, -13.89

 

CMYK 15 / 16 / 0 / 16

HEX #B6B3D6

RGB 182 179 214

HSL 245.14, 0.3%, 0.77%

LAB 74.22, 8.06, -17.23

 

CMYK 10 / 20 / 0 / 96

HEX #09080A

RGB 9 8 10

HSL 270, 0.11%, 0.04%

LAB 2.29, 0.54, -0.67

 

CMYK 15 / 16 / 0 / 76

HEX #34333D

RGB 52 51 61

HSL 246, 0.09%, 0.22%

LAB 21.71, 2.9, -6.11

 

CMYK 0 / 16 / 5 / 76

HEX #3D333A

RGB 61 51 58

HSL 318, 0.09%, 0.22%

LAB 22.53, 5.95, -2.75

 

CMYK 11 / 0 / 16 / 76

HEX #363D33

RGB 54 61 51

HSL 102, 0.09%, 0.22%

LAB 24.83, -5.21, 5.19

 

CMYK 15 / 16 / 0 / 76

HEX #34333D

RGB 52 51 61

HSL 246, 0.09%, 0.22%

LAB 21.71, 2.9, -6.11

 

CMYK 0 / 15 / 16 / 76

HEX #3D3433

RGB 61 52 51

HSL 6, 0.09%, 0.22%

LAB 22.61, 3.8, 2.1

 

CMYK 16 / 0 / 15 / 76

HEX #333D34

RGB 51 61 52

HSL 126, 0.09%, 0.22%

LAB 24.61, -6.28, 4.17

 

CMYK 15 / 16 / 0 / 76

HEX #34333D

RGB 52 51 61

HSL 246, 0.09%, 0.22%

LAB 21.71, 2.9, -6.11

 

CMYK 0 / 16 / 5 / 76

HEX #3D333A

RGB 61 51 58

HSL 318, 0.09%, 0.22%

LAB 22.53, 5.95, -2.75

 

CMYK 2 / 0 / 16 / 76

HEX #3C3D33

RGB 60 61 51

HSL 66, 0.09%, 0.22%

LAB 25.37, -2.55, 6.03

 

CMYK 16 / 0 / 11 / 76

HEX #333D36

RGB 51 61 54

HSL 138, 0.09%, 0.22%

LAB 24.66, -5.82, 2.93

 

CMYK 15 / 16 / 0 / 76

HEX #34333D

RGB 52 51 61

HSL 246, 0.09%, 0.22%

LAB 21.71, 2.9, -6.11

 

CMYK 0 / 16 / 10 / 76

HEX #3D3337

RGB 61 51 55

HSL 336, 0.09%, 0.22%

LAB 22.43, 5.3, -0.87

 

CMYK 2 / 0 / 16 / 76

HEX #3C3D33

RGB 60 61 51

HSL 66, 0.09%, 0.22%

LAB 25.37, -2.55, 6.03

 

CMYK 16 / 0 / 7 / 76

HEX #333D39

RGB 51 61 57

HSL 156, 0.09%, 0.22%

LAB 24.75, -5.11, 1.07

 

Description

Color code: CMYK 15 / 17 / 0 / 76 | qconv.com Color code: CMYK 15 / 17 / 0 / 76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 51 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 51 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 17 magenta, none yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 17% 0% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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