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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 15 / 0 / 44 / 26 it is the complementary color CMYK 36 / 56 / 0 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 15 / 0 / 44 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 15 / 0 / 44 / 26: CMYK 13 / 0 / 47 / 26, CMYK 12 / 0 / 42 / 19, CMYK 12 / 0 / 38 / 12, CMYK 11 / 0 / 35 / 5 and CMYK 9 / 0 / 31 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 15 / 0 / 44 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 15 / 0 / 44 / 26: CMYK 15 / 0 / 44 / 26, CMYK 16 / 0 / 49 / 33, CMYK 18 / 0 / 56 / 40, CMYK 19 / 0 / 64 / 47 and CMYK 21 / 0 / 74 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 44 / 26

HEX #A0BD6A

RGB 160 189 106

HSL 80.96, 0.39%, 0.58%

LAB 72.83, -23.51, 38.63

 

Complementary color

CMYK 36 / 56 / 0 / 42

HEX #5F4295

RGB 95 66 149

HSL 260.96, 0.39%, 0.42%

LAB 35, 31.64, -41.39

 

CMYK 13 / 0 / 47 / 26

HEX #A5BD65

RGB 165 189 101

HSL 76.36, 0.4%, 0.57%

LAB 73.11, -22.12, 41.56

 

CMYK 12 / 0 / 42 / 19

HEX #B6CF78

RGB 182 207 120

HSL 77.24, 0.48%, 0.64%

LAB 79.57, -22.27, 40.39

 

CMYK 12 / 0 / 38 / 12

HEX #C7E18B

RGB 199 225 139

HSL 78.14, 0.59%, 0.71%

LAB 85.93, -22.37, 39.25

 

CMYK 11 / 0 / 35 / 5

HEX #D8F39E

RGB 216 243 158

HSL 79.06, 0.78%, 0.79%

LAB 92.21, -22.44, 38.13

 

CMYK 9 / 0 / 31 / 0

HEX #E9FFB1

RGB 233 255 177

HSL 76.92, 1%, 0.85%

LAB 96.83, -19.61, 34.98

 

CMYK 15 / 0 / 44 / 26

HEX #A0BD6A

RGB 160 189 106

HSL 80.96, 0.39%, 0.58%

LAB 72.83, -23.51, 38.63

 

CMYK 16 / 0 / 49 / 33

HEX #8FAB57

RGB 143 171 87

HSL 80, 0.33%, 0.51%

LAB 66.25, -23.4, 39.82

 

CMYK 18 / 0 / 56 / 40

HEX #7E9944

RGB 126 153 68

HSL 79.06, 0.38%, 0.43%

LAB 59.56, -23.22, 40.97

 

CMYK 19 / 0 / 64 / 47

HEX #6D8731

RGB 109 135 49

HSL 78.14, 0.47%, 0.36%

LAB 52.73, -22.94, 41.96

 

CMYK 21 / 0 / 74 / 54

HEX #5C751E

RGB 92 117 30

HSL 77.24, 0.59%, 0.29%

LAB 45.76, -22.47, 42.52

 

CMYK 15 / 0 / 44 / 26

HEX #A0BD6A

RGB 160 189 106

HSL 80.96, 0.39%, 0.58%

LAB 72.83, -23.51, 38.63

 

CMYK 22 / 0 / 44 / 26

HEX #93BD6A

RGB 147 189 106

HSL 90.36, 0.39%, 0.58%

LAB 71.99, -28.43, 37.39

 

CMYK 30 / 0 / 44 / 26

HEX #85BD6A

RGB 133 189 106

HSL 100.48, 0.39%, 0.58%

LAB 71.16, -33.49, 36.18

 

CMYK 37 / 0 / 44 / 26

HEX #78BD6A

RGB 120 189 106

HSL 109.88, 0.39%, 0.58%

LAB 70.48, -37.9, 35.16

 

CMYK 44 / 0 / 44 / 26

HEX #6ABD6A

RGB 106 189 106

HSL 120, 0.39%, 0.58%

LAB 69.82, -42.29, 34.2

 

CMYK 15 / 0 / 44 / 26

HEX #A0BD6A

RGB 160 189 106

HSL 80.96, 0.39%, 0.58%

LAB 72.83, -23.51, 38.63

 

CMYK 15 / 0 / 44 / 6

HEX #CBF087

RGB 203 240 135

HSL 81.14, 0.78%, 0.74%

LAB 90.21, -28.51, 46.69

 

CMYK 17 / 0 / 44 / 86

HEX #1E2414

RGB 30 36 20

HSL 82.5, 0.29%, 0.11%

LAB 13.16, -6.34, 9.81

 

CMYK 15 / 0 / 44 / 66

HEX #4A5731

RGB 74 87 49

HSL 80.53, 0.28%, 0.27%

LAB 34.99, -12.36, 20.41

 

CMYK 15 / 0 / 44 / 46

HEX #758A4D

RGB 117 138 77

HSL 80.66, 0.28%, 0.42%

LAB 54.55, -18.21, 30.13

 

CMYK 15 / 0 / 44 / 26

HEX #A0BD6A

RGB 160 189 106

HSL 80.96, 0.39%, 0.58%

LAB 72.83, -23.51, 38.63

 

CMYK 44 / 0 / 21 / 26

HEX #6ABD96

RGB 106 189 150

HSL 151.81, 0.39%, 0.58%

LAB 70.64, -34.34, 11.94

 

CMYK 3 / 44 / 0 / 26

HEX #B86ABD

RGB 184 106 189

HSL 296.39, 0.39%, 0.58%

LAB 56.26, 43.84, -30.75

 

CMYK 15 / 0 / 44 / 26

HEX #A0BD6A

RGB 160 189 106

HSL 80.96, 0.39%, 0.58%

LAB 72.83, -23.51, 38.63

 

CMYK 44 / 15 / 0 / 26

HEX #6AA1BD

RGB 106 161 189

HSL 200.24, 0.39%, 0.58%

LAB 63.53, -10.61, -20.1

 

CMYK 0 / 44 / 15 / 26

HEX #BD6AA1

RGB 189 106 161

HSL 320.24, 0.39%, 0.58%

LAB 55.79, 40.48, -15.26

 

CMYK 15 / 0 / 44 / 26

HEX #A0BD6A

RGB 160 189 106

HSL 80.96, 0.39%, 0.58%

LAB 72.83, -23.51, 38.63

 

CMYK 44 / 0 / 21 / 26

HEX #6ABD96

RGB 106 189 150

HSL 151.81, 0.39%, 0.58%

LAB 70.64, -34.34, 11.94

 

CMYK 30 / 44 / 0 / 26

HEX #856ABD

RGB 133 106 189

HSL 259.52, 0.39%, 0.58%

LAB 50.65, 28.8, -39.94

 

CMYK 0 / 44 / 23 / 26

HEX #BD6A91

RGB 189 106 145

HSL 331.81, 0.39%, 0.58%

LAB 55.25, 38, -6.74

 

CMYK 15 / 0 / 44 / 26

HEX #A0BD6A

RGB 160 189 106

HSL 80.96, 0.39%, 0.58%

LAB 72.83, -23.51, 38.63

 

CMYK 44 / 0 / 7 / 26

HEX #6ABDAF

RGB 106 189 175

HSL 169.88, 0.39%, 0.58%

LAB 71.25, -28.69, -0.81

 

CMYK 30 / 44 / 0 / 26

HEX #856ABD

RGB 133 106 189

HSL 259.52, 0.39%, 0.58%

LAB 50.65, 28.8, -39.94

 

CMYK 0 / 44 / 37 / 26

HEX #BD6A78

RGB 189 106 120

HSL 349.88, 0.39%, 0.58%

LAB 54.54, 34.61, 6.89

 

Description

Color code: CMYK 15 / 0 / 44 / 26 | qconv.com Color code: CMYK 15 / 0 / 44 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 189 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 189 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 44 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 44% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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