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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 14 / 7 / 0 / 15 it is the complementary color CMYK 0 / 23 / 45 / 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 14 / 7 / 0 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 14 / 7 / 0 / 15: CMYK 10 / 5 / 0 / 17, CMYK 10 / 5 / 0 / 9, CMYK 10 / 5 / 0 / 2, CMYK 5 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 14 / 7 / 0 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 14 / 7 / 0 / 15: CMYK 14 / 7 / 0 / 15, CMYK 15 / 7 / 0 / 22, CMYK 15 / 7 / 0 / 30, CMYK 16 / 7 / 0 / 37 and CMYK 16 / 8 / 0 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 7 / 0 / 15

HEX #BACAD9

RGB 186 202 217

HSL 209.03, 0.29%, 0.79%

LAB 80.57, -2.39, -9.3

 

Complementary color

CMYK 0 / 23 / 45 / 73

HEX #453526

RGB 69 53 38

HSL 29.03, 0.29%, 0.21%

LAB 23.51, 4.73, 12.19

 

CMYK 10 / 5 / 0 / 17

HEX #BFCAD4

RGB 191 202 212

HSL 208.57, 0.2%, 0.79%

LAB 80.78, -1.78, -6.27

 

CMYK 10 / 5 / 0 / 9

HEX #D0DCE7

RGB 208 220 231

HSL 208.7, 0.32%, 0.86%

LAB 87.18, -1.89, -6.77

 

CMYK 10 / 5 / 0 / 2

HEX #E1EEFA

RGB 225 238 250

HSL 208.8, 0.71%, 0.93%

LAB 93.48, -2.01, -7.27

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 14 / 7 / 0 / 15

HEX #BACAD9

RGB 186 202 217

HSL 209.03, 0.29%, 0.79%

LAB 80.57, -2.39, -9.3

 

CMYK 15 / 7 / 0 / 22

HEX #A9B8C6

RGB 169 184 198

HSL 208.97, 0.2%, 0.72%

LAB 74.06, -2.28, -8.84

 

CMYK 15 / 7 / 0 / 30

HEX #98A6B3

RGB 152 166 179

HSL 208.89, 0.15%, 0.65%

LAB 67.43, -2.18, -8.37

 

CMYK 16 / 7 / 0 / 37

HEX #8794A0

RGB 135 148 160

HSL 208.8, 0.12%, 0.58%

LAB 60.67, -2.07, -7.9

 

CMYK 16 / 8 / 0 / 45

HEX #76828D

RGB 118 130 141

HSL 208.7, 0.09%, 0.51%

LAB 53.75, -1.96, -7.42

 

CMYK 14 / 7 / 0 / 15

HEX #BACAD9

RGB 186 202 217

HSL 209.03, 0.29%, 0.79%

LAB 80.57, -2.39, -9.3

 

CMYK 14 / 9 / 0 / 15

HEX #B9C4D8

RGB 185 196 216

HSL 218.71, 0.28%, 0.79%

LAB 78.9, 0.27, -11.26

 

CMYK 14 / 12 / 0 / 15

HEX #B9BFD8

RGB 185 191 216

HSL 228.39, 0.28%, 0.79%

LAB 77.6, 2.94, -13.2

 

CMYK 14 / 14 / 0 / 15

HEX #B9BAD8

RGB 185 186 216

HSL 238.06, 0.28%, 0.79%

LAB 76.31, 5.64, -15.14

 

CMYK 12 / 14 / 0 / 15

HEX #BEB9D8

RGB 190 185 216

HSL 249.68, 0.28%, 0.79%

LAB 76.44, 7.81, -14.9

 

CMYK 14 / 7 / 0 / 15

HEX #BACAD9

RGB 186 202 217

HSL 209.03, 0.29%, 0.79%

LAB 80.57, -2.39, -9.3

 

CMYK 15 / 8 / 0 / 95

HEX #0B0C0D

RGB 11 12 13

HSL 210, 0.08%, 0.05%

LAB 3.28, -0.12, -0.54

 

CMYK 14 / 6 / 0 / 75

HEX #373C40

RGB 55 60 64

HSL 206.67, 0.08%, 0.23%

LAB 25, -1.11, -3.18

 

CMYK 14 / 7 / 0 / 55

HEX #636B73

RGB 99 107 115

HSL 210, 0.07%, 0.42%

LAB 44.81, -1.25, -5.51

 

CMYK 14 / 7 / 0 / 35

HEX #8E9BA6

RGB 142 155 166

HSL 207.5, 0.12%, 0.6%

LAB 63.3, -2.28, -7.32

 

CMYK 14 / 7 / 0 / 15

HEX #BACAD9

RGB 186 202 217

HSL 209.03, 0.29%, 0.79%

LAB 80.57, -2.39, -9.3

 

CMYK 4 / 14 / 0 / 15

HEX #CFB9D8

RGB 207 185 216

HSL 282.58, 0.28%, 0.79%

LAB 77.83, 13.42, -12.68

 

CMYK 1 / 0 / 14 / 15

HEX #D6D8B9

RGB 214 216 185

HSL 63.87, 0.28%, 0.79%

LAB 85.46, -5.93, 15.07

 

CMYK 14 / 7 / 0 / 15

HEX #BACAD9

RGB 186 202 217

HSL 209.03, 0.29%, 0.79%

LAB 80.57, -2.39, -9.3

 

CMYK 0 / 14 / 7 / 15

HEX #D8B9C9

RGB 216 185 201

HSL 329.03, 0.28%, 0.79%

LAB 78.18, 13.75, -3.95

 

CMYK 7 / 0 / 14 / 15

HEX #C9D8B9

RGB 201 216 185

HSL 89.03, 0.28%, 0.79%

LAB 84.5, -10.56, 13.58

 

CMYK 14 / 7 / 0 / 15

HEX #BACAD9

RGB 186 202 217

HSL 209.03, 0.29%, 0.79%

LAB 80.57, -2.39, -9.3

 

CMYK 4 / 14 / 0 / 15

HEX #CFB9D8

RGB 207 185 216

HSL 282.58, 0.28%, 0.79%

LAB 77.83, 13.42, -12.68

 

CMYK 0 / 7 / 14 / 15

HEX #D8C8B9

RGB 216 200 185

HSL 29.03, 0.28%, 0.79%

LAB 81.52, 3.11, 9.51

 

CMYK 10 / 0 / 14 / 15

HEX #C3D8B9

RGB 195 216 185

HSL 100.65, 0.28%, 0.79%

LAB 84.08, -12.66, 12.93

 

CMYK 14 / 7 / 0 / 15

HEX #BACAD9

RGB 186 202 217

HSL 209.03, 0.29%, 0.79%

LAB 80.57, -2.39, -9.3

 

CMYK 0 / 14 / 0 / 15

HEX #D8B9D8

RGB 216 185 216

HSL 300, 0.28%, 0.79%

LAB 78.61, 16.45, -11.43

 

CMYK 0 / 7 / 14 / 15

HEX #D8C8B9

RGB 216 200 185

HSL 29.03, 0.28%, 0.79%

LAB 81.52, 3.11, 9.51

 

CMYK 14 / 0 / 14 / 15

HEX #BAD8B9

RGB 186 216 185

HSL 118.06, 0.28%, 0.79%

LAB 83.47, -15.76, 11.98

 

Description

Color code: CMYK 14 / 7 / 0 / 15 | qconv.com Color code: CMYK 14 / 7 / 0 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 202 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 202 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 7 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 7% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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