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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 14 / 61 / 53 / 24 it is the complementary color CMYK 51 / 0 / 8 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 14 / 61 / 53 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 14 / 61 / 53 / 24: CMYK 0 / 56 / 50 / 33, CMYK 0 / 50 / 44 / 26, CMYK 0 / 46 / 40 / 19, CMYK 0 / 42 / 36 / 13 and CMYK 0 / 38 / 33 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 14 / 61 / 53 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 14 / 61 / 53 / 24: CMYK 0 / 54 / 46 / 35, CMYK 0 / 61 / 52 / 41, CMYK 0 / 70 / 60 / 48, CMYK 0 / 81 / 71 / 55 and CMYK 0 / 96 / 85 / 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 61 / 53 / 24

HEX #A74C5B

RGB 167 76 91

HSL 350.11, 0.37%, 0.48%

LAB 44.43, 38.92, 9.52

 

Complementary color

CMYK 51 / 0 / 8 / 30

HEX #58B3A4

RGB 88 179 164

HSL 170.11, 0.37%, 0.52%

LAB 67.27, -30.88, -0.67

 

CMYK 0 / 56 / 50 / 33

HEX #AC4C56

RGB 172 76 86

HSL 353.75, 0.39%, 0.49%

LAB 45.1, 40.25, 13.62

 

CMYK 0 / 50 / 44 / 26

HEX #BD5E69

RGB 189 94 105

HSL 353.05, 0.42%, 0.55%

LAB 51.66, 39.22, 11.68

 

CMYK 0 / 46 / 40 / 19

HEX #CE707C

RGB 206 112 124

HSL 352.34, 0.49%, 0.62%

LAB 58.19, 38.19, 10.06

 

CMYK 0 / 42 / 36 / 13

HEX #DF828F

RGB 223 130 143

HSL 351.61, 0.59%, 0.69%

LAB 64.67, 37.21, 8.67

 

CMYK 0 / 38 / 33 / 6

HEX #F094A2

RGB 240 148 162

HSL 350.87, 0.75%, 0.76%

LAB 71.09, 36.29, 7.44

 

CMYK 0 / 54 / 46 / 35

HEX #A74C5B

RGB 167 76 91

HSL 350.11, 0.37%, 0.48%

LAB 44.43, 38.92, 9.52

 

CMYK 0 / 61 / 52 / 41

HEX #963A48

RGB 150 58 72

HSL 350.87, 0.44%, 0.41%

LAB 37.8, 39.85, 11.69

 

CMYK 0 / 70 / 60 / 48

HEX #852835

RGB 133 40 53

HSL 351.61, 0.54%, 0.34%

LAB 31.26, 40.52, 14.5

 

CMYK 0 / 81 / 71 / 55

HEX #741622

RGB 116 22 34

HSL 352.34, 0.68%, 0.27%

LAB 24.96, 40.53, 18.26

 

CMYK 0 / 96 / 85 / 61

HEX #63040F

RGB 99 4 15

HSL 353.05, 0.92%, 0.2%

LAB 19.11, 39.37, 22.81

 

CMYK 0 / 54 / 46 / 35

HEX #A74C5B

RGB 167 76 91

HSL 350.11, 0.37%, 0.48%

LAB 44.43, 38.92, 9.52

 

CMYK 0 / 54 / 54 / 35

HEX #A74D4D

RGB 167 77 77

HSL 0, 0.37%, 0.48%

LAB 44.32, 37.06, 17.9

 

CMYK 0 / 45 / 54 / 35

HEX #A75C4D

RGB 167 92 77

HSL 10, 0.37%, 0.48%

LAB 47.5, 29.05, 22.12

 

CMYK 0 / 36 / 54 / 35

HEX #A76B4D

RGB 167 107 77

HSL 20, 0.37%, 0.48%

LAB 51, 20.67, 26.65

 

CMYK 0 / 27 / 54 / 35

HEX #A77A4D

RGB 167 122 77

HSL 30, 0.37%, 0.48%

LAB 54.73, 12.18, 31.36

 

CMYK 0 / 54 / 46 / 35

HEX #A74C5B

RGB 167 76 91

HSL 350.11, 0.37%, 0.48%

LAB 44.43, 38.92, 9.52

 

CMYK 0 / 55 / 45 / 15

HEX #DA6377

RGB 218 99 119

HSL 349.92, 0.62%, 0.62%

LAB 57.23, 48.45, 11.87

 

CMYK 0 / 57 / 43 / 95

HEX #0E0608

RGB 14 6 8

HSL 345, 0.4%, 0.04%

LAB 2.18, 2.49, 0.02

 

CMYK 0 / 54 / 46 / 75

HEX #411E23

RGB 65 30 35

HSL 351.43, 0.37%, 0.19%

LAB 16.37, 17.55, 4.36

 

CMYK 0 / 54 / 46 / 55

HEX #74353F

RGB 116 53 63

HSL 350.48, 0.37%, 0.33%

LAB 30.92, 28.75, 7.03

 

CMYK 0 / 54 / 46 / 35

HEX #A74C5B

RGB 167 76 91

HSL 350.11, 0.37%, 0.48%

LAB 44.43, 38.92, 9.52

 

CMYK 2 / 0 / 54 / 35

HEX #A4A74D

RGB 164 167 77

HSL 62, 0.37%, 0.48%

LAB 66.57, -13.71, 45.48

 

CMYK 54 / 23 / 0 / 35

HEX #4D80A7

RGB 77 128 167

HSL 206, 0.37%, 0.48%

LAB 51.62, -5.63, -25.99

 

CMYK 0 / 54 / 46 / 35

HEX #A74C5B

RGB 167 76 91

HSL 350.11, 0.37%, 0.48%

LAB 44.43, 38.92, 9.52

 

CMYK 45 / 0 / 54 / 35

HEX #5CA74D

RGB 92 167 77

HSL 110, 0.37%, 0.48%

LAB 62.04, -41.12, 39.02

 

CMYK 54 / 45 / 0 / 35

HEX #4D5CA7

RGB 77 92 167

HSL 230, 0.37%, 0.48%

LAB 41.25, 16.42, -42.29

 

CMYK 0 / 54 / 46 / 35

HEX #A74C5B

RGB 167 76 91

HSL 350.11, 0.37%, 0.48%

LAB 44.43, 38.92, 9.52

 

CMYK 2 / 0 / 54 / 35

HEX #A4A74D

RGB 164 167 77

HSL 62, 0.37%, 0.48%

LAB 66.57, -13.71, 45.48

 

CMYK 54 / 0 / 9 / 35

HEX #4DA798

RGB 77 167 152

HSL 170, 0.37%, 0.48%

LAB 62.91, -30.62, -0.42

 

CMYK 52 / 54 / 0 / 35

HEX #504DA7

RGB 80 77 167

HSL 242, 0.37%, 0.48%

LAB 37.49, 26.65, -48.31

 

CMYK 0 / 54 / 46 / 35

HEX #A74C5B

RGB 167 76 91

HSL 350.11, 0.37%, 0.48%

LAB 44.43, 38.92, 9.52

 

CMYK 18 / 0 / 54 / 35

HEX #89A74D

RGB 137 167 77

HSL 80, 0.37%, 0.48%

LAB 64.56, -24.85, 42.62

 

CMYK 54 / 0 / 9 / 35

HEX #4DA798

RGB 77 167 152

HSL 170, 0.37%, 0.48%

LAB 62.91, -30.62, -0.42

 

CMYK 36 / 54 / 0 / 35

HEX #6B4DA7

RGB 107 77 167

HSL 260, 0.37%, 0.48%

LAB 39.95, 33.11, -44.21

 

Description

Color code: CMYK 14 / 61 / 53 / 24 | qconv.com Color code: CMYK 14 / 61 / 53 / 24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 76 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 76 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 61 magenta, 53 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 61% 53% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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