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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 14 / 23 / 0 / 53 it is the complementary color CMYK 7 / 0 / 17 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 14 / 23 / 0 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 14 / 23 / 0 / 53: CMYK 6 / 20 / 0 / 55, CMYK 7 / 18 / 0 / 47, CMYK 7 / 16 / 0 / 40, CMYK 8 / 15 / 0 / 33 and CMYK 8 / 14 / 0 / 25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 14 / 23 / 0 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 14 / 23 / 0 / 53: CMYK 14 / 23 / 0 / 53, CMYK 15 / 27 / 0 / 60, CMYK 16 / 32 / 0 / 68, CMYK 17 / 40 / 0 / 75 and CMYK 20 / 55 / 0 / 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 23 / 0 / 53

HEX #675C78

RGB 103 92 120

HSL 263.57, 0.13%, 0.42%

LAB 41.05, 10.47, -14.16

 

Complementary color

CMYK 7 / 0 / 17 / 36

HEX #98A387

RGB 152 163 135

HSL 83.57, 0.13%, 0.58%

LAB 65.45, -9.07, 13.25

 

CMYK 6 / 20 / 0 / 55

HEX #6C5C73

RGB 108 92 115

HSL 281.74, 0.11%, 0.41%

LAB 41.34, 11.14, -10.61

 

CMYK 7 / 18 / 0 / 47

HEX #7D6E86

RGB 125 110 134

HSL 277.5, 0.1%, 0.48%

LAB 48.55, 10.67, -11.03

 

CMYK 7 / 16 / 0 / 40

HEX #8E8099

RGB 142 128 153

HSL 273.6, 0.11%, 0.55%

LAB 55.57, 10.24, -11.45

 

CMYK 8 / 15 / 0 / 33

HEX #9F92AC

RGB 159 146 172

HSL 270, 0.14%, 0.62%

LAB 62.43, 9.86, -11.86

 

CMYK 8 / 14 / 0 / 25

HEX #B0A4BF

RGB 176 164 191

HSL 266.67, 0.17%, 0.7%

LAB 69.14, 9.52, -12.27

 

CMYK 14 / 23 / 0 / 53

HEX #675C78

RGB 103 92 120

HSL 263.57, 0.13%, 0.42%

LAB 41.05, 10.47, -14.16

 

CMYK 15 / 27 / 0 / 60

HEX #564A65

RGB 86 74 101

HSL 266.67, 0.15%, 0.34%

LAB 33.6, 11, -13.89

 

CMYK 16 / 32 / 0 / 68

HEX #453852

RGB 69 56 82

HSL 270, 0.19%, 0.27%

LAB 25.87, 11.64, -13.64

 

CMYK 17 / 40 / 0 / 75

HEX #34263F

RGB 52 38 63

HSL 273.6, 0.25%, 0.2%

LAB 17.81, 12.41, -13.44

 

CMYK 20 / 55 / 0 / 83

HEX #23142C

RGB 35 20 44

HSL 277.5, 0.38%, 0.13%

LAB 9.32, 13.38, -13.27

 

CMYK 14 / 23 / 0 / 53

HEX #675C78

RGB 103 92 120

HSL 263.57, 0.13%, 0.42%

LAB 41.05, 10.47, -14.16

 

CMYK 11 / 23 / 0 / 53

HEX #6C5D79

RGB 108 93 121

HSL 272.14, 0.13%, 0.42%

LAB 41.84, 11.88, -13.52

 

CMYK 7 / 23 / 0 / 53

HEX #715D79

RGB 113 93 121

HSL 282.86, 0.13%, 0.42%

LAB 42.34, 13.7, -12.72

 

CMYK 3 / 23 / 0 / 53

HEX #755D79

RGB 117 93 121

HSL 291.43, 0.13%, 0.42%

LAB 42.75, 15.17, -12.06

 

CMYK 0 / 23 / 2 / 53

HEX #795D77

RGB 121 93 119

HSL 304.29, 0.13%, 0.42%

LAB 43.1, 16.23, -10.27

 

CMYK 14 / 23 / 0 / 53

HEX #675C78

RGB 103 92 120

HSL 263.57, 0.13%, 0.42%

LAB 41.05, 10.47, -14.16

 

CMYK 14 / 23 / 0 / 33

HEX #9383AB

RGB 147 131 171

HSL 264, 0.19%, 0.59%

LAB 57.44, 14.15, -18.94

 

CMYK 14 / 23 / 0 / 13

HEX #BFAADE

RGB 191 170 222

HSL 264.23, 0.44%, 0.77%

LAB 72.96, 17.6, -23.43

 

CMYK 17 / 22 / 0 / 93

HEX #0F0E12

RGB 15 14 18

HSL 255, 0.13%, 0.06%

LAB 4.15, 1.09, -1.95

 

CMYK 14 / 23 / 0 / 73

HEX #3B3545

RGB 59 53 69

HSL 262.5, 0.13%, 0.24%

LAB 23.36, 6.44, -8.94

 

CMYK 14 / 23 / 0 / 53

HEX #675C78

RGB 103 92 120

HSL 263.57, 0.13%, 0.42%

LAB 41.05, 10.47, -14.16

 

CMYK 0 / 23 / 14 / 53

HEX #795D68

RGB 121 93 104

HSL 336.43, 0.13%, 0.42%

LAB 42.6, 13.33, -1.87

 

CMYK 23 / 0 / 23 / 53

HEX #5D795D

RGB 93 121 93

HSL 120, 0.13%, 0.42%

LAB 48, -16.09, 12.12

 

CMYK 14 / 23 / 0 / 53

HEX #675C78

RGB 103 92 120

HSL 263.57, 0.13%, 0.42%

LAB 41.05, 10.47, -14.16

 

CMYK 0 / 15 / 23 / 53

HEX #79675D

RGB 121 103 93

HSL 21.43, 0.13%, 0.42%

LAB 45.02, 5.44, 8.29

 

CMYK 23 / 0 / 15 / 53

HEX #5D7967

RGB 93 121 103

HSL 141.43, 0.13%, 0.42%

LAB 48.24, -14.09, 6.59

 

CMYK 14 / 23 / 0 / 53

HEX #675C78

RGB 103 92 120

HSL 263.57, 0.13%, 0.42%

LAB 41.05, 10.47, -14.16

 

CMYK 0 / 23 / 14 / 53

HEX #795D68

RGB 121 93 104

HSL 336.43, 0.13%, 0.42%

LAB 42.6, 13.33, -1.87

 

CMYK 9 / 0 / 23 / 53

HEX #6E795D

RGB 110 121 93

HSL 83.57, 0.13%, 0.42%

LAB 49.23, -9.5, 14.02

 

CMYK 23 / 0 / 10 / 53

HEX #5D796D

RGB 93 121 109

HSL 154.29, 0.13%, 0.42%

LAB 48.39, -12.8, 3.27

 

CMYK 14 / 23 / 0 / 53

HEX #675C78

RGB 103 92 120

HSL 263.57, 0.13%, 0.42%

LAB 41.05, 10.47, -14.16

 

CMYK 0 / 23 / 21 / 53

HEX #795D60

RGB 121 93 96

HSL 353.57, 0.13%, 0.42%

LAB 42.37, 11.92, 2.68

 

CMYK 9 / 0 / 23 / 53

HEX #6E795D

RGB 110 121 93

HSL 83.57, 0.13%, 0.42%

LAB 49.23, -9.5, 14.02

 

CMYK 23 / 0 / 3 / 53

HEX #5D7975

RGB 93 121 117

HSL 171.43, 0.13%, 0.42%

LAB 48.62, -10.98, -1.13

Pantone® 5487 C

Description

Color code: CMYK 14 / 23 / 0 / 53 | qconv.com Color code: CMYK 14 / 23 / 0 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 92 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 92 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 23 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 23% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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