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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 13 / 4 / 0 / 59 it is the complementary color CMYK 0 / 5 / 9 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 13 / 4 / 0 / 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 13 / 4 / 0 / 59: CMYK 4 / 0 / 0 / 61, CMYK 5 / 1 / 0 / 53, CMYK 6 / 1 / 0 / 46, CMYK 6 / 2 / 0 / 38 and CMYK 7 / 2 / 0 / 31

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 13 / 4 / 0 / 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 13 / 4 / 0 / 59: CMYK 13 / 5 / 0 / 59, CMYK 14 / 5 / 0 / 66, CMYK 15 / 4 / 0 / 74, CMYK 17 / 4 / 0 / 81 and CMYK 21 / 3 / 0 / 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 4 / 0 / 59

HEX #5B6469

RGB 91 100 105

HSL 201.43, 0.07%, 0.38%

LAB 41.78, -2.32, -4.01

 

Complementary color

CMYK 0 / 5 / 9 / 36

HEX #A49B96

RGB 164 155 150

HSL 21.43, 0.07%, 0.62%

LAB 64.59, 2.38, 3.79

 

CMYK 4 / 0 / 0 / 61

HEX #606464

RGB 96 100 100

HSL 180, 0.02%, 0.38%

LAB 42.03, -1.55, -0.55

 

CMYK 5 / 1 / 0 / 53

HEX #717677

RGB 113 118 119

HSL 190, 0.03%, 0.45%

LAB 49.25, -1.67, -1.21

 

CMYK 6 / 1 / 0 / 46

HEX #82888A

RGB 130 136 138

HSL 195, 0.03%, 0.53%

LAB 56.28, -1.79, -1.84

 

CMYK 6 / 2 / 0 / 38

HEX #939A9D

RGB 147 154 157

HSL 198, 0.05%, 0.6%

LAB 63.13, -1.9, -2.45

 

CMYK 7 / 2 / 0 / 31

HEX #A4ACB0

RGB 164 172 176

HSL 200, 0.07%, 0.67%

LAB 69.85, -2.01, -3.03

 

CMYK 13 / 5 / 0 / 59

HEX #5B6469

RGB 91 100 105

HSL 201.43, 0.07%, 0.38%

LAB 41.78, -2.32, -4.01

 

CMYK 14 / 5 / 0 / 66

HEX #4A5256

RGB 74 82 86

HSL 200, 0.08%, 0.31%

LAB 34.32, -2.23, -3.43

 

CMYK 15 / 4 / 0 / 74

HEX #394043

RGB 57 64 67

HSL 198, 0.08%, 0.24%

LAB 26.57, -2.15, -2.82

 

CMYK 17 / 4 / 0 / 81

HEX #282E30

RGB 40 46 48

HSL 195, 0.09%, 0.17%

LAB 18.45, -2.08, -2.18

 

CMYK 21 / 3 / 0 / 89

HEX #171C1D

RGB 23 28 29

HSL 190, 0.12%, 0.1%

LAB 9.81, -2.04, -1.48

 

CMYK 13 / 5 / 0 / 59

HEX #5B6469

RGB 91 100 105

HSL 201.43, 0.07%, 0.38%

LAB 41.78, -2.32, -4.01

 

CMYK 13 / 7 / 0 / 60

HEX #5A6067

RGB 90 96 103

HSL 212.31, 0.07%, 0.38%

LAB 40.44, -0.75, -4.78

 

CMYK 13 / 9 / 0 / 60

HEX #5A5E67

RGB 90 94 103

HSL 221.54, 0.07%, 0.38%

LAB 39.85, 0.47, -5.67

 

CMYK 13 / 11 / 0 / 60

HEX #5A5C67

RGB 90 92 103

HSL 230.77, 0.07%, 0.38%

LAB 39.25, 1.69, -6.55

 

CMYK 13 / 13 / 0 / 60

HEX #5A5A67

RGB 90 90 103

HSL 240, 0.07%, 0.38%

LAB 38.66, 2.92, -7.43

 

CMYK 13 / 5 / 0 / 59

HEX #5B6469

RGB 91 100 105

HSL 201.43, 0.07%, 0.38%

LAB 41.78, -2.32, -4.01

 

CMYK 13 / 4 / 0 / 39

HEX #87959C

RGB 135 149 156

HSL 200, 0.1%, 0.57%

LAB 60.82, -3.51, -5.39

 

CMYK 14 / 5 / 0 / 19

HEX #B3C5CF

RGB 179 197 207

HSL 201.43, 0.23%, 0.76%

LAB 78.47, -4.08, -7.08

 

CMYK 0 / 0 / 0 / 99

HEX #030303

RGB 3 3 3

HSL 0, 0%, 0.01%

LAB 0.82, 0, -0

 

CMYK 13 / 6 / 0 / 79

HEX #2F3336

RGB 47 51 54

HSL 205.71, 0.07%, 0.2%

LAB 20.97, -0.97, -2.49

 

CMYK 13 / 5 / 0 / 59

HEX #5B6469

RGB 91 100 105

HSL 201.43, 0.07%, 0.38%

LAB 41.78, -2.32, -4.01

 

CMYK 6 / 13 / 0 / 60

HEX #615A67

RGB 97 90 103

HSL 272.31, 0.07%, 0.38%

LAB 39.3, 5.56, -6.42

 

CMYK 0 / 0 / 13 / 60

HEX #67675A

RGB 103 103 90

HSL 60, 0.07%, 0.38%

LAB 43.24, -2.53, 7.34

 

CMYK 13 / 5 / 0 / 59

HEX #5B6469

RGB 91 100 105

HSL 201.43, 0.07%, 0.38%

LAB 41.78, -2.32, -4.01

 

CMYK 0 / 13 / 5 / 60

HEX #675A62

RGB 103 90 98

HSL 323.08, 0.07%, 0.38%

LAB 39.71, 6.84, -2.65

 

CMYK 5 / 0 / 13 / 60

HEX #62675A

RGB 98 103 90

HSL 83.08, 0.07%, 0.38%

LAB 42.82, -4.56, 6.68

 

CMYK 13 / 5 / 0 / 59

HEX #5B6469

RGB 91 100 105

HSL 201.43, 0.07%, 0.38%

LAB 41.78, -2.32, -4.01

 

CMYK 6 / 13 / 0 / 60

HEX #615A67

RGB 97 90 103

HSL 272.31, 0.07%, 0.38%

LAB 39.3, 5.56, -6.42

 

CMYK 0 / 9 / 13 / 60

HEX #675E5A

RGB 103 94 90

HSL 18.46, 0.07%, 0.38%

LAB 40.62, 2.84, 3.59

 

CMYK 7 / 0 / 13 / 60

HEX #60675A

RGB 96 103 90

HSL 92.31, 0.07%, 0.38%

LAB 42.65, -5.37, 6.42

 

CMYK 13 / 5 / 0 / 59

HEX #5B6469

RGB 91 100 105

HSL 201.43, 0.07%, 0.38%

LAB 41.78, -2.32, -4.01

 

CMYK 2 / 13 / 0 / 60

HEX #655A67

RGB 101 90 103

HSL 290.77, 0.07%, 0.38%

LAB 39.68, 7.1, -5.81

 

CMYK 0 / 9 / 13 / 60

HEX #675E5A

RGB 103 94 90

HSL 18.46, 0.07%, 0.38%

LAB 40.62, 2.84, 3.59

 

CMYK 11 / 0 / 13 / 60

HEX #5C675A

RGB 92 103 90

HSL 110.77, 0.07%, 0.38%

LAB 42.33, -6.95, 5.92

 

Description

Color code: CMYK 13 / 4 / 0 / 59 | qconv.com Color code: CMYK 13 / 4 / 0 / 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 100 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 100 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 4 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 4% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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