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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 13 / 0 / 9 / 70 it is the complementary color CMYK 0 / 5 / 2 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 13 / 0 / 9 / 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 13 / 0 / 9 / 70: CMYK 6 / 0 / 16 / 70, CMYK 6 / 0 / 12 / 63, CMYK 6 / 0 / 9 / 56, CMYK 6 / 0 / 7 / 49 and CMYK 6 / 0 / 5 / 42

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 13 / 0 / 9 / 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 13 / 0 / 9 / 70: CMYK 13 / 0 / 9 / 70, CMYK 15 / 0 / 14 / 77, CMYK 20 / 0 / 22 / 84, CMYK 30 / 0 / 43 / 91 and CMYK 100 / 0 / 100 / 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 9 / 70

HEX #434D46

RGB 67 77 70

HSL 138, 0.07%, 0.28%

LAB 31.68, -5.6, 2.8

 

Complementary color

CMYK 0 / 5 / 2 / 26

HEX #BCB2B9

RGB 188 178 185

HSL 318, 0.07%, 0.72%

LAB 73.57, 4.83, -2.29

 

CMYK 6 / 0 / 16 / 70

HEX #484D41

RGB 72 77 65

HSL 85, 0.08%, 0.28%

LAB 31.96, -4.58, 6.44

 

CMYK 6 / 0 / 12 / 63

HEX #595F54

RGB 89 95 84

HSL 92.73, 0.06%, 0.35%

LAB 39.49, -4.64, 5.49

 

CMYK 6 / 0 / 9 / 56

HEX #6A7167

RGB 106 113 103

HSL 102, 0.05%, 0.42%

LAB 46.78, -4.7, 4.63

 

CMYK 6 / 0 / 7 / 49

HEX #7B837A

RGB 123 131 122

HSL 113.33, 0.04%, 0.5%

LAB 53.87, -4.76, 3.84

 

CMYK 6 / 0 / 5 / 42

HEX #8C958D

RGB 140 149 141

HSL 126.67, 0.04%, 0.57%

LAB 60.78, -4.82, 3.1

 

CMYK 13 / 0 / 9 / 70

HEX #434D46

RGB 67 77 70

HSL 138, 0.07%, 0.28%

LAB 31.68, -5.6, 2.8

 

CMYK 15 / 0 / 14 / 77

HEX #323B33

RGB 50 59 51

HSL 126.67, 0.08%, 0.21%

LAB 23.82, -5.66, 3.7

 

CMYK 20 / 0 / 22 / 84

HEX #212920

RGB 33 41 32

HSL 113.33, 0.12%, 0.14%

LAB 15.56, -5.76, 4.75

 

CMYK 30 / 0 / 43 / 91

HEX #10170D

RGB 16 23 13

HSL 102, 0.28%, 0.07%

LAB 6.79, -5, 4.64

 

CMYK 100 / 0 / 100 / 98

HEX #000500

RGB 0 5 0

HSL 120, 1%, 0.01%

LAB 0.98, -2, 1.43

 

CMYK 13 / 0 / 9 / 70

HEX #434D46

RGB 67 77 70

HSL 138, 0.07%, 0.28%

LAB 31.68, -5.6, 2.8

 

CMYK 13 / 0 / 7 / 70

HEX #424C47

RGB 66 76 71

HSL 150, 0.07%, 0.28%

LAB 31.31, -5.17, 1.61

 

CMYK 13 / 0 / 5 / 70

HEX #424C48

RGB 66 76 72

HSL 156, 0.07%, 0.28%

LAB 31.34, -4.94, 1.01

 

CMYK 13 / 0 / 3 / 70

HEX #424C4A

RGB 66 76 74

HSL 168, 0.07%, 0.28%

LAB 31.4, -4.47, -0.18

 

CMYK 13 / 0 / 0 / 70

HEX #424C4C

RGB 66 76 76

HSL 180, 0.07%, 0.28%

LAB 31.46, -4, -1.36

 

CMYK 13 / 0 / 9 / 70

HEX #434D46

RGB 67 77 70

HSL 138, 0.07%, 0.28%

LAB 31.68, -5.6, 2.8

 

CMYK 13 / 0 / 9 / 50

HEX #6F8074

RGB 111 128 116

HSL 137.65, 0.07%, 0.47%

LAB 51.93, -8.73, 4.42

 

CMYK 13 / 0 / 9 / 30

HEX #9CB3A3

RGB 156 179 163

HSL 138.26, 0.13%, 0.66%

LAB 70.84, -11.07, 5.5

 

CMYK 13 / 0 / 9 / 10

HEX #C8E6D1

RGB 200 230 209

HSL 138, 0.38%, 0.84%

LAB 88.67, -13.8, 6.92

 

CMYK 12 / 0 / 8 / 90

HEX #171A18

RGB 23 26 24

HSL 140, 0.06%, 0.1%

LAB 8.88, -1.96, 0.91

 

CMYK 13 / 0 / 9 / 70

HEX #434D46

RGB 67 77 70

HSL 138, 0.07%, 0.28%

LAB 31.68, -5.6, 2.8

 

CMYK 13 / 7 / 0 / 70

HEX #42474C

RGB 66 71 76

HSL 210, 0.07%, 0.28%

LAB 29.88, -0.85, -3.7

 

CMYK 0 / 13 / 12 / 70

HEX #4C4243

RGB 76 66 67

HSL 354, 0.07%, 0.28%

LAB 29, 4.47, 0.96

 

CMYK 13 / 0 / 9 / 70

HEX #434D46

RGB 67 77 70

HSL 138, 0.07%, 0.28%

LAB 31.68, -5.6, 2.8

 

CMYK 9 / 13 / 0 / 70

HEX #45424C

RGB 69 66 76

HSL 258, 0.07%, 0.28%

LAB 28.6, 3.55, -5.57

 

CMYK 0 / 9 / 13 / 70

HEX #4C4542

RGB 76 69 66

HSL 18, 0.07%, 0.28%

LAB 29.88, 2.35, 2.88

 

CMYK 13 / 0 / 9 / 70

HEX #434D46

RGB 67 77 70

HSL 138, 0.07%, 0.28%

LAB 31.68, -5.6, 2.8

 

CMYK 13 / 7 / 0 / 70

HEX #42474C

RGB 66 71 76

HSL 210, 0.07%, 0.28%

LAB 29.88, -0.85, -3.7

 

CMYK 0 / 13 / 4 / 70

HEX #4C4249

RGB 76 66 73

HSL 318, 0.07%, 0.28%

LAB 29.19, 5.72, -2.66

 

CMYK 0 / 7 / 13 / 70

HEX #4C4742

RGB 76 71 66

HSL 30, 0.07%, 0.28%

LAB 30.49, 1.08, 3.75

 

CMYK 13 / 0 / 9 / 70

HEX #434D46

RGB 67 77 70

HSL 138, 0.07%, 0.28%

LAB 31.68, -5.6, 2.8

 

CMYK 13 / 11 / 0 / 70

HEX #42444C

RGB 66 68 76

HSL 228, 0.07%, 0.28%

LAB 28.94, 1.07, -5.1

 

CMYK 0 / 13 / 4 / 70

HEX #4C4249

RGB 76 66 73

HSL 318, 0.07%, 0.28%

LAB 29.19, 5.72, -2.66

 

CMYK 0 / 3 / 13 / 70

HEX #4C4A42

RGB 76 74 66

HSL 48, 0.07%, 0.28%

LAB 31.41, -0.81, 5.07

 

Description

Color code: CMYK 13 / 0 / 9 / 70 | qconv.com Color code: CMYK 13 / 0 / 9 / 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 77 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 77 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 9 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 9% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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